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  • 1
    Online Resource
    Online Resource
    Enter Culture, Exit Arts? : The Transformation of Cultural Hierarchies in European Newspaper Culture Sections, 1960-2010 (2018)
    Milton : Taylor & Francis Group
    Details
    UID:
    gbv_1851409971
    Format: 1 online resource (275 pages)
    ISBN: 9781351728034
    Series Statement: Cresc Series
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9781138740556
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138740556
    Language: English
    Keywords: Electronic books.
    URL: lizenzpflichtig
    URL: Click here to view book
    URL: kostenfrei
    URL: kostenfrei
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    Stabi Berlin
    UB Potsdam
    HPol Brandenburg
    MPI Bildungsforschung
  • 2
    Online Resource
    Online Resource
    Enter culture, exit arts? : the transformation of cultural hierarchies in European newspaper culture sections, 1960-2010 (2019)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    UID:
    b3kat_BV047108305
    Format: 1 Online-Ressource (xviii, 255 Seiten) , Diagramme
    ISBN: 9781315183404 , 9781351728034 , 9781351728041 , 1315183404 , 1351728032 , 1351728040
    Series Statement: Culture, economy and the social
    Content: "Key debates of contemporary cultural sociology - the rise of the 'cultural omnivore', the fate of classical 'highbrow' culture, the popularization, commercialization and globalization of culture - deal with temporal changes. Yet, systematic research about these processes is scarce due to the lack of suitable longitudinal data. This book explores these questions through the lens of a crucial institution of cultural mediation - the culture sections in quality European newspapers - from 1960 to 2010. Starting from the framework of cultural stratification and employing systematic content analysis both quantitative and qualitative of more than 13,000 newspaper articles, Enter Culture, Exit Arts? presents a synthetic yet empirically rich and detailed account of cultural transformation in Europe over the last five decades. It shows how classifications and hierarchies of culture have changed in course of the process toward increased cultural heterogeneity. Furthermore, it conceptualizes the key trends of rising popular culture and declining highbrow arts as two simultaneous processes: the one of legitimization of popular culture and the other of popularization of traditional legitimate culture, both important for the loosening of the boundary between 'highbrow' and 'popular'. Through careful comparative analysis and illustrative snapshots into the specific socio-historical contexts in which the newspapers and their representations of culture are embedded - in Finland, France, Spain, Sweden, Turkey and the UK -, the book reveals the key patterns and diversity of European variations in the transformation of cultural hierarchies since the 1960s. The book is a collective endeavour of a large-scale international research project active between 2013 and 2018"--
    Note: Includes bibliographical references and index , Introduction: newspapers and the study of changing cultural hierarchies -- The transformation: on the rise of popular culture and the decline of classical highbrow arts -- Both legitimization and popularization: how evaluations of pop-rock and classical music have become increasingly similar -- Globalization: on the tension between national and international culture -- Commercialization: on the commercial dimension and advertisements -- Beyond culture: politics and the role of culture in a wider socio-historical context -- Packaging of culture: on the "crisis" of cultural journalism and journalistic popularization
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-138-74055-6
    Language: English
    Keywords: Europa ; Zeitung ; Kulturwandel ; Hochkultur ; Massenkultur ; Feuilleton ; Geschichte 1960-2010
    DOI: 10.4324/9781315183404
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    EUV Frankfurt
    BTU Cottbus
  • 3
    Online Resource
    Online Resource
    Everyday eating in Denmark, Finland, Norway and Sweden : a comparative study of meal patterns, 1997-2012 (2019)
    London : Bloomsbury Publishing
    Details
    UID:
    gbv_1681960451
    Format: 1 Online-Ressource (x, 236 pages)
    Edition: First edition
    ISBN: 9781350080454 , 9781350080478 , 9781350080461
    Content: "The chapters in this volume concentrate on the mundane and ordinary eating practices of the everyday, showing how these are linked to change in modern society. The contributors present a collection of systematic empirical results from a unique study based on representative samples of four Nordic populations - Denmark, Finland, Norway and Sweden - conducted at two time points, 15 years apart. The results of this unprecedented longitudinal survey leads the contributors to question many commonly held beliefs about the presumed and feared collapse of the traditional eating habits, family meals, and regular meal patterns. As the social organization of eating is in many ways related to developments in other social institutions such as family, education, and work, chapters provide interesting insights into contemporary society, with key topics selected for scrutiny including gender, food types, diet and health, and cooking practices. Additionally, the chapters highlight changes in the gendering of food practices and signs of increasing informality around meals."--
    Content: Notes on Contributors Preface Acknowledgements -- 1. Introduction: Eating in Modern Everyday Life 2. The Food We Eat -- 3. The Daily Rhythm of Eating 4. The Social Context and Conduct of Eating 5. Family Meals on the Decline? 6. The Complexity of Meals 7. Eating Out, Having Guests 8. Cooking and Gender 9. Food Insecurity 10. Eating Practices and Dietary Health 11. Eating Sustainably 12. Conclusions: Continuity and Change in Everyday Eating 13. Appendix -- References Index
    Note: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350080485
    Additional Edition: Erscheint auch als Druck-Ausgabe Everyday eating in Denmark, Finland, Norway and Sweden London : Bloomsbury Academic, 2019 ISBN 9781350080485
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350080454
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    Stabi Berlin
    UB Potsdam
  • 4
    Online Resource
    Online Resource
    On the formation of Marxism : Karl Kautsky's theory of capitalism, the Marxism of the Second International and Karl Marx's Critique of political economy (2015)
    Leiden : Brill
    Details
    UID:
    gbv_1678181803
    Format: 1 Online-Ressource
    ISBN: 9789004306653 , 9789004306646
    Series Statement: Historical materialism book series v. 113
    Content: Front Matter -- Introduction -- Organised Capitalism, the General Cartel and the Proletariat -- The Dispute over Revisionism -- The Theory of Immiseration, Socialist Consciousness and the Intellectuals -- Socialism as Science -- The Capitalist Law of Appropriation: Kautsky’s Interpretation of Karl Marx’s Economic Thought -- The Centralisation of Capital and Monopoly Formation -- Imperialism and the Relation between Industrial and Agrarian Countries -- Imperialism and Its Alternatives -- Imperialism as the Last Stage of Capitalism -- Theoretical Sources of Kautsky’s and Lenin’s Studies on Imperialism -- Imperialism as the Truth about Capitalism -- Parliamentary Democracy and Revolutionary Tactics -- The Question of Democracy and Dictatorship: Lenin’s Critique of Kautsky the Renegade -- The Immanent Critique and the Natural Rights Theory -- John Locke, Adam Smith and Karl Marx’s Critique of Private Property -- The Principle of Labour -- The Theory of Increasing Misery and the Critique of Capitalism -- Conclusion -- Bibliography -- Indexes.
    Content: Karl Kautsky was, for three decades before the First World War, the main authority on the intellectual heritage of Marx and Engels, the founding fathers of Marxism. His interpretation of Marx’s Capital and the basic laws and contradictions of capitalism was the standard reference point for both the foes and allies of Social Democracy. Jukka Gronow’s On the Formation of Marxism analyses Kautsky’s impact on the self-understanding of the European labour movement from his dispute over Revisionism with Eduard Bernstein to his polemics with V.I. Lenin over Imperialism and the Russian Revolution. Despite many political differences, Gronow shows that these authors shared a common understanding of the basic nature of capitalism, which in important respects differed from Marx’s critique of political economy
    Note: Available to subscribing member institutions only , Includes bibliographical references and index , Originally published as the author's doctoral thesis, Department of Sociology, University of Helsinki in 1986
    Additional Edition: ISBN 9789004306646
    Additional Edition: ISBN 9789004306646
    Additional Edition: Erscheint auch als Druck-Ausgabe On the Formation of Marxism: Karl Kautsky’s Theory of Capitalism, the Marxism of the Second International and Karl Marx’s Critique of Political Economy Leiden, Boston : BRILL, 2016 ISBN 9789004306646
    Language: English
    DOI: 10.1163/9789004306653
    URL: DOI
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    Stabi Berlin
    UB Potsdam
  • 5
    Online Resource
    Online Resource
    Fashion Meets Socialism: Fashion industry in the Soviet Union after the Second World War (2015)
    Helsinki : Finnish Literature Society / SKS
    Details
    UID:
    gbv_1778635962
    Format: 1 Online-Ressource (306 p.)
    ISBN: 9789522227522
    Series Statement: Studia Fennica Historica
    Content: "This book presents, above all, a study of the establishment and development of the Soviet organization and system of fashion industry and design as it gradually evolved in the years after the Second World War in the Soviet Union, which was, in the understanding of its leaders, reaching the mature or last stage of socialism when the country was firmly set on the straight trajectory to its final goal, Communism. What was typical of this complex and extensive system of fashion was that it was always loyally subservient to the principles of the planned socialist economy. This did not by any means indicate that everything the designers and other fashion professionals did was dictated entirely from above by the central planning agencies. Neither did it mean that their professional judgment would have been only secondary to ideological and political standards set by the Communist Party and the government of the Soviet Union. On the contrary, as our study shows, the Soviet fashion professionals had a lot of autonomy. They were eager and willing to exercise their own judgment in matters of taste and to set the agenda of beauty and style for Soviet citizens. The present book is the first comprehensive and systematic history of the development of fashion and fashion institutions in the Soviet Union after the Second World War. Our study makes use of rich empirical and historical material that has been made available for the first time for scientific analysis and discussion. The main sources for our study came from the state, party and departmental archives of the former Soviet Union. We also make extensive use of oral history and the writings published in Soviet popular and professional press."
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 6
    Online Resource
    Online Resource
    Enter Culture, Exit Arts? : The Transformation of Cultural Hierarchies in European Newspaper Culture Sections, 1960–2010 (2018)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1778548989
    Format: 1 Online-Ressource (274 p.)
    ISBN: 9781315183404
    Content: Key debates of contemporary cultural sociology – the rise of the ‘cultural omnivore’, the fate of classical ‘highbrow’ culture, the popularization, commercialization and globalization of culture – deal with temporal changes. Yet, systematic research about these processes is scarce due to the lack of suitable longitudinal data. This book explores these questions through the lens of a crucial institution of cultural mediation – the culture sections in quality European newspapers – from 1960 to 2010. Starting from the framework of cultural stratification and employing systematic content analysis both quantitative and qualitative of more than 13,000 newspaper articles, Enter Culture, Exit Arts? presents a synthetic yet empirically rich and detailed account of cultural transformation in Europe over the last five decades. It shows how classifications and hierarchies of culture have changed in course of the process towards increased cultural heterogeneity. Furthermore, it conceptualizes the key trends of rising popular culture and declining highbrow arts as two simultaneous processes: the one of legitimization of popular culture and the other of popularization of traditional legitimate culture, both important for the loosening of the boundary between ‘highbrow’ and ‘popular’. Through careful comparative analysis and illustrative snapshots into the specific socio-historical contexts in which the newspapers and their representations of culture are embedded – in Finland, France, Spain, Sweden, Turkey and the UK – the book reveals the key patterns and diversity of European variations in the transformation of cultural hierarchies since the 1960s. The book is a collective endeavour of a large-scale international research project active between 2013 and 2018
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 7
    Online Resource
    Online Resource
    Deciphering Markets and Money : A Sociological Analysis of Economic Institutions (2020)
    Helsinki : Helsinki University Press
    Details
    UID:
    gbv_1778465625
    Format: 1 Online-Ressource (203 p.)
    ISBN: 9789523690011 , 9789523690004 , 9789523690028 , 9789523690035
    Content: "During the last two decades, economic sociology has experienced a remarkable revival and has become one of the most innovative fields of sociological research. Shifts in economic policy worldwide have led to the increasing interest in the sociological analysis of economic phenomena and institutions by challenging traditional research questions and demonstrating the limits and problems inherent in standard economic thinking and reasoning. Jukka Gronow’s book Deciphering Markets and Money solves the problem of the specific social conditions of an economic order based on money and the equal exchange of commodities. Gronow scrutinizes the relation of sociology to neoclassical economics and reflects on how sociology can contribute to the analyses of the major economic institutions. The question of the comparability and commensuration of economic objects runs through the chapters of the book. The author shows that due to the multidimensionality and principal quality uncertainty of products, markets would collapse without market devices that are either procedural, consisting of technical standards and measuring instruments, or aesthetic, relying on the judgements of taste, or both. In his book, Gronow demonstrates that in this respect, financial markets share the same problem as the markets of, wines, movies, or PCs and mobile phones, and hence offer a highly actual case to study their social constitution in the process of coming into being. Jukka Gronow is professor emeritus of sociology at Uppsala University, Sweden, and docent at the University of Helsinki, Finland. He has published on sociology of consumption, history of sociology and social theory."
    Note: English
    Language: English
    URL: kostenfrei
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    Stabi Berlin
    UB Potsdam
  • 8
    Online Resource
    Online Resource
    The sociology of taste / (1997)
    London ; : Routledge,
    Details
    UID:
    edoccha_9958062334802883
    Format: 1 online resource (214 p.)
    Edition: 1st ed.
    ISBN: 1-134-78655-7 , 1-134-78656-5 , 1-282-77788-2 , 9786612777882 , 0-203-15815-6
    Content: The modern society of consumption is a society of fashion. Fashion has extended its influence over various fields of social life and, together with taste, become central to our understanding of the inner dynamics of any modern society. The Sociology of Taste looks at the role of taste - or the aesthetic reflection - in society at large and in modern society in particular. Taking case studies from social life, for example eating and food culture, it illustrates the role of fashion in the formation of collective taste.
    Note: Bibliographic Level Mode of Issuance: Monograph , chapter 1 INTRODUCTION: -- Need, taste pleasure understanding modern consumption parallel between philosophy gastronomy -- chapter 2 PHILOSOPHICAL AESTHETICS AND THE REFINEMENT OF TASTE -- SOCIOLOGICAL AESTHETICS AESTHETIC SOCIOLOGY Custom, public opinion and social cohesion -- chapter WHAT IS GOOD TASTE? The refinement of taste in France -- chapter The hedonism of the new classes and the emergence of the ideal consumer -- chapter From the social hierarchy of tastes to mass fashion -- chapter 3 LUXURY, KITSCH AND FASHION -- FASHION CORRUPTION OF social interaction is corrupt taste -- chapter Why does the entire material culture of the late nineteenth century create an impression of kitsch? -- chapter 4 TASTE AND FASHION -- SELF-DYN SOCIA PROCESS modern fashion pattern -- chapter Fashion and taste -- chapter The ideal diet of the Finns? -- chapter The product as the real ascetic -- chapter 5 THE BEAUTY OF SOCIAL FORMS -- SIMMEL SOCIAL FORMS taste -- chapter The ideal world of play and art -- chapter 6 CONCLUSION: -- aesthetic sociology and aestheticization of everyday money beautify social relations? -- chapter NOTES -- chapter BIBLIOGRAPHY -- chapter NAME INDEX -- chapter SUBJECTINDEX. , English
    Additional Edition: ISBN 0-415-13294-0
    Additional Edition: ISBN 0-415-13295-9
    Language: English
    DOI: 10.4324/9780203158159
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    FU Berlin
    Charité
  • 9
    Online Resource
    Online Resource
    Enter culture, exit arts? : the transformation of cultural hierarchies in European newspaper culture sections, 1960-2010 (2019)
    Abingdon, Oxon : Routledge,
    Details
    UID:
    gbv_1780091028
    Format: 1 online resource
    ISBN: 9781351728041 , 1351728040 , 9781315183404 , 1315183404 , 9781351728034 , 1351728032
    Series Statement: Culture, economy and the social
    Content: Introduction: newspapers and the study of changing cultural hierarchies -- The transformation: on the rise of popular culture and the decline of classical highbrow arts -- Both legitimization and popularization: how evaluations of pop-rock and classical music have become increasingly similar -- Globalization: on the tension between national and international culture -- Commercialization: on the commercial dimension and advertisements -- Beyond culture: politics and the role of culture in a wider socio-historical context -- Packaging of culture: on the crisis of cultural journalism and journalistic popularization.
    Content: Key debates of contemporary cultural sociology – the rise of the ‘cultural omnivore’, the fate of classical ‘highbrow’ culture, the popularization, commercialization and globalization of culture – deal with temporal changes. Yet, systematic research about these processes is scarce due to the lack of suitable longitudinal data. This book explores these questions through the lens of a crucial institution of cultural mediation – the culture sections in quality European newspapers – from 1960 to 2010. Starting from the framework of cultural stratification and employing systematic content analysis both quantitative and qualitative of more than 13,000 newspaper articles, Enter Culture, Exit Arts? presents a synthetic yet empirically rich and detailed account of cultural transformation in Europe over the last five decades. It shows how classifications and hierarchies of culture have changed in course of the process towards increased cultural heterogeneity. Furthermore, it conceptualizes the key trends of rising popular culture and declining highbrow arts as two simultaneous processes: the one of legitimization of popular culture and the other of popularization of traditional legitimate culture, both important for the loosening of the boundary between ‘highbrow’ and ‘popular’. Through careful comparative analysis and illustrative snapshots into the specific socio-historical contexts in which the newspapers and their representations of culture are embedded – in Finland, France, Spain, Sweden, Turkey and the UK – the book reveals the key patterns and diversity of European variations in the transformation of cultural hierarchies since the 1960s. The book is a collective endeavour of a large-scale international research project active between 2013 and 2018.
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781138740556
    Additional Edition: ISBN 1138740551
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138740556
    Language: English
    URL: kostenfrei
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    Stabi Berlin
    MPI Bildungsforschung
  • 10
    Online Resource
    Online Resource
    Fashion meets socialism : fashion industry in the Soviet Union after the Second World War (2016)
    Helsinki : Finnish Literature Society
    Details
    UID:
    gbv_883949997
    Format: 1 Online-Ressource (303 Seiten) , Illustrationen
    ISBN: 9789522227522 , 9789522226785
    Series Statement: Studia Fennica 20
    Content: "This book presents, above all, a study of the establishment and development of the Soviet organization and system of fashion industry and design as it gradually evolved in the years after the Second World War in the Soviet Union, which was, in the understanding of its leaders, reaching the mature or last stage of socialism when the country was firmly set on the straight trajectory to its final goal, Communism. What was typical of this complex and extensive system of fashion was that it was always loyally subservient to the principles of the planned socialist economy. This did not by any means indicate that everything the designers and other fashion professionals did was dictated entirely from above by the central planning agencies. Neither did it mean that their professional judgment would have been only secondary to ideological and political standards set by the Communist Party and the government of the Soviet Union. On the contrary, as our study shows, the Soviet fashion professionals had a lot of autonomy. They were eager and willing to exercise their own judgment in matters of taste and to set the agenda of beauty and style for Soviet citizens.The present book is the first comprehensive and systematic history of the development of fashion and fashion institutions in the Soviet Union after the Second World War. Our study makes use of rich empirical and historical material that has been made available for the first time for scientific analysis and discussion. The main sources for our study came from the state, party and departmental archives of the former Soviet Union. We also make extensive use of oral history and the writings published in Soviet popular and professional press
    Note: A digital edition of a printed book first published in 2015 by the Finnish Literature Society , Quellen- und Literaturverzeichnis: Seite 285-296. - Enthält ein Namens- und ein Sachregister , English
    Additional Edition: ISBN 9789522226655
    Language: English
    Keywords: Sowjetunion ; Bekleidungsindustrie ; Geschichte 1945-1989
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: Volltext  (kostenfrei)
    Author information: Žuravlev, Sergej Vladimirovič 1960-
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    ZZF Potsdam
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