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  • Berlin  (3)
  • 2010-2014  (3)
  • General works  (3)
  • Political Science
  • Theater  (3)
Type of Medium
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  • Berlin  (3)
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Year
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Subjects(RVK)
  • General works  (3)
  • Political Science
  • 1
    Book
    Book
    London :Palgrave Macmillan,
    UID:
    almahu_BV040974102
    Format: X, 224 S.
    Edition: 1. publ.
    ISBN: 978-1-137-01073-5 , 978-1-137-35463-1
    Language: English
    Subjects: General works
    RVK:
    Keywords: Theater ; Publikum ; Beteiligung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Basingstoke [u.a.] : Palgrave Macmillan
    UID:
    gbv_744102731
    Format: X, 224 Seiten
    ISBN: 9781137354631
    Content: "The popularity of participatory work with audiences is greater than ever, but the invitation to participate is rarely given attention as a feature of performance, or an important element of practice in its own right. This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made. The materials from which theatre performance is made expand to include the audience participant's body and social being, with the participant's prior experience and expectations, and their embodied, affective response to the performance becoming of vital importance. Attending to this expanded set of performance media allows us to begin to articulate the aesthetics of participation, and thereafter to consider the ethics and politics of participation more precisely. "--
    Note: Machine generated contents note:Acknowledgements -- Introduction -- 1. Audience Participation -- 2. Why 'Aesthetics'? -- 3. The Practice and Theory of Audience Participation -- 4. Emancipating Spectators -- 5. Subjectivity as Material and Medium -- 6. The Structure of the Book -- PART I: PROCESS AND PROCEDURE -- 7. Antony Jackson and Frame Analysis -- 8. Goffman's Frame Analysis -- 9. The Frame Analysis of Audience Participation -- 10. Roles and Resources -- 11. Working Inside the Frame -- 12. Control and Social Structure -- 13. Horizons of Participation -- 14. The Aesthetic Meaning of Agency -- 15. Armadillo Theatre -- 16. Analysing Armadillo's Procedure -- PART II: RISK AND RATIONAL ACTION -- 17. Risk in Performance -- 18. Real and Perceived Risk -- 19. Actual Risk in Audience Participation -- 20. Horizons of Risk -- 21. Risk Management as Procedural Authorship -- 22. Ethical Issues in the Management of Real and Perceived Risk -- 23. Protecting Participants into Involvement -- 24. Reading the Audience Participant -- 25. Performativity and the Public Self -- 26. Know One's Fool -- PART III: IRRATIONAL INTERACTIONS -- 27. Emotion in Audience Participation -- 28. Embodied Cognition and the Enactive Theory of Mind -- 29. Empathy and Intersubjectivity in Audience Participation -- 30. Laughter -- 31. Crowds -- 32. Liminality and Communitas -- 33. Hypnosis -- 34. Procedural Authorship and Harnessing Intersubjectivity -- 35. De La Guarda's Liminoid Participation -- 36. Embodiment, Enculturation and Meaning -- PART IV: ACCEPTING THE INVITATION -- 37. Theatre Audiences and Feedback Loops -- 38. A New Horizon -- 39. Weather on the Horizon -- 40. Gaining Roles and Responsibilities -- 41. Experiential Learning -- 42. Reflexivity and Witnessing -- 43. Self-Awareness and Self-Forgetfulness -- 44. Autopoiesis, Allopoiesis, Heteropoiesis -- 45. Tim Crouch: The Author and I, Malvolio -- Conclusion -- 46. The Procedural Author -- 47. The Aesthetic Theory -- 48. Making Special -- 49. Patterning and Elaborating Participation -- 50. The Aesthetic Regime.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Theater ; Publikum
    URL: Cover
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  • 3
    Book
    Book
    London [u.a.] : Routledge
    UID:
    gbv_773714146
    Format: XVI, 352 S. , Ill
    ISBN: 0415535646 , 9780415535649
    Content: "Stanislavsky's system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century. The Routledge Companion to Stanislavsky is an essential book for students and scholars alike, providing the first overview of the field for the 21st century. An important feature of this book is the balance between Stanislavsky's theory and practice, as international contributors present scholarly and artistic interpretations of his work. With chapters including academic essays and personal narratives, the Companion is divided into four clear parts, exploring Stanislavsky on stage, as an acting teacher, as a theorist and finally as a theatre practitioner. Bringing together a dazzling selection of original scholarship, notable contributions include: Anatoly Smeliansky on Stanislavsky's letters William D. Gunn on staging ideology at the Moscow Art TheatreSharon Marie Carnicke and David Rosen on opera Rosemary Malague on the feminist perspective of new translations W.B. Worthen on cognitive science Julia Listengarten on the avant-garde David Krasner on the System in America and Dennis Beck on Stanislavsky's legacy in non-realistic theatre R. Andrew White is Associate Professor of Theatre at Valparaiso University, where he annually directs productions. He has an MFA in Acting from Carnegie Mellon University and the Moscow Art Theatre School, and has worked as an actor at a variety of theatres in the United States. In addition, his scholarship has appeared in edited works published by Routledge and Palgrave Macmillan, as well as in top American journals including Theatre Survey, TDR/The Drama Review, and New England Theatre Journal"--
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Stanislavskij, Konstantin Sergeevič 1863-1938 ; Theater ; Inszenierung ; Aufsatzsammlung
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