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  • Online Resource  (2)
  • Filmuniversität Babelsberg  (2)
  • Medienzentrum Ostprignitz-Ruppin
  • 2005-2009  (2)
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  • 1
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    UID:
    b3kat_BV046090220
    Format: 1 online resource
    ISBN: 9789048505449
    Series Statement: Film Culture in Transition
    Content: They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) , In English
    Language: English
    Keywords: USA ; Film ; Kulturwandel ; Konzeption ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Hagener, Malte 1971-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    UID:
    b3kat_BV043111198
    Format: 1 Online-Ressource (276 pages)
    ISBN: 9048506727 , 9789048506729
    Series Statement: Film culture in transition
    Note: Includes bibliographical references (pages 249-260) and indexes , Introduction : film festivals as sites of passage -- - Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- - Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- - Venice and the value-adding process : the role of mediation, segregation and agenda setting -- - Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- - Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network , The film festival has come a long way from its relatively humble origins in Venice in 1932--when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today's most famous film festivals--Cannes, Berlin, Venice, and Rotterdam--continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. Film Festivals shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether "successful" is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to "new waves."
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 90-5356-192-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 90-5356-216-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-90-5356-192-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-90-5356-216-1
    Language: English
    Subjects: General works
    RVK:
    Keywords: Europa ; Filmfestspiel ; Geschichte 1932-2005 ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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