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  • 1
    UID:
    almafu_BV045291709
    Format: 384 Seiten : , Illustrationen ; , 24 cm.
    ISBN: 978-1-883015-49-7 , 1-883015-49-9
    Content: The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant arena of global cultural convergence, these essays offer compelling new perspectives on the situated yet mobile and deeply networked social lives of Swahili objects. Moving between the broader structural relations of political economic change to more intimate narratives through which such change is experienced, the essays throw light on the ways in which the material fabric of the arts structure Swahili people's sense of self and community in an ever-changing world of oceanic and terrestrial movement. Exhibition: Krannert Art Museum, Champaign, USA (31.08.2017-24.03.2018)
    Note: Catalog from an exhibition organized by Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, held at the Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, Champaign, Illinois, September 1, 2017-March 24, 2018; National Museum of African Art, Smithsonian Institution, Washington, DC, May 9-September 3, 2018; and Fowler Museum, University of California, Los Angeles, Los Angeles, California, October 21, 2018-February 10, 2019. - Includes bibliographical references , Acknowledgments / Kathleen Harleman, Prita Meier and Allyson Purpura -- Guest foreword / His Excellency Ambassador Robinson Njeru Githae -- Provocations from the coast: toward a networked history of Swahili Coast Arts / Prita Meier and Allyson Purpura -- At home, at sea: onboard a dhow in the Western Indian Ocean / Nidhi Mahajan -- Through the Black Country, the sources of the Thames around the Great Shires of Lower England and down the Severn River to the Atlantic Ocean / Allan deSouza -- The Waraqa: the biography of an obligation / Fahad Bishara -- From shore to shore: people, places, and objects between the Swahili Coast and Lake Tanganyika / Stephen J. Rockel -- Thoughts on navigating Swahili horizons / Edward A. Alpers -- The Sultana in New York: a Zanaibari vessel between two worlds / Jeremy Prestholdt -- The "Colonial Moment" in the lives of objects from the Swahili Coast / Sarah Longair -- , The many narratives of the Kiti cha enzi: unresolved strands of dispersal and meaning around the Indian Ocean / Nancy Um -- Reflections on the artistry and history of Swahili carved doorframes in the collection of the Lamu Museum / Athman Hussein -- Plural semiotic visions on the Swahili Coast / Janet McIntosh -- Swahili permutations: ngoma and identity in the Lamu Archipelago / Rebecca Gearhart Mafazy -- Beyond consumption: aesthetic glorious deeds and the generation of translocal society on the Swahili Coast / Paola Ivanov -- On the mimetic qualities of bowls on the medieval Swahili Coast / Jeffrey Fleisher -- Beyond the betweens: the Swahili Coast as sensed from the hinterland / Allen F. Roberts -- Cloth's many waterways: Indian Ocean textiles and the deep histories of exchange / Pedro Machado -- The art of the trade: merchant and production networks of kanga cloth in the colonial era / MacKenzie Moon Ryan -- , The inscribed object: the textures and textuality of writing in Eastern Africa / Ann Biersteker -- Photography as a wish-fulfilling machine: photo studios on the East African Coast / Heike Behrend -- The Swahili world: where the horizons meet / Abdul Sheriff -- Checklist of the exhibition -- Contributor biographies.
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: Swahili ; Kunst ; Kultur ; Ausstellungskatalog
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  • 2
    UID:
    gbv_1736443747
    Format: 128 Seiten , 27 cm
    ISBN: 9781883015503 , 1883015502
    Content: Forewords /Eureka Gilkey, Allyson Purpura --Rehearsing knowledge in the university /Amy L. Powell --El Diablo y Cristo Negro --Performance as /Ryan N. Dennis --HERE + NOW --Crossing the line: the here and now of race and gender and the entanglements of love in performance art and pedagogy /Sandra Ruiz -- Lament --Host institution /Jennifer Doyle --An Experimental Freezing of a Room Through Metaphorical Means --In conversation /Autumn Knight with Cynthia Oliver --Performance scores --Research.
    Note: "This publication accompanies the exhibition Autumn Knight: in rehearsal, organized by Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, on view January 27-July 8, 2017"--Title page verso , Includes bibliographical references
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Knight, Autumn 1980- ; Performance ; Identität ; Ausstellungskatalog ; Bildband
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  • 3
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    Houston, Texas :Blaffer Art Museum, | Seattle, Washington :University of Washington Press, | Champaign, Illinois :Krannert Art Museum and Kinkead Pavilion,
    UID:
    almahu_BV044731442
    Format: 116 Seiten : , Illustrationen ; , 28 cm.
    ISBN: 978-1-883015-48-0 , 1-883015-48-0
    Uniform Title: Works Selections Saro-Wiwa, Zina
    Content: "'Did You Know We Taught Them How To Dance?' is the first solo museum presentation of works by British-Nigerian video artist and filmkaker Zina Saro-Wiwa. Featuring video installations, photographs, and a sound installation produced in the Niger Delta region of southeastern Nigeria from 2013-2015, the exhibition uses folklore, masquerade traditions, religious practices, food and Nigerian popular aesthetics to test art's capacity to transform and to envision new concepts of environment and environmentalism. Engaging Niger Delta residents both as subjects and collaborators, Zina Saro-Wiwa cultivates strategies of psychic survival and performance, underscoring the complex and expressive ways in which people live in an area historically fraught with the politics of energy, labor and land. Known for decades for corruption and envrionmental degradation, the Niger Delta is also a verdant place, an abundant food producer as well as provider of crude oil and natural gas to the entire globe. Full inscribed within the Niger Delta while addressing the global circulation ofenergy capital, Saro-Wiwa develops narraitve devices that render environmental and emotional ecosystems inseparable."
    Note: Catalog of an exhibition co-organized by Blaffer Art Museum, University of Houston, and Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, held at Blaffer Art Museum from September 26, 2015-March 19, 2016 and at Krannert Art Museum from November 10, 2016-March 25, 2017 , Guest Forward , Food is Ready , Afropolitan in a State of Grace , Eden If We Dare , Interview , Plates -- , The Mangrove Banquet , Checklist of the Exhibition -- , Artist's Biography
    Language: English
    Subjects: General works , Art History
    RVK:
    RVK:
    RVK:
    Keywords: 1976- Saro-Wiwa, Zina
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