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  • 2015-2019  (166)
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  • 1
    UID:
    b3kat_BV044885386
    Format: 101 Seiten , Illustrationen
    ISBN: 9783956793776
    Series Statement: The incidents
    Note: Lecture delivered at the Harvard University Graduate School of Design, April 21, 2017 , Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: Engineering
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    Keywords: Bauentwurf ; Architekturzeichnung ; Digitaltechnik ; Theorie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Bechthold, Martin
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  • 2
    UID:
    almafu_BV044214353
    Format: x, 434 Seiten : , Illustrationen, Karten.
    ISBN: 978-0-674-50439-4
    Content: The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions....
    Note: Includes bibliographical references and index
    Language: English
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    Keywords: Kunst ; Schwarze ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Bindman, David 1940-
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  • 3
    Book
    Book
    Cambridge, Massachusetts ; London :Harvard University Press,
    UID:
    almafu_BV044706724
    Format: xi, 337 Seiten.
    ISBN: 978-0-674-97940-6 , 978-0-674-23752-0
    Content: Many books offer information about China, but few make sense of what is truly at stake. The questions addressed in this unique volume provide a window onto the challenges China faces today and the uncertainties its meteoric ascent on the global horizon has provoked. In only a few decades, the most populous country on Earth has moved from relative isolation to center stage. Thirty of the world's leading China experts...all affiliates of the renowned Fairbank Center for Chinese Studies at Harvard University...answer key questions about where this new superpower is headed and what makes its people and their leaders tick. They distill a lifetime of cutting-edge scholarship into short, accessible essays about Chinese identity, culture, environment, society, history, or policy....
    Note: "In celebration of the 60th anniversary of the Fairbank Center for Chinese Studies at Harvard University"...Title page verso. - Includes bibliographical references and index
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Political Science
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    Keywords: Wirtschaftliche Lage ; Sozialer Wandel ; Internationale Politik ; Festschrift ; Aufsatzsammlung ; Festschrift
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  • 4
    UID:
    almahu_BV044325736
    Format: xxvi, 318 Seiten.
    ISBN: 978-0-674-97506-4
    Series Statement: Dumbarton Oaks medieval library 45
    Content: A landmark of orthodox Christianity, Symeon Metaphrastes's tenth-century Menologion is one of the most important Byzantine literary creations. This was a liturgical book, usually in multiple volumes, that included various texts regarding the saints...mostly Passions (martyrdom accounts, or martyria) and Lives (biographies, or bioi)...arranged according to the sequence of feast days in the fixed Byzantine liturgical year that began on September 1. Its primary purpose was the provision of a text dedicated to each saint on his or her feast day to be read aloud during liturgical services (usually vigils, especially in monasteries, but also in urban churches). From the vast corpus of Metaphrastes's menologion, the following six texts were edited and translated into English for the first time in this volume: Life, Conduct, and Passion of Saints Kyprianos and Ioustina; Life and Conduct of Saint Pelagia of Antioch; Life, Conduct, and Passion of the Holy and Glorious Martyrs Galaktion and Episteme; Miracle Concerning Euphemia the Young Maiden; Passion of the Holy and Triumphant Martyr of Christ Barbara; Life, Conduct, and Passion of the Holy Martyr of Christ Saint Eugenia and Her Parents. These texts are united by the central role played by female protagonists; women who test social expectations take center stage. More importantly, these texts belong to a particular type of hagiographical story included in the original Metaphrastic collection, which we can view as "Christian novels."...
    Note: Includes bibliographical references and index , Text griechisch, Übersetzung und Einleitung englisch
    Language: English
    Subjects: Theology , Ancient Studies
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    Keywords: Menologion ; Frühchristentum ; Hagiografie ; Quelle ; Kommentar ; Quelle ; Quelle
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  • 5
    UID:
    gbv_856274119
    Format: xxxi, 414 Seiten , Illustrationen , 21 cm
    ISBN: 9780674971639
    Series Statement: The I Tatti Renaissance library 78
    Uniform Title: Humanism and the Latin classics
    Content: Aldus enjoyed widespread fame as a scholar-printer-publisher. Aldus' mission in life was less to display his own erudition than to serve the scholarly needs of his contemporaries, whether they were young students, educated readers, learned academics or distinguished authors. To this end Aldus accomplished much; his contribution to the promotion of classical languages and literature was a considerable one, and was recognized as such by his contemporaries. This volume contains editions of Ancient Latin authors, Humanistic authors, and others.--
    Content: Editions of ancient Latin authors: Julius Firmicus, Astronomica; Manilius, Astronomica (October 17, 1499) -- Lucretius (December 1500) -- Prudentius, Prosper, John of Damascus, Christian poets, vol. 1 (January 1501) -- Vergil (April 1501) -- Horace (May 1501) -- Juvenal, Persius (August 1501) -- Catullus, Tibullus, Propertius (January 1502) -- Cicero, Letters to friends (April 1502) -- Lucan (April 1502) -- Sedulius, Iuvencus, Arator, Christian poets, vol. 2 (June 1502) -- Statius (August 1502) -- Valerius Maximus (October 1502) -- Ovid, Metamorphoses (October 1502) -- Ovid, Heroides, Amores, Ars amandi, Remedia amoris, etc -- (December 1502) -- Ovid, Fasti, Tristia, Ex ponto (February 1503) -- Origen, Homilies (after April 4, 1503) -- Vergil (December 1505) -- Pliny the Younger, Letters (November 1508) -- Horace (after March 30, 1509) -- Sallust (April 1509) -- Cicero, Letters to Atticus, Brutus and his brother Quintus (June 1513) -- Festus, On the meaning of archaic words (November 1513) -- Julius Caesar (December 1513) -- Cicero, Rhetorical works (March 1514) -- Cato, Varro, Columella, Palladius, On agriculture (May 1514) -- Quintilian (August 1514) -- Vergil (October 1514) -- Lucretius (January 1515) -- Editions of humanistic authors: Aldus Manutius, Instructional principles of Latin grammar (March 5, 1493) -- Lorenzo Maioli, Gleanings in dialectics (July 1497) -- Angelo Poliziano, Complete works (July 1498) -- Niccolò Perotti, Cornucopiae (July 1499) -- Aldus Manutius, Rudiments of Latin grammar (February - June 1501) -- Gianfrancesco Pico, On imagination (April 1501) -- Giorgio Interiano, The land and customs of the Zygians (October 1502) -- Giovanni Pontano, Urania, Meteora, The gardens of the Hesperides etc -- (May - August 1505) -- Adriano Castellesi, On hunting (September 1505) -- Erasmus of Rotterdam, Adages (September 1508) -- Tito and Ercole Strozzi, Poems (January 1513) -- Jacopo Sannazaro, Arcadia (September 1514)
    Note: Literaturverzeichnis: Seite 391-392 , Mit Register , This is a facing-page volume: Latin on the versos; English translation on the rectos
    Language: English
    Subjects: General works , Ancient Studies
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    Keywords: Übersetzung ; Englisch ; Manuzio, Aldo Pio 1450-1515 ; Manuzio, Aldo Pio 1450-1515 ; Latein ; Literatur ; Edition ; Vorwort ; Briefsammlung ; Quelle ; Kommentar
    Author information: Manuzio, Aldo Pio 1450-1515
    Author information: Grant, John N. 1940-
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  • 6
    UID:
    gbv_1663537321
    Format: xviii, 148 Seiten, 21 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    ISBN: 9780674428379
    Series Statement: Loeb classical monographs 16
    Note: "To the memory of Margarete Bieber" (ungezählte Seite v) , "homage to the art historian Margarete Bieber (1879-1978)" (Preface, ungezählte Seite xiii) , Literaturangaben , Mit Register
    Language: English
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    Keywords: Bieber, Margarete 1879-1978 ; Antike ; Münze ; Plastik ; Festschrift ; Biografie
    Author information: Bieber, Margarete 1879-1978
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  • 7
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    UID:
    gbv_1676929215
    Format: xii, 277 Seiten
    Edition: First paperback edition
    ISBN: 9780674241398 , 9780674737563
    Content: The age of human rights has been kindest to the rich. Even as state violations of political rights garnered unprecedented attention due to human rights campaigns, a commitment to material equality disappeared. In its place, market fundamentalism has emerged as the dominant force in national and global economies. In this provocative book, Samuel Moyn analyzes how and why we chose to make human rights our highest ideals while simultaneously neglecting the demands of a broader social and economic justice. In a pioneering history of rights stretching back to the Bible, Not Enough charts how twentieth-century welfare states, concerned about both abject poverty and soaring wealth, resolved to fulfill their citizens’ most basic needs without forgetting to contain how much the rich could tower over the rest. In the wake of two world wars and the collapse of empires, new states tried to take welfare beyond its original European and American homelands and went so far as to challenge inequality on a global scale. But their plans were foiled as a neoliberal faith in markets triumphed instead. Moyn places the career of the human rights movement in relation to this disturbing shift from the egalitarian politics of yesterday to the neoliberal globalization of today. Exploring why the rise of human rights has occurred alongside enduring and exploding inequality, and why activists came to seek remedies for indigence without challenging wealth, Not Enough calls for more ambitious ideals and movements to achieve a humane and equitable world.
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Enthält Literaturangaben und ein Register
    Language: English
    Subjects: History , Political Science , Law
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    Keywords: Menschenrecht ; Soziale Gerechtigkeit ; Soziale Ungleichheit ; Wohlfahrtsstaat ; Neoliberalismus
    URL: Rezension  (H-Soz-Kult)
    Author information: Moyn, Samuel 1972-
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  • 8
    UID:
    gbv_843938099
    Format: 93 Seiten , Illustrationen
    ISBN: 9783956791734
    Series Statement: The incidents
    Note: "[Lectures], March 24, 2015, Pipe Auditorium, Gund Hall, Harvard University Graduate School of Design, Cambridge, Massachusetts, USA" - Seite 5
    Language: English
    Subjects: Engineering
    RVK:
    Keywords: Lacaton & Vassal ; Architektur ; Geschichte 1984-2015
    Author information: Lacaton, Anne 1955-
    Author information: Ábalos, Iñaki 1956-
    Author information: Vassal, Jean-Philippe 1954-
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  • 9
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press, in collaboration with the Hutchins Center for African an African American Research, Harvard University
    UID:
    gbv_856849073
    Format: x, 434 Seiten , Illustrationen, Karten , 29 cm
    Edition: First printing
    ISBN: 9780674504394
    Content: Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton -- The image of the Black in early African photography / Christraud M. Geary -- The image of the Black in modern and contemporary African art / Steven Nelson -- Part II. Asia: The image of the Black in Islamic art: the case of painting / Robert Hillenbrand -- The image of the Black in India / John McLeod and Kenneth X. Robbins -- The image of the Black in Chinese art / Don J. Wyatt -- The image of the Black in Japanese art: from the beginnings to 1850 / Timon Screech -- The image of the Black in Japanese art: nineteenth century to the present day / Alicia Volk
    Content: The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.--
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Ethnology
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    Keywords: Afrika ; Asien ; Kunst ; Schwarze ; Schwarzenbild ; Aufsatzsammlung
    Author information: Bindman, David 1940-
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  • 10
    UID:
    gbv_882659766
    Format: xviii, 173 Seiten , Illustrationen, Karten , 29 cm
    ISBN: 9780300229196
    Content: With a few notable exceptions, scholars have historically understudied and often underappreciated the art of Iran in the Qajar era (1779-1925). This catalogue presents a fresh take on the art of the period, setting aside the value judgments that shaped early responses to instead examine the effects and results of new technologies of representation across a variety of mediums. The book foregrounds the inherent relationship and movement among mediums and images, both traditional and new, while deflecting primary attention from royal patronage to more public and widely accessible forms of image-making. In bringing together four principal art forms--lacquer, painting and drawing on paper, lithography, and photography--the authors explore the separate and intertwined histories of these mediums, their contexts of production, and their means of dissemination across sectors of society ranging from the courtly elite to the citizenry at large. The book considers how the breadth of mediums and subject matters evidenced by these objects could be matched only by the diverse formats through which images were embodied and circulated in the world. Indeed, unlike their European contemporaries, Qajar artists and patrons were not concerned about systems of image duplication and translation--a key aspect this book takes up in its effort to approach Qajar art on its own terms, not as a lesser manifestation of Western ideals
    Content: Technologies of the image : art in 19th-century Iran / David J. Roxburgh -- Qajar lacquer as a medium of exchange / Mary McWilliams -- The lithographic image and its audiences / Farshid Emami -- Iranian photography : from the court, to the studio, to the street / Mira Xenia Schwerda -- Painting after photography in 19th-century Iran / David J. Roxburgh -- Works in the exhibition
    Note: Impressum: "This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018"
    Language: English
    Keywords: Iran ; Zeichnung ; Bildnis ; Fotografie ; Ausstellung ; Islamische Kunst ; Kadscharen Dynastie : 1794-1925 ; Ausstellungskatalog
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