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  • 1995-1999  (10)
  • 1
    Book
    Book
    Albany :State Univ. of New York Press,
    UID:
    almafu_BV010793313
    Format: XIV, 171 S.
    ISBN: 0-7914-2783-8
    Series Statement: SUNY series in classical studies
    Language: English
    Subjects: Ancient Studies
    RVK:
    RVK:
    Keywords: v70-v19 Georgica Vergilius Maro, Publius
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Toronto, Ontario ; : University of Toronto Press,
    UID:
    almahu_9948327017002882
    Format: 1 online resource (254 pages) : , illustrations
    ISBN: 9781442670471 (e-book)
    Additional Edition: Print version: Lee, M. Owen. Season of opera : from Orpheus to Ariadne. Toronto, Canada ; Buffalo, [New York] ; London, [England] : University of Toronto Press, c1998 ISBN 9780802083876
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 3
    Online Resource
    Online Resource
    Toronto, [Ontario] ; : University of Toronto Press,
    UID:
    almahu_9948326958202882
    Format: 1 online resource (188 pages).
    ISBN: 9781442678064 (e-book)
    Series Statement: Robson Classical Lectures
    Additional Edition: Print version: Lee, M. Owen, 1930- Olive-tree bed and other quests. Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, c1997 ISBN 9780802041388
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 4
    Book
    Book
    Toronto [u.a.] : University of Toronto Press
    UID:
    gbv_312263430
    Format: X, 102 S , 22 cm
    ISBN: 0802047211 , 0802082912
    Series Statement: The 1998 Larkin-Stuart lectures
    Note: Includes bibliographical references (p. [94]-98) and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Wagner, Richard 1813-1883 ; Aufsatzsammlung
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  • 5
    Book
    Book
    Toronto [u.a.] : Univ. of Toronto Press
    UID:
    gbv_1607246716
    Format: xi, 175 p. , 24 cm
    ISBN: 0802041388 , 0802041388 , 0802079849
    Series Statement: The Robson classical lectures 4
    Note: Includes bibliographical references (p. [137]-169) and index
    Language: English
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  • 6
    Book
    Book
    Toronto [u.a.] :Univ. of Toronto Press,
    UID:
    almahu_BV013244979
    Format: X, 102 S.
    ISBN: 0-8020-4721-1 , 0-8020-8291-2
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1813-1883 Wagner, Richard ; Aufsatzsammlung
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  • 7
    E-Resource
    E-Resource
    Albany :State University of New York Press,
    UID:
    edocfu_9959239525202883
    Format: 1 online resource (xiv, 171 p. )
    ISBN: 1-4384-1033-6 , 0-585-05921-7
    Series Statement: SUNY series in classical studies
    Content: Though John Dryden once called the Georgics "the best Poem of the best Poet," and Montaigne thought it the most highly finished work in all of poetry, Virgil's song of the earth has never won as many readers as has his Aeneid, and at present it is the subject of more debate among classicists than perhaps any other poem in Latin. Using a Jungian approach, this book draws on the new commentaries in English as well as on the work of the great German Virgilians of the past, and is written in the eloquent, accessible, and personal style for which its author has become known. It outlines clearly the literary and historical background of the poem, discusses the sound of Virgil's hexameters, and treats each of the four georgics in detail, with special emphasis on the concluding myth of Orpheus. The most baffling of all Latin poems is shown in these pages to be Virgil's gift to Augustus, the most powerful man in the world as the salvational leader of the renewed Roman state, telling him what he must know about nature and about human nature if he is to rule the world well.
    Additional Edition: ISBN 0-7914-2784-6
    Language: English
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  • 8
    UID:
    edocfu_9959235866002883
    Format: xv, 248 p. : , ill., music.
    ISBN: 0-87910-970-X , 0-19-802528-9 , 1-280-60021-7 , 9786610600212 , 1-4237-4098-X
    Content: Millions of opera fans tune in faithfully to the Metropolitan Opera's famous Saturday radio series. One of the program's highlights occurs during the first intermission, when invited speakers offer live, stimulating commentary on the opera aired that day. And for the last twelve years one of the most popular guests on this program has been M. Owen Lee, a Catholic priest and classics scholar, who has emerged as a brilliant and engaging speaker with a gift for making opera relevant to modern concerns. Now, in First Intermissions, Father Lee presents twenty-one of his finest radio talks, analyzing some of the best loved operas in the current repertoire, including masterworks by Mozart, Verdi, Wagner, Puccini, and Strauss. This is a book that brims with opera lore, with the love of fine music, and with an abundance of good humor. Father Lee writes brilliantly about the music itself, offering insights into composition that even a novice can grasp and enjoy. But for Father Lee, opera is more than beautiful music. Opera is about the human condition, our capacity for good and evil, our unconscious thoughts and conscious actions, our sorrows and our joys, our stories, our myths, and our personal triumphs and tragedies. It is great art confronting life head on: the conflict between fathers and children in Verdi, the irreversibility of time in Strauss, or the quest for self-realization in Wagner. Father Lee brings the real story of opera to life--great stories that make us see beyond the plot and feel the music as a blow to the heart. What also strikes the reader about Father Lee's style is that it is very intimate, not only sprinkled with personal anecdotes (such as saving pennies in Depression-era Detroit to buy sheet music from Sears and Roebuck), but informed throughout by his open-hearted response to opera's magic. Father Lee's love of opera shines
    Content: through these pieces, and his enthusiasm is contagious, sending readers straight to their record collections--or the nearest record store--to savor once again the marvels of opera. When Father Owen Lee first appeared on the Metropolitan Opera broadcasts, he was given two criteria. "I could say anything I pleased," he recalls, "so long as (1) it was instantly intelligible to the little old lady in Dubuque and the little old gentleman in Des Moines and (2) it was something no one anywhere, of either sex or any age, had ever thought of before." Whether discussing Puccini's La Boheme or Strauss's Der Rosenkavalier or Gounod's Faust, Father Lee remains utterly original and always in touch with the little old lady in Dubuque..
    Note: Based on the author's intermission commentaries from Metropolitan Opera radio broadcasts. , Intro -- Contents -- MOZART -- A New Kind of Opera: Idomeneo -- VERDI -- When Verdi's Fathers Sing: Rigoletto -- Patterns of Light: Simon Boccanegra -- Chiaroscuro: Un Ballo in Maschera -- Everything in This Drama Is True: Don Carlo -- Six Prophetic Trumpets: Aida -- The Heart of Darkness: Otello -- WAGNER -- The Phantom Lover and the Eternal Feminine: Der Fligende Holländer -- You Use Works of Art to See Your Soul: Tannhäuser -- One Brief Shining Moment: Lohengrin -- Songbirds and Saints: Die Meistersinger -- Who Is the Grail?: Parsifal -- FRENCH OPERA -- The Matter of Melody: Faust -- Unanswered Questions: Les Troyens -- Six Characters in Search of a Poet: Les Contes d'Hoffmann -- Phrases Massenétiques: Manon -- PUCCINI -- A Charming Life, and a Terrible One: La Bohème -- The Maturing Male and the Voracious Virago: Turandot -- STRAUSS -- That Is What Fiction Means: Elektra -- A Moment Beyond Time: Der Rosenkavalier -- Love that Colors and Transforms: Die Frau Ohne Schatten -- Further Reading -- Recordings and Videos -- Broadcast Dates -- Index.
    Additional Edition: ISBN 0-19-509255-4
    Additional Edition: ISBN 0-19-510649-0
    Language: English
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  • 9
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9958353227902883
    Format: 1 online resource
    ISBN: 9781442678064
    Content: Father Lee wears his learning lightly, and his writing changes from chapter to chapter as it reflects, in turn, the clarity and naïve sense of wonder in Homer, the darkness and ambivalence in Virgil, the intuitive mysticism of Wagner, and the riotously imaginative exuberance of Goethe
    Note: Frontmatter -- , Contents -- , Foreword -- , Preface -- , 1. Questing -- , 2. The Olive-Tree Bed -- , 3. The Golden Bough -- , 4. The Holy Grail -- , 5. The Eternal Feminine -- , 6. What Ithacas Mean -- , Notes -- , Select Bibliography -- , Index
    Language: English
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  • 10
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9960796406502883
    Format: 1 online resource (96 p.)
    ISBN: 9781442627802
    Series Statement: Heritage
    Content: How is it possible for a seriously flawed human being to produce art that is good, true, and beautiful? Why is the art of Richard Wagner, a very imperfect man, important and even indispensable to us? In this volume, Father Owen Lee ventures an answer to those questions by way of a figure in Sophocles – the hero Philoctetes. Gifted by his god with a bow that would always shoot true to the mark and indispensable to his fellow Greeks, he was marked by the same god with an odious wound that made him hateful and hated. Sophocles' powerful insight is that those blessed by the gods and indispensable to men are visited as well with great vulnerability and suffering. Wagner: The Terrible Man and His Truthful Art traces some of Wagner's extraordinary influence for good and ill on a century of art and politics – on Eliot and Proust as well as on Adolf Hitler – and discusses in detail Wagner's Tannhouser, the work in which the composer first dramatised the Faustian struggle of a creative artist in whom 'two souls dwell.' In the course of this penetrating study, Father Lee argues that Wagner's ambivalent art is indispensable to us, life-enhancing and ultimately healing.
    Note: Frontmatter -- , CONTENTS -- , PREFACE -- , ONE. Wagner and the Wound That Would Not Heal -- , TWO. Wagner's Influence: The First Hundred Years -- , THREE. You Use Works of Art to See Your Soul -- , Bibliography -- , Index , In English.
    Language: English
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