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  • 1
    Book
    Book
    Rochester, NY [u.a.] : Univ. of Rochester Press
    UID:
    b3kat_BV025325636
    Format: XI, 223 S. , Ill.
    Edition: 1. publ.
    ISBN: 1580461417
    Series Statement: Eastman studies in music 25
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Barraqué, Jean 1928-1973 ; Biografie ; Barraqué, Jean ; Biografie
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV025267562
    Format: XIV, 109 S. , Ill., Notenbeisp.
    Edition: [Repr.]
    ISBN: 0521237467 , 0521281997
    Series Statement: Cambridge opera handbooks
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Stravinsky, Igor 1882-1971 ; The rake's progress ; Stravinsky, Igor 1882-1971 The rake's progress ; The rake's progress
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    b3kat_BV025315402
    Format: XV, 373 S. , Notenbeisp.
    Edition: Repr.
    ISBN: 0198165781 , 0198165110
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Musik ; Geschichte 1945-1995 ; Musik ; Geschichte 1945-2010 ; Musik ; Geschichte 1945-1995
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  • 4
    Online Resource
    Online Resource
    Suffolk : Boydell & Brewer
    UID:
    gbv_883279800
    Format: 1 Online-Ressource (xii, 223 pages) , digital, PDF file(s)
    ISBN: 9781580466196
    Content: The life and works of one of the most difficult yet rewarding composers of modern time. Jean Barraqué is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of his responsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak. Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keys to a new musical language-a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for both of them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically. He played for high stakes, and he took risks-with himself as in his art. Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five. Paul Griffiths was chief music critic for the London 'Times' (1982-92) and 'The New Yorker' (1992-96) and since 1996 has written regularly for the 'New York Times'. He has written books on Boulez, Cage, Messiaen, Ligeti, Davies, Bartók and Stravinsky, as well as several librettos, among them 'The Jewel Box' (Mozart, 1991), 'Marco Polo' (Tan Dun, 1996) and 'What Next?' (Elliott Carter, 1999)
    Content: Family and formation -- Langlais, and a beginning -- Messiaen, and friendships -- Sonata -- A Nietzsche sequence -- Musique concrète -- Foucault -- The death of Virgil -- You -- Time regiven -- Beyond chance -- Since Debussy -- Silence -- Debussy -- Citation : Hommage à Claude Debussy -- Song after song -- Concerto -- The man lying down
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
    Additional Edition: ISBN 9781580461412
    Additional Edition: Print version ISBN 9781580461412
    Language: English
    Subjects: Musicology
    RVK:
    URL: Volltext  (lizenzpflichtig)
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