Kooperativer Bibliotheksverbund

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Format: 1 online resource (xiv, 305 pages) : , digital, PDF file(s).

ISBN: 9781474409490 (ebook)

Series Statement: Technicities

Content: Connects Cold War material and conceptual technologies to 21st century arts, society and culture.〈p〉From futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world imagined and engineered during the Cold War. 〈/p〉Key Features〈ul〉〈li〉Makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture〈/li〉〈li〉Draws on theorists such as Paul Virilio, Jacques Derrida, Luce Irigaray, Friedrich Kittler, Jean Baudrillard, Michel Foucault, Michel Serres, Bernard Stiegler, Peter Sloterdijk and Carl Schmitt〈/li〉〈li〉The contributors include leading humanities and critical military studies scholars, and practising artists, writers, curators and broadcasters〈/li〉〈/ul〉Contributors〈p〉〈strong〉John Beck〈/strong〉 is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London.〈/p〉〈p〉〈strong〉Ryan Bishop〈/strong〉 is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton. 〈/p〉〈p〉〈strong〉Ele Carpenter〈/strong〉 is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London. 〈/p〉〈p〉〈strong〉Fabienne Collignon〈/strong〉 is Lecturer in Contemporary Literature at the University of Sheffield. 〈/p〉〈p〉〈strong〉Mark Coté〈/strong〉 is Lecturer in Digital Culture and Society at King's College London.〈/p〉〈p〉〈strong〉Daniel Grausam〈/strong〉 is Lecturer in the Department of English at Durham University. 〈/p〉〈p〉〈strong〉Ken Hollings〈/strong〉 is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design. 〈/p〉〈p〉〈strong〉Adrian Mackenzie〈/strong〉 is Professor of Technological Cultures at Lancaster University. 〈/p〉〈p〉〈strong〉Jussi Parikka〈/strong〉 is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton. 〈/p〉〈p〉〈strong〉John W. P. Phillips〈/strong〉 is Associate Professor in the Department of English at the National University of Singapore. 〈/p〉〈p〉〈strong〉Adam Piette〈/strong〉 is Professor of English at the University of Sheffield. 〈/p〉〈p〉〈strong〉James Purdon〈/strong〉 is Lecturer in Modern and Contemporary Literature at the University of St Andrews.〈/p〉〈p〉〈strong〉Aura Satz〈/strong〉 is an artist and Moving Image Tutor at the Royal College of Art.〈/p〉〈p〉〈strong〉Neal White〈/strong〉 is an artist and Professor of Media Art at the Faculty of Media and Communication, Bournemouth University.〈/p〉

Note: Title from publisher's bibliographic system (viewed on 02 Jun 2017). , List of figures -- Series editors' preface -- Acknowledgements -- Notes on contributors. Introduction: the long Cold War / John Beck and Ryan Bishop. 1 Pattern recognition : The future : RAND, brand and dangerous to know / John Beck -- Simulate, optimise, partition: algorithmic diagrams of pattern recognition from 1953 onwards / Adrian Mackenzie -- Impulsive synchronisation: a conversation on military technologies and audiovisual arts / Aura Satz and Jussi Parikka. 2 The persistence of the nuclear : The meaning of Monte Bello / James Purdon -- Deep geological disposal and radioactive time: Beckett, Bowen, Nirex and Onkalo / Adam Piette -- Shifting the nuclear imaginary: art and the flight from nuclear modernity / Ele Carpenter -- Alchemical transformations? Fictions of the nuclear state after 1989 / Daniel Grausam. 3 Ubiquitous surveillance : "The very form of perverse artificial societies:" the unstable emergence of the network family from its Cold War nuclear bunker / Ken Hollings -- The signal-haunted Cold War: persistence of the SIGINT ontology / Jussi Parikka -- "Bulk surveillance," or the elegant technicities of metadata / Mark Cot�e. 4 Pervasive mediations : Notes from the underground: microwaves, backbones, party lines and the Post Office Tower / John W.P. Phillips -- Insect technics: war vision machines / Fabienne Collingnon -- Overt research / Neal White and John Beck -- Smart dust and remote sensing: the political subject in autonomous systems / Ryan Bishop. Index.

Additional Edition: Print version: ISBN 9781474409483

Language: English

Subjects: History , Political Science , Sociology

URL: https://www.cambridge.org/core/product/identifier/9781474409490/type/BOOK

URL: Volltext  (lizenzpflichtig)

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Format: xiv, 305 Seiten : , Illustrationen.

ISBN: 978-1-4744-0948-3 , 1-4744-0948-2

Series Statement: Technicities

Content: Systems analysis, cybernetics, information theory - form the late 1940s through the 80s, these shaped military, business, government and academic thinking. Their influence on the arts is obvious, form the 'systems novels' of the 1960s and 70s to electronic music and from conceptual art to electronic media. 0The end of the Cold War did not end systems thinking; indeed, given the explosion of computer technologies into every aspect of contemporary life it can be argued that we are living in a world imagined and engineered by the Cold War. This collection connects Cold War material and conceptual technologies to the arts, society and culture

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4744-0949-0

Additional Edition: Erscheint auch als Online-Ausgabe, epub ISBN 978-1-4744-0950-6

Language: English

Subjects: History , Political Science , Sociology

Keywords: Ost-West-Konflikt ; Wissenschaft ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: 1 online resource (320 p.) : , 20 illustrations

ISBN: 9781474409490

Series Statement: Technicities : TECH

Content: Connects Cold War material and conceptual technologies to 21st century arts, society and cultureFrom futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world imagined and engineered during the Cold War. Key FeaturesMakes connections between Cold War material and conceptual technologies, as they relate to the arts, society and cultureDraws on theorists such as Paul Virilio, Jacques Derrida, Luce Irigaray, Friedrich Kittler, Jean Baudrillard, Michel Foucault, Michel Serres, Bernard Stiegler, Peter Sloterdijk and Carl SchmittThe contributors include leading humanities and critical military studies scholars, and practising artists, writers, curators and broadcastersContributorsJohn Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London.Ryan Bishop is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton. Ele Carpenter is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London. Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield. Mark Coté is Lecturer in Digital Culture and Society at King’s College London.Daniel Grausam is Lecturer in the Department of English at Durham University. Ken Hollings is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design. Adrian Mackenzie is Professor of Technological Cultures at Lancaster University. Jussi Parikka is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton. John W. P. Phillips is Associate Professor in the Department of English at the National University of Singapore. Adam Piette is Professor of English at the University of Sheffield. James Purdon is Lecturer in Modern and Contemporary Literature at the University of St Andrews.Aura Satz is an artist and Moving Image Tutor at the Royal College of Art.Neal White is an artist and Professor of Media Art at the Faculty of Media and Communication, Bournemouth University.

Note: Frontmatter -- , Contents -- , List of Figures -- , Series Editors’ Preface -- , Acknowledgements -- , Notes on Contributors -- , Introduction: The Long Cold War -- , I Pattern Recognition -- , 1 The Future: RAND, Brand and Dangerous to Know -- , 2 Simulate, Optimise, Partition: Algorithmic Diagrams of Pattern Recognition from 1953 Onwards -- , 3 Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts -- , II The Persistence of the Nuclear -- , 4 The Meaning of Monte Bello -- , 5 Deep Geological Disposal and Radioactive Time: Beckett, Bowen, Nirex and Onkalo -- , 6 Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity -- , 7 Alchemical Transformations? Fictions of the Nuclear State after 1989 -- , III Ubiquitous Surveillance -- , 8 ‘The Very Form of Perverse Artificial Societies’: The Unstable Emergence of the Network Family from its Cold War Nuclear Bunker -- , 9 The Signal-Haunted Cold War: Persistence of the SIGINT Ontology -- , 10 ‘Bulk Surveillance’, or The Elegant Technicities of Metadata -- , IV Pervasive Mediations -- , 11 Notes from the Underground: Microwaves, Backbones, Party Lines and the Post Office Tower -- , 12 Insect Technics: War Vision Machines -- , 13 Overt Research -- , 14 Smart Dust and Remote Sensing: The Political Subject in Autonomous Systems -- , Index , In English.

Language: English

DOI: 10.1515/9781474409490

URL: Co-access DOI click Walter de Gruyter

URL: https://www.degruyter.com/isbn/9781474409490

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Format: 1 Online-Ressource (185 pages) , illustrations (some color)

ISBN: 9780841233546

Series Statement: ACS symposium series 1294

Note: Distributed in print by Oxford University Press , Includes bibliographical references and index , Introduction / , Role of the IR-4 Project in the Regulatory Approval of Biopesticides for Specialty Crops / , Insect Antifeedant Activities and Preparation of Dihydrobenzofurans from Cyperus spp. / , Movement of Thymol in Citrus Plants / , Use of Omics Methods To Determine the Mode of Action of Natural Phytotoxins / , Pesticides on the Inside: Exploiting the Natural Chemical Defenses of Maize against Insect and Microbial Pests / , Integrated Pest Management Strategies for Phytoplasma Diseases of Woody Crop Plants: Possibilities and Limitations / , Pear Ester – From Discovery to Delivery for Improved Codling Moth Management / , Strategies for the Manipulation of Root Knot Nematode Behavior with Natural Products in Small Scale Farming Systems / , Quantitative Assessment of Nectar Microbe-Produced Volatiles / , Investigating Host Plant-Based Semiochemicals for Attracting the Leaffooted Bug (Hemiptera: Coreidae), an Insect Pest of California Agriculture / , Editors’ Biographies /

Additional Edition: ISBN 9780841233553

Additional Edition: Erscheint auch als ISBN 9780841233553

Language: English

DOI: 10.1021/bk-2018-1294

URL: lizenzpflichtig

UID:

Format: 1 online resource : , illustrations (black and white, and colour).

ISBN: 9781474426954 (ebook) :

Series Statement: Technicities

Content: Drawing on theorists such as Jean Baudrillard, Jacques Derrida, Michel Foucault, Luce Irigaray, Friedrich Kittler, Michel Serres, Peter Sloterdijk, Carl Schmitt, Bernard Stiegler and Paul Virilio this collection makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture.

Note: Previously issued in print: 2016.

Additional Edition: Print version : ISBN 9781474409483

Language: English

URL: Edinburgh scholarship online

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Format: 167 Seiten , Illustrationen , 17.8 cm x 12.4 cm, 261 g

Edition: 1. Auflage

ISBN: 9783982134406

Language: German

URL: https://d-nb.info/120502106X/04

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Format: 2 Partituren

Note: Rehearsal Suggestions

Language: Undetermined

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Format: 1 Atlas (238 Seiten) , Karten, Illustrationen

ISBN: 9780801017124

Note: Includes index

Language: English

Keywords: Bibel ; Atlas

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Format: 1 Blu-ray Disc (ca. 125 Minuten) , farbig, Aspect Ratio: 1.85:1, Audio: Stereo 2.0/ DTS-HD Ma 5.1 , 1 Beiheft mit zusätzlichen Informationen

Note: Enthält Extras , Spielfilm$IUSA$I1975 , USA 1975 , Sprachen: Englisch; Untertitel: Englisch für Hörgeschädigte

Language: English

Keywords: Spielfilm ; Blu-Ray-Disc

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Format: 1 online resource (192 p.) : , 20 colour illustrations

ISBN: 9781474470346

Content: A critical exploration of James Benning’s films, the material environments they explore and the perceptual environments they createFor more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of the relations between man, landscape, and the filmic medium, and during the last decade it has become increasingly clear how much these investigations have to offer to contemporary debates about ecology, the age of the anthropocene and the potentialities of new digital technologies. In James Benning’s Environments a range of international scholars highlight the thematic and formal coherence of Benning’s practice, whilst providing readers with an artistic and historical context to understand his experimental film work. The volume offers a number of interpretative frameworks drawing on film theory, environmental humanities, visual culture and philosophy, explaining why Benning has emerged as one of today’s essential filmmakers.Key FeaturesContextualises Benning’s work in relation to the most important artistic and socio-historical influences on his filmmakingAnalyses Benning as an eco-filmmaker with perspectives from environmental studies and eco-cinemaOffers philosophical approaches to Benning’s films in view of their aesthetic, political and epistemological import

Note: Frontmatter -- , Contents -- , List of Figures -- , Notes on the Contributors -- , Acknowledgments -- , Introduction -- , Contributors -- , Intellectual Environments -- , Surveying James Benning -- , Utah and the Times: Governing Temporality in Deseret -- , Violence and Landscape in the Films of James Benning -- , Material Environments -- , Constructing the Transversal Time-image: Ecosophy, Immanence, and Corporate “Land” in James Benning’s Four Corners and California Trilogy -- , Men in Huts in Woods: Independence, Transcendentalism, and Technology in James Benning’s Thoreau and Kaczynski Documentaries and Exhibition -- , The Earth as Material Film: Benning’s Light Glance Making a Material-Image -- , Perceptual Environments -- , A Lake-Event -- , Defacing the Close-Up -- , The Adventure of Patience -- , Filmography -- , Index , In English.

Language: English

DOI: 10.1515/9781474470346

URL: https://www.degruyter.com/isbn/9781474470346