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  • 1
    Book
    Book
    Cambridge, Mass. ; New York, NY : Cambridge Univ. Press
    UID:
    b3kat_BV039559025
    Format: XII, 335 S. , Ill., Notenbeisp. , 26 cm
    Edition: 1. publ.
    ISBN: 9781107010918 , 9781107460980
    Series Statement: New perspectives in music history and criticism
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Deutschland ; Österreich ; Musiktheorie ; Tiefe ; Geschichte 1800-1950 ; Marx, Adolf Bernhard 1795-1866 ; Schumann, Robert 1810-1856 ; Wagner, Richard 1813-1883 ; Schenker, Heinrich 1868-1935 ; Schönberg, Arnold 1874-1951 ; Musiktheorie ; Ausdruck ; Hoffmann, E. T. A. 1776-1822 ; Musiktheorie ; Ausdruck
    URL: Cover
    Author information: Watkins, Holly 1972-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City : Cambridge University Press
    UID:
    b3kat_BV043922450
    Format: 1 Online-Ressource (xii, 335 Seiten) , Illustrationen, Notenbeispiele
    ISBN: 9780511820496
    Series Statement: New perspectives in music history and criticism 21
    Content: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation
    Note: Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press) , From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-01091-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-107-46098-0
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Deutschland ; Österreich ; Musiktheorie ; Tiefe ; Geschichte 1800-1950 ; Marx, Adolf Bernhard 1795-1866 ; Schumann, Robert 1810-1856 ; Wagner, Richard 1813-1883 ; Schenker, Heinrich 1868-1935 ; Schönberg, Arnold 1874-1951 ; Musiktheorie ; Ausdruck ; Hoffmann, E. T. A. 1776-1822 ; Musiktheorie ; Ausdruck
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Watkins, Holly 1972-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883380374
    Format: Online-Ressource (1 online resource (350 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511820496
    Series Statement: New perspectives in music history and criticism 21
    Content: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation
    Content: From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9781107010918
    Additional Edition: ISBN 9781107460980
    Additional Edition: Druckausg. Watkins, Holly, 1972 - Metaphors of depth in German musical thought Cambridge [u.a.] : Cambridge Univ. Press, 2011 ISBN 9781107460980
    Additional Edition: ISBN 9781107010918
    Additional Edition: ISBN 1107010918
    Additional Edition: ISBN 9781107010918
    Additional Edition: Print version ISBN 9781107010918
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Deutschland ; Österreich ; Musiktheorie ; Tiefe ; Geschichte 1800-1950 ; Marx, Adolf Bernhard 1795-1866 ; Schumann, Robert 1810-1856 ; Wagner, Richard 1813-1883 ; Schenker, Heinrich 1868-1935 ; Schönberg, Arnold 1874-1951 ; Ausdruck
    URL: Volltext  (lizenzpflichtig)
    Author information: Watkins, Holly 1972-
    Library Location Call Number Volume/Issue/Year Availability
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