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  • 1
    UID:
    almahu_9949602162802882
    Format: 1 online resource (178 pages)
    Edition: 1st ed.
    ISBN: 9781137598295
    Note: Intro -- Acknowledgements -- Contents -- Chapter 1 Listening for Knowledge: Introduction -- Abstract -- Acoustic Signatures -- Sonic Skills -- Sensory Practices in the Sciences -- Cases of Sound and Listening -- Sensory Selectivity -- References -- Chapter 2 Sonic Signs: Turning to, Talking About, and Transcribing Sound -- Abstract -- Introduction -- Hazy Sounds: Verbalizations and Descriptions of the Audible -- Artful Drawings: Musical and Graphic Notation -- Save the Patient: Survival of Embodied Representation -- Conclusions -- References -- Chapter 3 Modes of Listening: Why, How and to What? -- Abstract -- Introduction -- Existing Taxonomies of Listening: Analytic and Actors' Categories -- Purposes of Listening: Why Scientists, Engineers, and Physicians Listen -- Ways of Listening: How Scientists, Engineers, and Physicians Listen -- Sonic Skills: Virtuosity in Shifting Modes and Handling Tools -- The Missing Third Dimension: Listening to What? -- Conclusions -- References -- Chapter 4 Resounding Contestation: The Ambiguous Status of Sonic Skills -- Abstract -- Twittering Timbrados -- Beyond the Infallible Ear: Repeated Listening and Sensory Calibration -- At a Glance: Mechanical Visualization and Professional Audition -- Meter Reading as a Technology of Trust in Expert-Customer Relations -- There Is More Than Meets the Eye: Struggling with Trained Ears in Sonification -- Conclusions -- References -- Chapter 5 Popping Up: The Continual Return of Sound and Listening -- Abstract -- Hearing Gravitational Waves -- The Digital: Portable and Versatile Sound Technologies -- Somatic Vigilance: Attuning to Instruments and Time -- Auditory Sublime: Promising Wonder and Awe Through Sound -- Conclusions -- References -- Chapter 6 Ensembles of Sonic Skills: Conclusions -- Abstract -- Introduction -- Timing-And the Relations Between Science and Technology. , Trust-And the Relations Between the Sciences and the Professions -- Accountability-And the Relations Between Science and Society -- Epilogue -- References -- References -- Name Index -- Subject Index.
    Additional Edition: Print version: Bijsterveld, Karin Sonic Skills London : Palgrave Macmillan UK,c2018 ISBN 9781137598318
    Language: English
    Subjects: General works
    RVK:
    Keywords: Electronic books.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Bielefeld :transcript,
    UID:
    almahu_9949465079802882
    Format: 1 online resource (231 pages)
    Edition: 1st ed.
    ISBN: 9783839421796
    Series Statement: Sound Studies ; v.5
    Note: Cover -- Editorial Board -- Contents -- Sound Studies -- Contents -- Introduction -- Shifting Sounds. Textualization and Dramatization of Urban Soundscapes -- Why Historians of the Auditory Urban Past Might Consider Getting Their Ears Wet -- Sounds Familiar. Intermediality and Remediation in the Written, Sonic and Audiovisual Narratives of Berlin Alexanderplatz -- The Chirping of a Little Bird. Some (Film) Theoretical Reflections -- Sonic Artefacts. Reality Codes of Urbanity in Early German Radio Documentary -- Radio Documentary and the Formation of Urban Aesthetics -- Soundscape, Landscape, Escape -- The Corporeality of Listening. Experiencing Soundscapes on Audio Guides -- The Eleventh of the Eleventh of the Eleventh. The Theatre of Memorial Silence -- Authors -- List of Illustrations.
    Additional Edition: Print version: Bijsterveld, Karin Soundscapes of the Urban Past Bielefeld : transcript,c2014 ISBN 9783837621792
    Language: English
    Subjects: Ethnology , Musicology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Electronic books. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Cover
    URL: Cover
    URL: Cover
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  • 3
    UID:
    almahu_9949420072502882
    Format: XVI, 337 p. 9 illus. , online resource.
    Edition: 1st ed. 2023.
    ISBN: 9783031111082
    Content: This open access book illustrates how interdisciplinary research develops over the lifetime of a scholar: not in a single project, but as an attitude that trickles down, or spirals up, into research. This book presents how interdisciplinary work has inspired shifts in how the contributors read, value concepts, critically combine methods, cope with knowledge hierarchies, write in style, and collaborate. Drawing on extensive examples from the humanities and social sciences, the editors and chapter authors show how they started, tried to open up, dealt with inconsistencies, had to adapt, and ultimately learned and grew as researchers. The book offers valuable insights into the conditions and complexities present for interdisciplinary research to be successful in an academic setting. Karin Bijsterveld is Full Professor of Science, Technology and Modern Culture at Maastricht University, the Netherlands. Her work focuses on themes at the intersection of science and technology studies and sound studies. She has taught extensively on how to do interdisciplinary research. Aagje Swinnen is Professor in Aging Studies at Maastricht University, the Netherlands. She has published on representations of aging in literature, photography, and film; meanings of literary approaches in dementia care; and ways in which professional artists understand and give meaning to creativity in the later stages of their career.
    Note: 1. Introduction -- 2. Reversing the Gaze on Expectations in Technology: Philosopher Ortega y Gasset in Innovation Studies -- 3. A Modernization Perspective on Dutch Universities in the 19th Century: Theoretical Sociology Challenging Historiography -- 4. Constitutional Reform in the Postwar Netherlands: Law in History -- 5. Rethinking Eastern Europe in European Studies: Creating Symmetry through Interdisciplinarity -- 6. Gift and Reciprocity in the Aftermath of the 2003 Heatwave: Using Social Theory to Understand Public Confusion in Response to Solidarity Day in France -- 7. Freeing the Frog in the Well: Borrowing from History to Understand Contemporary Japanese Development Aid to Ethiopia -- 8. Examining Personal and Cultural Narratives of Aging: Literary Gerontology Revisited -- 9. Museology and Its Others: Analyzing Exhibition Storytelling through Narratology, Space analysis, Discourse analysis, and Ethnographic Research -- 10. Spatial Rituals and Ritualized Space in Dutch Postwar Homes for the Elderly: Anthropology in History -- 11. The Mysterious User of Research Data: Knitting Together Science and Technology Studies with Information and Computer Science -- 12. Interdisciplinary Anticipations: Art-Science Collaboration at the Maastricht Brain Stimulation and Cognition Laboratory -- 13. Doing Collaborative Research on Symphonic Orchestra Audiences: Interventionist Ethnography of Music Practices -- 14. Alignment and Alienation: Emergency Staff and Midwifery Scholars as Co-Researchers -- 15. ‘Doing’ Teamwork as ‘Doing’ Family: Researching Transnational Migrant Families through Interdisciplinary Collaboration.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783031111075
    Additional Edition: Printed edition: ISBN 9783031111099
    Additional Edition: Printed edition: ISBN 9783031111105
    Language: English
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  • 4
    UID:
    kobvindex_HPB885021997
    Format: 1 online resource
    ISBN: 1306998786 , 9781306998789 , 9783839421796 , 3839421799
    Series Statement: Sound Studies ; 5
    Content: We cannot simply listen to our urban past. Yet we encounter a rich cultural heritage of city sounds presented in text, radio and film. How can such "staged sounds" express the changing identities of cities?This volume presents a collection of studies on the staging of Amsterdam, Berlin and London soundscapes in historical documents, radio plays and films, and offers insights into themes such as film sound theory and museum audio guides. In doing so, this book puts contemporary controversies on urban sound in historical perspective, and contextualises iconic presentations of cities. It addresses academics, students, and museum workers alike. With contributions by Jasper Aalbers, Karin Bijsterveld, Carolyn Birdsall, Ross Brown, Andrew Crisell, Andreas Fickers, Annelies Jacobs, Evi Karathanasopoulou, Patricia Pisters, Holger Schulze, Mark M. Smith and Jonathan Sterne.--
    Note: Intro; Contents; Editorial Board; Sound Studies; Contents; Introduction; Shifting Sounds. Textualization and Dramatization of Urban Soundscapes; Why Historians of the Auditory Urban Past Might Consider Getting Their Ears Wet; Sounds Familiar. Intermediality and Remediation in the Written, Sonic and Audiovisual Narratives of Berlin Alexanderplatz; The Chirping of a Little Bird. Some (Film) Theoretical Reflections; Sonic Artefacts. Reality Codes of Urbanity in Early German Radio Documentary; Radio Documentary and the Formation of Urban Aesthetics; Soundscape, Landscape, Escape , The Corporeality of Listening. Experiencing Soundscapes on Audio GuidesThe Eleventh of the Eleventh of the Eleventh. The Theatre of Memorial Silence; Authors; List of Illustrations , In English.
    Additional Edition: Print version: ISBN 9781306998789
    Language: English
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  • 5
    Online Resource
    Online Resource
    London :Palgrave Macmillan Limited,
    UID:
    kobvindex_HPB1108565032
    Format: 1 online resource (178 pages)
    ISBN: 9781137598295 , 1137598298
    Content: It is common for us today to associate the practice of science primarily with the act of seeing--with staring at computer screens, analyzing graphs, and presenting images. We may notice that physicians use stethoscopes to listen for disease, that biologists tune into sound recordings to understand birds, or that engineers have created Geiger tellers warning us for radiation through sound. But in the sciences overall, we think, seeing is believing. This open access book explains why, indeed, listening for knowledge plays an ambiguous, if fascinating, role in the sciences. For what purposes have scientists, engineers and physicians listened to the objects of their interest? How did they listen exactly? And why has listening often been contested as a legitimate form of access to scientific knowledge? This concise monograph combines historical and ethnographic evidence about the practices of listening on shop floors, in laboratories, field stations, hospitals, and conference halls, between the 1920s and today. It shows how scientists have used sonic skills--skills required for making, recording, storing, retrieving, and listening to sound--in ensembles: sets of instruments and techniques for particular situations of knowledge making. Yet rather than pleading for the emancipation of hearing at the expense of seeing, this essay investigates when, how, and under which conditions the ear has contributed to science dynamics, either in tandem with or without the eye. Karin Bijsterveld is historian and professor of Science, Technology and Modern Culture at Maastricht University, The Netherlands.
    Note: Acknowledgements -- 1. Listening for Knowledge: Introduction -- 2. Sonic Signs: Turning to, Talking about and Transcribing Sound -- 3. Modes of Listening: Why, How and to What? -- 4. Resounding Contestation: The Ambiguous Status of Sonic Skills -- 5. Popping Up: The Continual Return of Sound and Listening -- 6. Ensembles of Sonic Skills: Conclusions -- References.
    Additional Edition: Print version: Bijsterveld, Karin. Sonic Skills : Listening for Knowledge in Science, Medicine and Engineering, 1920s-Present. London : Palgrave Macmillan Limited, ©2018 ISBN 9781137598318
    Language: English
    Keywords: History
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  • 6
    UID:
    almahu_9948148146702882
    Format: IX, 174 p. , online resource.
    Edition: 1st ed. 2019.
    ISBN: 9781137598295
    Content: It is common for us today to associate the practice of science primarily with the act of seeing—with staring at computer screens, analyzing graphs, and presenting images. We may notice that physicians use stethoscopes to listen for disease, that biologists tune into sound recordings to understand birds, or that engineers have created Geiger tellers warning us for radiation through sound. But in the sciences overall, we think, seeing is believing. This open access book explains why, indeed, listening for knowledge plays an ambiguous, if fascinating, role in the sciences. For what purposes have scientists, engineers and physicians listened to the objects of their interest? How did they listen exactly? And why has listening often been contested as a legitimate form of access to scientific knowledge? This concise monograph combines historical and ethnographic evidence about the practices of listening on shop floors, in laboratories, field stations, hospitals, and conference halls, between the 1920s and today. It shows how scientists have used sonic skills—skills required for making, recording, storing, retrieving, and listening to sound—in ensembles: sets of instruments and techniques for particular situations of knowledge making. Yet rather than pleading for the emancipation of hearing at the expense of seeing, this essay investigates when, how, and under which conditions the ear has contributed to science dynamics, either in tandem with or without the eye. Karin Bijsterveld is historian and professor of Science, Technology and Modern Culture at Maastricht University, The Netherlands.
    Note: Acknowledgements -- 1. Listening for Knowledge: Introduction -- 2. Sonic Signs: Turning to, Talking about and Transcribing Sound -- 3. Modes of Listening: Why, How and to What? -- 4. Resounding Contestation: The Ambiguous Status of Sonic Skills -- 5. Popping Up: The Continual Return of Sound and Listening -- 6. Ensembles of Sonic Skills: Conclusions -- References.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781137598318
    Additional Edition: Printed edition: ISBN 9781349997114
    Additional Edition: Printed edition: ISBN 9781349959204
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    London : Springer Nature | London :Palgrave Macmillan UK :
    UID:
    almahu_9949595403902882
    Format: 1 online resource (IX, 174 p.)
    Edition: 1st ed. 2019.
    ISBN: 1-137-59829-8
    Content: It is common for us today to associate the practice of science primarily with the act of seeing—with staring at computer screens, analyzing graphs, and presenting images. We may notice that physicians use stethoscopes to listen for disease, that biologists tune into sound recordings to understand birds, or that engineers have created Geiger tellers warning us for radiation through sound. But in the sciences overall, we think, seeing is believing. This open access book explains why, indeed, listening for knowledge plays an ambiguous, if fascinating, role in the sciences. For what purposes have scientists, engineers and physicians listened to the objects of their interest? How did they listen exactly? And why has listening often been contested as a legitimate form of access to scientific knowledge? This concise monograph combines historical and ethnographic evidence about the practices of listening on shop floors, in laboratories, field stations, hospitals, and conference halls, between the 1920s and today. It shows how scientists have used sonic skills—skills required for making, recording, storing, retrieving, and listening to sound—in ensembles: sets of instruments and techniques for particular situations of knowledge making. Yet rather than pleading for the emancipation of hearing at the expense of seeing, this essay investigates when, how, and under which conditions the ear has contributed to science dynamics, either in tandem with or without the eye. Karin Bijsterveld is historian and professor of Science, Technology and Modern Culture at Maastricht University, The Netherlands.
    Note: Acknowledgements -- 1. Listening for Knowledge: Introduction -- 2. Sonic Signs: Turning to, Talking about and Transcribing Sound -- 3. Modes of Listening: Why, How and to What? -- 4. Resounding Contestation: The Ambiguous Status of Sonic Skills -- 5. Popping Up: The Continual Return of Sound and Listening -- 6. Ensembles of Sonic Skills: Conclusions -- References. , English
    Additional Edition: ISBN 1-137-59831-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    almahu_9949449390902882
    Format: 1 electronic resource (337 p.)
    Edition: 1st ed.
    ISBN: 3-031-11108-7
    Content: This open access book illustrates how interdisciplinary research develops over the lifetime of a scholar: not in a single project, but as an attitude that trickles down, or spirals up, into research. This book presents how interdisciplinary work has inspired shifts in how the contributors read, value concepts, critically combine methods, cope with knowledge hierarchies, write in style, and collaborate. Drawing on extensive examples from the humanities and social sciences, the editors and chapter authors show how they started, tried to open up, dealt with inconsistencies, had to adapt, and ultimately learned and grew as researchers. The book offers valuable insights into the conditions and complexities present for interdisciplinary research to be successful in an academic setting. This is an open access book.
    Note: English
    Additional Edition: ISBN 3-031-11107-9
    Language: English
    Keywords: Llibres electrònics
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    London : Springer Nature | London :Palgrave Macmillan UK :
    UID:
    edoccha_9959014401902883
    Format: 1 online resource (IX, 174 p.)
    Edition: 1st ed. 2019.
    ISBN: 1-137-59829-8
    Content: It is common for us today to associate the practice of science primarily with the act of seeing—with staring at computer screens, analyzing graphs, and presenting images. We may notice that physicians use stethoscopes to listen for disease, that biologists tune into sound recordings to understand birds, or that engineers have created Geiger tellers warning us for radiation through sound. But in the sciences overall, we think, seeing is believing. This open access book explains why, indeed, listening for knowledge plays an ambiguous, if fascinating, role in the sciences. For what purposes have scientists, engineers and physicians listened to the objects of their interest? How did they listen exactly? And why has listening often been contested as a legitimate form of access to scientific knowledge? This concise monograph combines historical and ethnographic evidence about the practices of listening on shop floors, in laboratories, field stations, hospitals, and conference halls, between the 1920s and today. It shows how scientists have used sonic skills—skills required for making, recording, storing, retrieving, and listening to sound—in ensembles: sets of instruments and techniques for particular situations of knowledge making. Yet rather than pleading for the emancipation of hearing at the expense of seeing, this essay investigates when, how, and under which conditions the ear has contributed to science dynamics, either in tandem with or without the eye. Karin Bijsterveld is historian and professor of Science, Technology and Modern Culture at Maastricht University, The Netherlands.
    Note: Acknowledgements -- 1. Listening for Knowledge: Introduction -- 2. Sonic Signs: Turning to, Talking about and Transcribing Sound -- 3. Modes of Listening: Why, How and to What? -- 4. Resounding Contestation: The Ambiguous Status of Sonic Skills -- 5. Popping Up: The Continual Return of Sound and Listening -- 6. Ensembles of Sonic Skills: Conclusions -- References. , English
    Additional Edition: ISBN 1-137-59831-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    UID:
    edoccha_9960962471202883
    Format: 1 electronic resource (337 p.)
    Edition: 1st ed.
    ISBN: 3-031-11108-7
    Content: This open access book illustrates how interdisciplinary research develops over the lifetime of a scholar: not in a single project, but as an attitude that trickles down, or spirals up, into research. This book presents how interdisciplinary work has inspired shifts in how the contributors read, value concepts, critically combine methods, cope with knowledge hierarchies, write in style, and collaborate. Drawing on extensive examples from the humanities and social sciences, the editors and chapter authors show how they started, tried to open up, dealt with inconsistencies, had to adapt, and ultimately learned and grew as researchers. The book offers valuable insights into the conditions and complexities present for interdisciplinary research to be successful in an academic setting. This is an open access book.
    Note: English
    Additional Edition: ISBN 3-031-11107-9
    Language: English
    Keywords: Llibres electrònics
    Library Location Call Number Volume/Issue/Year Availability
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