Kooperativer Bibliotheksverbund

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Format: 1 online resource (224 p.) : , 28 B/W illustrations

ISBN: 9781474446365 , 9783110993899

Series Statement: Edinburgh Studies in Film and Intermediality : ESFI

Content: Outlines an innovative agenda for understanding film's interaction with other art formsOpens up new critical perspectives for understanding the role of intermediality in moving image creationBroadens the traditional horizon of film studies, challenging mono-medial conceptions of filmOffers a broad and inclusive view of cinematic intermediality, with a special emphasis on understudied avant-garde and experimental practiceAs a fundamentally hybrid medium, cinema has always been defined by its interactions with other art forms such as painting, sculpture, photography, performance and dance. Taking the in-between nature of the cinematic medium as its starting point, this collection of essays maps out new directions for understanding the richly diverse ways in which artists and filmmakers draw on and reconfigure the other arts in their creative practice. From pre-cinema to the digital era, from avant-garde to world cinema and from the projection room to the gallery space, the contributors critically explore what happens when ideas, forms and feelings migrate from one art form to another. Giving voice to both theorists and moving image practitioners, Cinematic Intermediality: Theory and Practice stimulates fresh thinking about how intermediality, as both a creative method and an interpretative paradigm, can be explored alongside probing questions of what cinema is, has been and can be.

Note: Frontmatter -- , Contents -- , List of Figures -- , Acknowledgements -- , The Contributors -- , Introduction -- , Part 1 Mapping the Interzone -- , 1 Film and Performance: Intermedial Intersections -- , 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo -- , 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- , 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- , Part 2 The Intermedial Avant-gardes -- , 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- , 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- , 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- , Part 3 Technology, Apparatus, Affect -- , 8 Intermediality and the Origins of Cinema -- , 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- , 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph -- , Part 4 Intermedial Creation -- , 11 What Does a Dance Filmmaker See? -- , 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- , 13 Muybridge's Disobedient Horses: Non-stop Stop-motion -- , 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738

In: Edinburgh University Press Complete eBook-Package 2021, De Gruyter, 9783110780406

Additional Edition: ISBN 9781474446341

Language: English

DOI: 10.1515/9781474446365

URL: https://doi.org/10.1515/9781474446365

URL: https://www.degruyter.com/isbn/9781474446365

URL: Cover

URL: https://www.degruyter.com/isbn/9781474446365

URL: kostenfrei

URL: kostenfrei

URL: Cover

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Format: 1 Online-Ressource , Illustrationen

ISBN: 9781474446365 , 9781474446372

Series Statement: Edinburgh studies in film and intermediality

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4744-4634-1

Language: English

Keywords: Intermedialität ; Film ; Aufsatzsammlung

DOI: 10.1515/9781474446365

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

Author information: Knowles, Kim 1976-

UID:

Format: 1 Online-Ressource

ISBN: 9781474446341 , 9781474446372

Content: As a fundamentally hybrid medium, cinema has always been defined by its interactions with other art forms such as painting, sculpture, photography, performance and dance. Taking the in-between nature of the cinematic medium as its starting point, this collection of essays maps out new directions for understanding the richly diverse ways in which artists and filmmakers draw on and reconfigure the other arts in their creative practice. From pre-cinema to the digital era, from avant-garde to world cinema and from the projection room to the gallery space, the contributors critically explore what happens when ideas, forms and feelings migrate from one art form to another. Giving voice to both theorists and moving image practitioners, Cinematic Intermediality: Theory and Practice stimulates fresh thinking about how intermediality, as both a creative method and an interpretative paradigm, can be explored alongside probing questions of what cinema is, has been and can be

Note: English

Language: Undetermined

URL: kostenfrei

UID:

Format: 1 online resource (338 p.)

Edition: 1st, New ed.

ISBN: 9783035301298

Series Statement: Romanticism and after in France / Le Romantisme et après en France 15

Content: This volume of essays, which is dedicated to the late Richard Bales, one of the doyens of Proust studies, considers Proust’s pivotal role at the threshold of modernity, between nineteenth- and twentieth-century forms of writing and thinking, between the Belle Epoque and the First World War, between tradition and innovation. More than just a temporal concept, this threshold is theorized in the volume as a liminal space where borders (geographical, artistic, personal) dissolve, where greater possibilities for artistic dialogue emerge, and where unexpected encounters (between artists, genres and disciplines) take place. Working both backwards and forwards from the publication dates of A la recherche du temps perdu (1913-27), the seventeen essays written specially for this volume take as their focus Proust’s manifold engagements with the world of modernity, as well as intermedial relations among the generations of artists before and immediately after him. Looking back to the nineteenth century, the undisputed starting point for nascent forms of modernity in Western art and literature, and a period that was uniquely formative for the young Proust, they also offer insights into inter-artistic dialogue in Surrealist and post-Surrealist painting and poetry.

Note: Contents: Nigel Harkness/Marion Schmid: Introduction – Catherine O’Beirne: Proust and the Carlylean Mediation of Dante – Annick Bouillaguet : Cryptage et décryptage de la présence de Balzac dans l’écriture d’A la recherche du temps perdu – Timothy Unwin : Proust, Flaubert, et Flaubert avant Flaubert – Marion Schmid : Proust et Robert de Montesquiou : décadence, classicisme, originalité – Alison Finch: Marcel Proust: Cultural Historian – Adam Watt: Proust, Poet of the Ordinary – Cynthia Gamble: 22 rue de Provence: Siegfried Bing’s Hub of Art Nouveau Creativity and its ‘Rayonnement’ in the World of Proust – Edward J. Hughes: On the Nation and its Culture: Proust, Barrès and Daniel Halévy – Jack Jordan: Proust’s Narrator: Travels in the Space-Time Continuum – Diane R. Leonard: Proust in the Fourth Dimension – Patrick O’Donovan: Proust’s ‘grands chagrins utiles’: Beyond Contingency? – Jean Milly : Levers de rideau amoureux chez Proust – Nigel Harkness: Ut sculptura poesis? Literary-Sculptural Intersections in Balzac and Proust – Clare Moran: From Maeterlinck to Masks: Theatre and Mise en Scène in the Art of Fernand Khnopff and James Ensor – Patrick McGuinness: The Language of Politics in Symbolist and Decadent Polemic: From Le Décadent to the École romane – Peter Broome: Michaux and Magritte – Bernard Brun : Hommage à Richard Bales, pionnier des études proustiennes.

Additional Edition: ISBN 9783039118915

Language: English

DOI: 10.3726/978-3-0353-0129-8

URL: https://www.peterlang.com/view/product/11196?format=EPDF

URL: Volltext

URL: Volltext  (lizenzpflichtig)

UID:

Format: 1 online resource : , illustrations (black and white).

ISBN: 1-4744-6474-2 , 1-4744-1064-2

Series Statement: Edinburgh studies in film and intermediality

Content: Casting fresh light on one of the most important movements in film history, this text provides a comprehensive study of the French New Wave's relationship with the older arts. Traversing the fields of literature, theatre, painting, architecture and photography, and drawing on André Bazin alongside recent theories of intermediality, it investigates the 'impure', intermedial aesthetics of New Wave cinema.

Note: Previously issued in print: 2019. , Frontmatter -- , Contents -- , List of Figures -- , Acknowledgements -- , Introduction -- , 1 Celluloid and Paper: Rivalries, Synergies, Crossovers -- , 2 The World as Spectacle: Cinematic Theatricalities -- , 3 Painterly Hybridisations -- , 4 Architecture of Apocalypse, City of Lights -- , 5 Still/Moving: Photography and Cinematic Ontology -- , Conclusion -- , Bibliography -- , Index

Additional Edition: ISBN 1-4744-1063-4

Language: English

Keywords: Criticism, interpretation, etc. ; Criticism, interpretation, etc.

DOI: 10.1515/9781474410649

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Format: 1 Online-Ressource (vi, 309 pages) , illustrations

ISBN: 9789401203531

Series Statement: Faux titre 289

Content: Preliminary Material /Paul Gifford and Marion Schmid -- Introduction /Paul Gifford and Marion Schmid -- Critique génétique et théorie littéraire : quelques remarques /Louis Hay -- « Nous avançons toujours sur des sables mouvants. » Espaces et frontières de la critique génétique /Almuth Grésillon -- Génétique textuelle et génétique sociale /Joseph Jurt -- Les résistances théoriques à la critique génétique /William Marx -- Génétique scénarique : les scénarios de la scène du fiacre dans Madame Bovary /Éric Le Calvez -- Proust entre deux textes : réécriture et « intention » dans « Albertine disparue » /Nathalie Mauriac Dyer -- La difficile gestation de La Truite de Roger Vailland /David Nott -- Au commencement fut la fin : l’écriture en devenir chez Valéry et Duras /Brian Stimpson -- La naissance d’Hyper enfanté par l’esprit de la critique génétique /Thomas Bartscherer -- Avant-texte, intertexte, hypertexte : l’épisode du Club de l’Intelligence dans L’Éducation sentimentale /Tony Williams -- Temps, texte, machines. Représenter le processus d’écriture sur le Web /Domenico Fiormonte and Cinzia Pusceddu -- La création virtuelle /Pascal Michelucci -- Quelques remarques sur le couple intertextualité-genèse /Daniel Ferrer -- L’herméneutique et la création en acte /Paul Gifford -- La génétique entre singularité et pluralité de ses possibles heuristiques /Robert Pickering -- « Comment j’écris » /Marie Darrieussecq -- Table ronde /Paul Gifford and Marion Schmid -- Bibliographie générale /Paul Gifford and Marion Schmid -- Contributeurs /Paul Gifford and Marion Schmid -- Index /Paul Gifford and Marion Schmid.

Content: À l’aube de notre jeune XXIe siècle, la critique génétique se trouve enfin en mesure de faire le point sur son passé et de tracer les grandes lignes de son avenir : qu’est-elle susceptible d’apporter à d’autres approches critiques telles que la sociologie, l’intertextualité et l’herméneutique ? Comment modifie-t-elle notre compréhension des œuvres littéraires, ainsi que notre conception du texte ? Pourquoi, trente ans après son émergence dans le paysage critique, continue-t-elle à susciter la méfiance, voire l’hostilité dans les milieux universitaires ? Quelles seront ses pistes d’investigation et problématiques futures ? Quelles nouvelles voies les technologies comme l’hypertexte et les hypermédias ouvrent-elles en matière d’édition et de pédagogie ? Voilà quelques-unes des questions que se sont posées les auteurs du présent volume, spécialistes en critique génétique et en critique littéraire de part et d’autre de la Manche et de l’Atlantique. Illustrant l’activité courante du généticien et soulevant d’importantes questions théoriques, cet ouvrage se veut bilan de la discipline autant que panorama de ses possibles. Dans cette double perspective, il se propose d’évaluer l’état présent des études génétiques, de déterminer leur spécificité parmi les différentes approches critiques du texte, ainsi que d’apprécier l’aptitude de la génétique à réorienter, voire à renouveler la critique littéraire. Résolument interdisciplinaires, les travaux présentés examinent les grands débats qui ont eu lieu à l’intérieur de la discipline et à ses frontières, comparent des cas de genèse s’échelonnant du XVIe au XXe siècle, et tentent d’évaluer les acquis de la critique génétique et son impact sur la théorie et la pratique littéraires

Note: Includes bibliographical references (p. 291-298) and index

Additional Edition: ISBN 9789042020931

Additional Edition: ISBN 9042020938

Additional Edition: Erscheint auch als Druck-Ausgabe Création en acte Amsterdam ; New York, NY : Rodopi, 2007 ISBN 9789042020931

Additional Edition: ISBN 9042020938

Language: French

DOI: 10.1163/9789401203531

URL: DOI

UID:

Format: 1 online resource (x, 192 pages) , illustrations; digital, PDF file(s)

ISBN: 9781526141217

Content: Chantal Akerman is widely acclaimed as one of the most original and important directors working in Europe today. A towering figure in women’s and feminist film-making, she has produced a diverse and intensely personal body of work ranging from minimalist portraits of the everyday to exuberant romantic comedies, and from documentaries and musicals to installation art. This book traces the director’s career at the crossroads between experimental and mainstream cinema, contextualising her work within the American avant-garde of the 1970s, European anti-naturalism, feminism and the post-modern aesthetics. While offering an in-depth analysis of her multi-faceted film style, it also stresses the social and ethical dimension of her work, especially as regards her representation of marginal groups and her exploration of exilic and diasporic identities. Particular attention is given to the inscription of the Holocaust and of Jewish memory in her films

Note: Includes bibliographical references, filmography and index , List of Plates --Series editor’s foreword --Acknowledgments --Introductio -- the multiple faces of Chantal Akerman --1. The 1970s: anatomy of an avant-garde --2. The golden 80s: performance, parody, identity --3. The archaeology of suffering --4. Love and intimacy in a post-lapsarian world --Filmography --Select bibliography --Index

Language: English

UID:

Format: 1 online resource : , illustrations (black and white).

ISBN: 9781474464741 (ebook) :

Series Statement: Edinburgh studies in film and intermediality

Content: Casting fresh light on one of the most important movements in film history, this text provides a comprehensive study of the French New Wave's relationship with the older arts. Traversing the fields of literature, theatre, painting, architecture and photography, and drawing on André Bazin alongside recent theories of intermediality, it investigates the 'impure', intermedial aesthetics of New Wave cinema.

Note: Previously issued in print: 2019.

Additional Edition: Print version : ISBN 9781474410632

Language: English

URL: Edinburgh scholarship online

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Format: 1 online resource (412 p.) , 32 ill.

Edition: 1st, New ed.

ISBN: 9781788742054

Series Statement: European Connections 41

Content: This book is an interdisciplinary analysis of an art form that is crucial to the understanding of Italian contemporary society: political music from the 1960s to today. The musical activities of left-wing and right-wing bands and singer-songwriters reveal deep rifts in a country which, even today, has not yet come to terms with fascism, the political hatred of the Years of Lead, nor the social division of the 2000s, which climaxed in the Genoa Group of Eight summit in 2001. This book aims to describe Italian political music, highlighting its relationship with important international genres like American folk music revival, the French chansonniers, punk, ska, reggae and alterlatino as well as traditional music from all over the world. These musical influences shed light on a connection to linguistic dynamics that particularly binds the Italian, Spanish, French and English languages. A case study based on a corpus of forty-one bands and singer-songwriters uses cultural, digital humanities and literary techniques to provide insights into the sociolinguistic aspects of Italian and reveal the linguistic patterns that are typical of politics and gender discourse. The book also presents a comparative study of the relationship between the lyrics of new popular musicians and literature across the globe.

Note: CONTENTS: Roots of the Phenomenon – New Popular and Political Music from Local to Global and from Traditional to Contemporaneous – Italian New Popular and Political Music and Literature.

Additional Edition: ISBN 9781788742047

Language: English

DOI: 10.3726/b13157

URL: https://www.peterlang.com/view/product/84082?format=EPDF

UID:

Format: 1 online resource (176 p.)

Edition: 1st, New ed.

ISBN: 9781789977264

Series Statement: European Connections 43

Content: Reading is a peculiar kind of experience. Although its practice and theory have a very long tradition, the question of aesthetic pleasure is as perplexing as ever. Why do we read? What exactly thrills us in the text? One of the most prominent scholars having addressed these questions in the twentieth century is undeniably Roland Barthes, who distinguished between the «ordinary» pleasure of reading and bliss (jouissance), a delight so profound that it cannot be expressed in words. Taking his work as a central reference, and revisiting some of his seminal publications on the subject such as Empire of Signs (1970) and The Pleasure of the Text (1973), this collection of essays adopts a similar interdisciplinary approach to explore a broad range of themes and issues related to the notion of readerly enjoyment, between form and content, emotion and reason, and escapist and knowledge-seeking responses to the text: how do literary and ideological pleasures intersect? In what ways do perversions, madness or even fatigue contribute to the pleasure of the text? How do writing and signs, sense and significance, but also image and text interact in the intermedial process of reading? How can paratexts - i.e. the margins of the text, including footnotes - and metatexts play a part in the reader's enjoyment?

Content: «Under the aegis of an updated Barthes, these complementary analyses of the role of the image and signs, of style and its unconscious mechanisms, of paratexts and readers, cast a fresh light on the rich gamut of pleasures found in the reading encounter, as well as on the desires generated in and by texts.» (Vincent Ferré, Professor of Comparative Literature, Université Paris-Est Créteil)

Note: Contents: Perversity, Madness and Projective Reading, at the Margins of the Text: Image and Paratext in Barthes - Alex Watson: The Perverse Footnote: Roland Barthes's The Pleasure of the Text and the Politics of Paratextuality - Patrick ffrench: To Enter Madly into the Image: Reading Projectively in Barthes - On Pleasure, Fatigue and Death in/of the Text: Textual Exhaustion and Oscillations - Kohei Kuwada: Pleasure and Fatigue of the Barthesian Text - Fuhito Endo: Genealogy of Textual Necrophilia or Death Drive: Barthes, Freud, De Man, and Mehlman - Krista Bonello Rutter Giappone: Tragicomic Pleasure and Tickling-Teasing Oscillation in John Marston's Antonio Plays - Barthes and Japan, the «Empire of Signs»: Signifiance and Undialectical Writing - Fabien Arribert-Narce: Taking Signs for What They Are: Roland Barthes, Chris Marker and the Pleasure of Texte Japon - Andy Stafford: The Barthesian «Double Grasp»: Reading as Undialectical Writing.

Additional Edition: ISBN 9781789977004

Language: English

DOI: 10.3726/b16484

URL: https://www.peterlang.com/search?searchstring=9781789977264