Format:
1 Online-Ressource (343 pages)
ISBN:
9783030332778
Series Statement:
Global Cinema Ser
Note:
Description based on publisher supplied metadata and other sources
,
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Images -- List of Graphs -- List of Tables -- Chapter 1: Introduction: Movie Magazines, Digitization and New Cinema History -- Magazines, Digitization and Cinema Historiography -- Magazines, the Film Industry and the Cultural Economy -- Authors, Stars and Fans -- Part I: Magazines, Digitization and Cinema Historiography -- Chapter 2: Variety's Transformations: Digitizing and Analyzing the First 35 Years of the Canonical Trade Paper -- The Digitization Process: Post-Production Labor as Philology -- Computational Analysis: Using Scaled Entity Search -- Distant Reading with Quantitative Content Analysis -- Synthesizing Methods and Understanding Variety's Shifts Toward Film and Radio -- Conclusion -- Chapter 3: Who Knew? Using Digital Trade Papers to Explore Ethnic Programming in American Picture Palaces -- A New Jewish Patronage -- Before Broadway -- Broadway Discovers the Jewish Passover Crowds -- Vaudeville Stars and Sacred Songs for the High Holidays -- Competition for the High Holiday Public -- Methodological Reflection: The Needle and the Haystack -- Chapter 4: Periodical Studies, Intermediality, and Cinema: Film in The Listener -- Intermedial Periodical Studies -- The Listener -- Film Criticism in The Listener -- Conclusion -- Part II: Magazines, the Film Industry and the Cultural Economy -- Chapter 5: Gross "Inaccuracies, Misrepresentations, and Exaggerations": The Motion Picture Industry's Clean-up of Movie Fan Magazines in 1934 -- The Association of Motion Picture Producers, Studio Publicity Directors and Fan Magazines in the 1930s -- Hollywood Discourses: Mainstream Journalism vs. Fan Magazines -- "Inaccuracies, Misrepresentations, and Exaggerations": Fan Magazines in 1933-1934 -- Conclusion
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Chapter 6: "The Great and Important Thing in Her Life": Depicting Female Labor and Ambition in 1920s and 1930s US Movie Magazines -- "Boadiceas of Big Business": The Hollywood Women's Press Club and Female Wage Labor -- "Her Consuming Ambition and Burning Desire": Joan Crawford and Gender Identity in the Movie Magazines -- Chapter 7: "The Girl Friend in Canada": Ray Lewis and Canadian Moving Picture Digest (1915-1957) -- Women Editors of Movie Magazines -- Ray Lewis: Genesis of a Character -- Canadian Moving Picture Digest -- The White Commission -- Ray Lewis Versus the World -- Tireless Advocate for a Domestic Industry -- Industry Honors Lewis as Pioneer -- Chapter 8: Drumming up Readers: Zonk! African People's Pictorial and Films for African Audiences in South Africa in 1949 and the Early 1950s -- Access, Archives and Cinema History in the "Global South" -- Zonk! African People's Pictorial and African Jim -- The Magazine, and the Film Zonk! -- Zonk! African People's Pictorial and The Magic Garden (1951) -- "Two Famous Films" -- African Film Production's Film Song of Africa (1951) -- Drum Arrives on the Scene -- Conclusions -- Chapter 9: Mapping the Dutch Film Magazine Market, 1920-1960 -- Pre-War Era: Westerbaan as a Key Figure -- The Cinephile Niche -- Movie Magazines During Occupation -- After the War: A Challenging Market -- Conclusions -- Part III: Authors, Stars, and Fans -- Chapter 10: Looking at Movie Fans: On Pictures Published in French Film Magazines of the Interwar Years -- Dreaming of Being a Star: Pictures Sent in a 'Search for a Star' Contest -- Being a Member of a Cinephilic Society: Pictures in the Mail Section of Pour Vous -- Pictures of Stars Side by Side with Spectators: The Movie Family Gathered -- Conclusion: They Had Faces Too
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Chapter 11: Between Hollywood and Babelsberg: Popular Cinephilia in a Dutch Movie Magazine of the 1920s -- Running a Movie Magazine in an Underdeveloped Market -- Modes of Interactive Fandom -- Engaging Dutch Movie Fans -- "Do You Want to Go to Berlin?" -- The Dutch Clara Bow -- Chapter 12: Hollywood Imaginaries at the End of the World: Ecran and the Construction of the International Industry from the Periphery -- Chilean Film Magazines -- Ecran Magazine -- Ecran as a Mediator Between Hollywood and Chile -- Hollywood Between Modernity and Mistrust -- Ecran and Hollywood es así (1944) -- Conclusion -- Chapter 13: "How's Your Sense of Direction?" Using Movie Magazines to Study Audiences' Perception of Classical Hollywood Directors, 1934-1943 -- "Pantheon Directors" -- "The Far Side of Paradise" -- Other Directors -- Conclusion -- Chapter 14: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Histories of the Tijuana Bible -- Tijuana Bibles as Bridging Episode -- Tijuana Bibles as an Object and Generic Category -- Tijuana Bibles Go to Hollywood -- Tijuana Bibles and Moral Panic -- Conclusion -- Correction to: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Index
Additional Edition:
Erscheint auch als Druck-Ausgabe Biltereyst, Daniel Mapping Movie Magazines Cham : Springer International Publishing AG,c2020 ISBN 9783030332761
Language:
English
Subjects:
General works
Keywords:
Englisch
;
Französisch
;
Spanisch
;
Dänisch
;
Filmzeitschrift
;
Publikum
;
Filmstar
;
Filmschaffender
;
Cineastik
;
Geschichte 1918-1969
;
Filmzeitschrift
;
Verbreitung
;
Digitalisierung
;
Konferenzschrift
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