Format:
1 Online-Ressource (xii, 222 p)
ISBN:
129978402X
,
9789067183901
,
9067183903
,
9789004253490
,
9781299784024
Series Statement:
Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 281
Content:
Introduction: approaching musical life in early post-Soeharto Yogyakarta --Musical worlds and their genres --Theory and concepts --Research methods --Overview --Music and the street --Background --Cultural capital and its spatial variants --In-group and inter-group social capital --Sosrowijayan and its street workers --Roadsides and alleyways --Becak drivers --The Sosro Bahu stand --Street guides --Sriwisata and the Sosro Boys --Musical forms and spaces --Mobile pengamen --Street-worker tongkrongan --Transweb --Opposite Resto --Music groups --The Sekar Wuyung group --The Shower street guide band --Shower at Resto and the Sosro Bahu after-party --Habitus and physicality --Background --Habitus, gender, and socialisation --Three forms of musical physicalisation --Detachment engagement --Kampung transitions --From hotel gamelan to kafe pop --Other worlds and sexualisation --Kampung jatilan and Kridosono metal/electronic --Campursari/dangdut and jalanan/rock in the kampung --Dangdut shows and pub rock --State power and musical cosmopolitanism --Background --The bureaucratic field --Grounded cosmopolitanism --Regional parliament --Awards night campursari --Awakening Day rock and reggae --Independence Day wayang kulit --Armed forces --Campursari at an army battalion --Music jalanan at the Air Force Academy --Universities --The State Institute of Islamic Studies --Gadjah Mada University --Sunday mornings on the boulevard --Hangouts, capital conversions, activities units --Large-scale musical performance --conclusion --Conclusion: Campursari and jalanan at the sultan's palace.Part 1:1.2.3.Part 2:4.5.Part 3:6.7.8.
Content:
Musical worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta's regional parliament, its military institutions, universities and the Sultan's palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari ('mixed essences') and jalanan ('of the street'). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu's theories on class, gender and nation with the author's alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Max M. Richter is director of the Monash Asia Institute and lecturer in Anthropology at Monash University, Australia. He has published in international journals and edited book collections, and has given presentations on Indonesian music and society in several countries and forums. His current research focuses on local-level music performance, intellectual/power-broker gatherings and centre/region identities in urban Indonesia
Note:
Available to subscribing member institutions only
,
Includes bibliographical references and index
,
English
Additional Edition:
ISBN 9789814414456
Additional Edition:
Erscheint auch als Druckausgabe Richter, Max M Musical worlds in Yogyakarta Singapore Institute of Southeast Asian Studies, 2013 ISBN 9789814414456
Language:
English
DOI:
10.1163/9789004253490
Bookmarklink
