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  • 2020-2024  (3)
  • Abbott, Stacey  (3)
  • Tendeter, Stacey
  • 1
    Online Resource
    Online Resource
    London, UK : Bloomsbury Publishing Plc
    UID:
    gbv_1751746968
    Format: 1 Online-Ressource (viii, 97 pages) , illustrations (colour)
    Edition: Also issued in print
    ISBN: 9781911239307
    Series Statement: BFI Film Classics
    Content: "Just a couple more minutes of your time, about the same duration as the rest of your life" : making a cult vampire film -- "The sun is on the rise" : a new gothic aesthetic -- "Finger lickin" good" : genre hybridity and the action vampire -- "No you've never met another girl like me" : the sympathetic, not-so-reluctant vampire -- "Fun times" : disrupting narrative resolution and resisting the status quo.
    Content: "First released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family. The film, an early work of the now-established director Kathryn Bigelow, skilfully mixes genre conventions, combining gothic tropes with those of the Western, road movie and film noir, while also introducing elements of the outlaw romance genre. Stacey Abbott's study of the film addresses it as a genre hybrid that also challenges conventions of the vampire film. The family of vampires who lure Caleb into their nocturnal existence is a central element of the film's innovative power: defined by a nomadic lifestyle, anarchic behaviour, a passion for violence, ambition for eternity, intense family bonds, and a gritty visual appearance. The vampires are morally ambiguous and undermine the class structures that have historically defined stories of the undead. These are not aristocrats but instead they capture the allure and horror of the disenfranchised and the underclass. The film is sumptuous in its aesthetic design, offering a nuanced and haunting presentation of its monstrous protagonists who stalk the Midwestern backroads and desert landscape. While it remains Bigelow's only foray into horror to date, its innovation showcases the creativity and artistic richness of the genre without sacrificing its visceral qualities. As Abbott describes, Near Dark was crucial in consolidating Bigelow's standing as a director of significance at an early point in her career, not simply because of her visual art background, but because of the way in which she would from Near Dark onward re-envision other traditionally mainstream genres of filmmaking"--
    Note: Includes bibliographical references and index , Also issued in print.
    Additional Edition: ISBN 9781911239277
    Additional Edition: ISBN 9781911239291
    Additional Edition: ISBN 9781911239277
    Additional Edition: Erscheint auch als Druck-Ausgabe Abbott, Stacey Near dark London ; New York, NY : Bloomsbury Publishing Plc, 2020
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cardiff : University of Wales Press
    UID:
    b3kat_BV047276013
    Format: xiv, 252 Seiten , 22 cm
    ISBN: 1786836947 , 9781786836946
    Series Statement: Horror studies
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78683-695-3
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Horrorfilm ; Fernsehserie ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    London : British Film Institute
    UID:
    b3kat_BV047211099
    Format: 1 Online-Ressource (vii, 94 Seiten) , Illustrationen
    ISBN: 9781911239307 , 9781911239291 , 9781911239284
    Series Statement: BFI film classics
    Content: "First released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family. The film, an early work of the now-established director Kathryn Bigelow, skilfully mixes genre conventions, combining gothic tropes with those of the Western, road movie and film noir, while also introducing elements of the outlaw romance genre. Stacey Abbott's study of the film addresses it as a genre hybrid that also challenges conventions of the vampire film. The family of vampires who lure Caleb into their nocturnal existence is a central element of the film's innovative power: defined by a nomadic lifestyle, anarchic behaviour, a passion for violence, ambition for eternity, intense family bonds, and a gritty visual appearance. The vampires are morally ambiguous and undermine the class structures that have historically defined stories of the undead. These are not aristocrats but instead they capture the allure and horror of the disenfranchised and the underclass. The film is sumptuous in its aesthetic design, offering a nuanced and haunting presentation of its monstrous protagonists who stalk the Midwestern backroads and desert landscape. While it remains Bigelow's only foray into horror to date, its innovation showcases the creativity and artistic richness of the genre without sacrificing its visceral qualities. As Abbott describes, Near Dark was crucial in consolidating Bigelow's standing as a director of significance at an early point in her career, not simply because of her visual art background, but because of the way in which she would from Near Dark onward re-envision other traditionally mainstream genres of filmmaking"--
    Additional Edition: Erscheint auch als Druck-Ausgabe, Broschur ISBN 978-1-911239-27-7
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Bigelow, Kathryn 1951-
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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