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  • 2015-2019  (2)
  • 2010-2014
  • General works  (2)
  • Film  (2)
  • 1
    UID:
    b3kat_BV042614298
    Format: 1 DVD, PAL, Ländercode 0, 84 Min., farb., Dolby digital 2.0, 5.1 , 12 cm
    Content: "Eine eloquente Kuratorin für zeitgenössische Kunst wird kaltgestellt, als sie in einem Interview unbequeme Wahrheiten über das Verhältnis von Politik, Kunst und Kino ausspricht. Doch davon lässt sie sich nicht entmutigen und macht sich auf die Suche nach neuen Kuratoren. Der hintergründige Debütfilm geht der Frage nach, warum öffentlich alimentierte Kunst politisch ohne jede Resonanz bleibt. Als galliger Kommentar zur aktuellen Lage nicht nur der Kulturpolitik bricht er pointiert die Verhältnisse auf deren Essenz herunter, ohne eine Lösung anzubieten. Erst am Ende scheint eine nostalgische Sehnsucht nach klaren Verhältnissen durch." [film-dienst.de]
    Note: Bildformat 16:9 , Orig.: Deutschland 2014 , Enth. "Das Oberhausener Gefühl", Webserie von Max Linz, (Deutschland 2012, 68 Min.) , Dt. - Untertitel: engl.
    Language: German
    Subjects: General works
    RVK:
    Keywords: Film
    Author information: Ralfs, Sarah ca. 20. Jh.
    Author information: Hoger, Hannelore 1942-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Jackson : University Press of Mississippi
    UID:
    gbv_1015469426
    Format: vii, 227 Seiten , Illustrationen
    ISBN: 9781496821164 , 9781496819116
    Content: "The Films of Mira Nair presents the first, full-length scholarly study of her cinema. Nair has broken new ground as both a feminist filmmaker and an Indian filmmaker. Several of her works, especially those related to the South Asian diaspora, have been influential around the globe. Amardeep Singh delves into the complexities of Nair's films from 1981 to 2016, offering critical commentary on all of Mira Nair's major works, including her early documentary projects as well as shorts. The subtitle, "Diaspora Vérité," alludes to Singh's primary theme: Nair's filmmaking project is driven aesthetically by her background in the documentary realist tradition (cinema vérité) and thematically by her interest in the lives of migrants and diasporic populations. Mainly, Nair's filmmaking intends to document imaginatively the experiences of diasporic communities. Nair's focus on the diasporic appears in the long list of her films that have explored the subject, such as Mississippi Masala, So Far from India, Monsoon Wedding, The Perez Family, My Own Country, The Namesake, and The Reluctant Fundamentalist. However, a version of the diasporic sensibility also emerges even in films with an apparently different scope, such as Nair's adaptation of Thackeray's Vanity Fair. Nair began her career as a documentary filmmaker in the early 1980s. While Nair now has largely moved away from the documentary format in favor of making fictional feature films, Singh shows that a documentary realist style remains active in her subsequent fictional cinema." -- Provided by publisher
    Content: Mira Nair's diaspora vérité -- "Our hearts and eyes are wide open": Mira Nair's documentaries -- Salaam Bombay! (1988): the aesthetics of disillusionment -- A tale of two "chunaris": the critique of Bollywood in Monsoon Wedding -- Into the diasporic mixing bowl: Mississippi Masala (1991), the Perez Family (1995), and My Own Country -- Feminist period pieces: Vanity Fair (2004) and Kama Sutra: a tale of love -- "Every day since then has been a gift": The Namesake -- "I had a Pakistani once": The Reluctant Fundamentalist (2013) and Nair's post-9/11 short films -- "Where do you belong?": returning to Uganda in Queen of Katwe
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781496819123
    Additional Edition: Erscheint auch als Online-Ausgabe Singh, Amardeep, 1974- author Films of Mira Nair Jackson : University Press of Mississippi, [2018]
    Language: English
    Subjects: General works
    RVK:
    Keywords: Nair, Mira 1957- ; Film
    Library Location Call Number Volume/Issue/Year Availability
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