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  • 1
    UID:
    gbv_1840992301
    Format: 1 Online-Ressource (199 Seiten) , Illustrationen
    ISBN: 9780691978871
    Content: “Object Lessons in American Art” features four centuries of works from the Princeton University Art Museum that collectively explore American history, culture and society. Inspired by the concept of the object lesson — the study of a material thing to communicate a larger idea — the exhibition brings groups of objects together to ask fundamental questions about artistic significance, materials and how meanings change across time and contexts. With a focus on race, gender and the environment, these pairings demonstrate the value of juxtaposing diverse objects to generate new understanding. “Object Lessons” presents Euro-American, Native American and African American art from contemporary interpretive perspectives, illustrating how fresh investigations art can inform and enhance its meaning, affording new insights into the American past and present.
    Content: "Object Lessons in American Art explores a diverse gathering of Euro-American, Native American, and African American art from a range of contemporary perspectives, illustrating how innovative analysis of historical art can inform, enhance, and afford new relevance to artifacts of the American past. The book is grounded in the understanding that the meanings of objects change over time, in different contexts, and as a consequence of the ways in which they are considered. Inspired by the concept of the object lesson, the study of a material thing or group of things in juxtaposition to convey embodied and underlying ideas, Object Lessons in American Art examines a broad range of art from Princeton University's venerable collections as well as contemporary works that imaginatively appropriate and reframe their subjects and style, situating them within current social, cultural, and artistic debates on race, gender, the environment, and more. Karl Kusserow is the John Wilmerding Curator of American Art at the Princeton University Art Museum. Horace D. Ballard is the Theodore E. Stebbins Jr. Associate Curator of American Art at the Harvard Art Museums. Kirsten Pai Buick is professor of art history and chair of Africana Studies at the University of New Mexico. Ellery E. Foutch is associate professor of American studies at Middlebury College. Jeffrey Richmond-Moll is curator of American art at the Georgia Museum of Art at the University of Georgia. Rebecca Zorach is the Mary Jane Crowe Professor in Art and Art History at Northwestern University"--
    Additional Edition: ISBN 9780691978857
    Additional Edition: Erscheint auch als Druck-Ausgabe Art Museum (Princeton, NJ) Object lessons in American art Princeton, NJ : Princeton University Art Museum, 2023 ISBN 9780691978857
    Additional Edition: ISBN 0691978859
    Language: English
    Subjects: Art History
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    Keywords: Art Museum ; Sammlung ; USA ; Kunst ; Gesellschaft ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
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  • 2
    UID:
    almahu_BV048987265
    Format: 199 Seiten : , Illustrationen ; , 27 cm.
    ISBN: 978-0-691-97885-7
    Content: Object Lessons in American Art explores a diverse gathering of Euro-American, Native American, and African American art from a range of contemporary perspectives, illustrating how innovative analysis of historical art can inform, enhance, and afford new relevance to artifacts of the American past. The book is grounded in the understanding that the meanings of objects change over time, in different contexts, and as a consequence of the ways in which they are considered. Inspired by the concept of the object lesson, the study of a material thing or group of things in juxtaposition to convey embodied and underlying ideas, Object Lessons in American Art examines a broad range of art from Princeton University's venerable collections as well as contemporary works that imaginatively appropriate and reframe their subjects and style, situating them within current social, cultural, and artistic debates on race, gender, the environment, and more
    Note: Impressum: This book is published on the occasion of the exhibition "Object Lessons in American Art: Selections from the Princeton University Art Museum": Georgia Museum of Art, University of Georgia, Athens, Georgia, February 4-May 14, 2023; Florence Griswold Museum, Old Lyme, Connecticut, June 3-September 10, 2023; Speed Art Museum, Louisville, Kentucky, September 29, 2023-January 7, 2024
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-691-97887-1
    Language: English
    Subjects: Art History
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    Keywords: Sammlung ; Kunst ; Sammlung ; Kunst ; USA ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
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  • 3
    UID:
    almafu_BV048987265
    Format: 199 Seiten : , Illustrationen ; , 27 cm.
    ISBN: 978-0-691-97885-7
    Content: Object Lessons in American Art explores a diverse gathering of Euro-American, Native American, and African American art from a range of contemporary perspectives, illustrating how innovative analysis of historical art can inform, enhance, and afford new relevance to artifacts of the American past. The book is grounded in the understanding that the meanings of objects change over time, in different contexts, and as a consequence of the ways in which they are considered. Inspired by the concept of the object lesson, the study of a material thing or group of things in juxtaposition to convey embodied and underlying ideas, Object Lessons in American Art examines a broad range of art from Princeton University's venerable collections as well as contemporary works that imaginatively appropriate and reframe their subjects and style, situating them within current social, cultural, and artistic debates on race, gender, the environment, and more
    Note: Impressum: This book is published on the occasion of the exhibition "Object Lessons in American Art: Selections from the Princeton University Art Museum": Georgia Museum of Art, University of Georgia, Athens, Georgia, February 4-May 14, 2023; Florence Griswold Museum, Old Lyme, Connecticut, June 3-September 10, 2023; Speed Art Museum, Louisville, Kentucky, September 29, 2023-January 7, 2024
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-691-97887-1
    Language: English
    Subjects: Art History
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    Keywords: Sammlung ; Kunst ; Sammlung ; Kunst ; USA ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
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  • 4
    UID:
    gbv_1854219634
    Format: 255 Seiten
    ISBN: 9780262047999 , 0262047993
    Note: Seite 252: This catalogue accompanies the exhibition "Hugh Hayden American Vernacular" presented at de Cordova Sculpture Park and Museum from April 7 through December 31, 2023
    Language: English
    Subjects: Art History
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    Keywords: Hayden, Hugh 1983- ; Bildband ; Ausstellungskatalog
    Author information: Machado, Carmen Maria 1986-
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  • 5
    UID:
    gbv_1795028610
    Format: 103 Seiten , Illustrationen
    ISBN: 9781646570263
    Content: Mary Ann Unger : Influences and Arrangements / Horace D. Ballard -- Gathering : A Roundtable Conversation / Horace D. Ballard, Eve Biddle, and Sarah Montross -- The Things We Carry : Mary Ann Unger's Across the Bering Strait / Zoe Dobuler -- Power Objects : Forms to Rival the Moon / Horace D. Ballard.
    Content: "Rising to prominence in the downtown New York art scene in the 1980s and 1990s, multidisciplinary artist Mary Ann Unger (1945-1998) was skilled in graphic composition, watercolor, large-scale conceptual sculpture, and environmentally responsive, site-specific interventions. At the time of her death, Unger was a member of the Guerrilla Girls and acknowledged as a feminist pioneer of neo-expressionist sculptural form. Accompanying Unger's first solo museum presentation in the twenty-first century, this publication aims to revive and redirect cultural and scholarly attention on Unger's pioneering and lyrical practice, which was set aside in favor of the cishet male-dominated narrative of postwar American sculpture. Taking the reprinting of Roberta Smith's 1999 obituary for Unger as its starting place, the book's essays provide the artist her first fulsome consideration within the New York art milieu of her day, tracing Unger's life, her studies, and her network of artists and mentors. Following the exposition of Unger's life and practice, an interview with the artist's daughter will position Unger's legacy within the collaborative discourse and activism of a multigenerational family of artists. Two other essays will closely examine Unger's work in the context of contemporary conversations around feminist revisionings of history and modes of cultural appropriation and inspiration in her oeuvre. The catalogue concludes with a bibliography of various texts for further reading, in hope that such a reconsideration gives rise to further scholarly interest in Unger's practice"--
    Note: Includes bibliographical references , Seite [104]: Published in conjunction with the exhibition "Mary Ann Unger: To Shape a Moon from Bone" ... on view at the Williams College Museum of Art, July-December 2022 , Genaue Ausstellungsdaten aus dem Internet: 7/15/22 - 12/22/22
    Language: English
    Subjects: Art History
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    Keywords: Unger, Mary Ann 1945-1998 ; Installation ; Plastik ; Ausstellungskatalog
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  • 6
    UID:
    gbv_1857681908
    Format: 183 Seiten , Illustrationen , 28 x 25 cm
    ISBN: 9780300269703 , 0300269706
    Content: "Watercolor holds a special place in the history of American art. For generations of artists, the medium has provided a space for innovation and experimentation, allowing practitioners to let their imagination loose and to reflect on process and perception. Its rise to the status of fine art in the decades following the Civil War is well documented, yet its continued role as a testing ground and means of generating new ideas throughout the twentieth century has received comparatively less attention.This volume considers continuity and change in the American watercolor tradition over a century of production through the lens of the Harvard Art Museums' collection. Works by well-known watercolorists such as Winslow Homer, John Singer Sargent, and James Abbott McNeill Whistler are included, as well as surprising additions from Zelda Fitzgerald, Alexander Calder, Claes Oldenburg, and many others. In the spirit of the medium, the authors take a fluid and open-ended approach to the topic, offering both personal and scholarly reflections that invite readers to ponder the influence of these works on their own experience of the world. In addition to contextual essays, there are close readings of singular works and examinations of the unique material characteristics of the watercolor medium."--Distributor's website
    Note: Published on the occasion of the exhibition of the same title, held at Harvard Art Museums, Cambridge, May 20-August 13, 2023 , Seite [184]: This book accompanies the exhibition "American Watercolors, 1880-1990": Into the Light", on view at the Harvard Art Museums, Cambridge, Massachusetts, from May 20 through August 13, 2023 , Includes bibliographical references
    Language: English
    Subjects: Art History
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    Keywords: USA ; Aquarell ; Geschichte 1880-1990 ; Ausstellungskatalog ; Aufsatzsammlung
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