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  • 1
    Buch
    Buch
    Woodbridge [u.a.] :Boydell,
    UID:
    almahu_BV014010276
    Umfang: X, 205 S. : , graph. Darst., Notenbeisp.
    Ausgabe: 1. publ.
    ISBN: 0-85115-834-X
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): 1756-1791 Mozart, Wolfgang Amadeus ; Klavierkonzert
    Mehr zum Autor: Keefe, Simon P., 1968-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV020045357
    Umfang: XII, 662 S.
    Ausgabe: 1. publ.
    ISBN: 0-521-85659-0 , 978-0-521-85659-1
    Anmerkung: Includes bibliographical references
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1756-1791 Mozart, Wolfgang Amadeus ; Wörterbuch ; Bibliografie ; Wörterbuch ; Wörterbuch
    Mehr zum Autor: Keefe, Simon P., 1968-
    Mehr zum Autor: Eisen, Cliff, 1952-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9948022227902882
    Umfang: 1 online resource (xvii, 798 pages) : , digital, PDF file(s).
    ISBN: 9781139056038 (ebook)
    Serie: The Cambridge history of music
    Inhalt: The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations, than any century before or since, yet huge swathes of its musical activity remain under-appreciated. The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.
    Anmerkung: Title from publisher's bibliographic system (viewed on 18 Nov 2015). , Prelude. , The musical map of Europe c. 1700 / , Music for the church. , Catholic church music in Italy, and the Spanish and Portuguese Empires / , Catholic sacred music in Austria / , Catholic church music in France / , Lutheran church music / , Protestant church music in England and America / , Listening, thinking and writing / , Music for the theatre. , Italian opera in the eighteenth century / , Opera in Paris from Campra to Rameau / , An instinct for parody and a spirit for revolution : Parisian opera, 1752-1800 / , German opera from Reinhard Keiser to Peter Winter / , The lure of aria, procession and spectacle : opera in eighteenth-century London / , Music theatre in Spain / , Opera in Sweden / , Performance in the eighteenth century / , Music for the salon and concert room. , Keyboard music from Couperin to early Beethoven / , The serenata in the eighteenth century / , Private music in public spheres : chamber cantata and song / , Handel and English oratorio / , The overture-suite, concerto grosso, ripieno concerto, and Harmoniemusik in the eighteenth century / , Concerto of the individual / , Eighteenth-century symphonies : an unfinished dialogue / , The string quartet / , Across the divide : currents of musical thought in Europe, c. 1790-1810 / , Chronology ; , Institutions in major European cities ; , Personalia / David Black.
    Weitere Ausg.: Print version: ISBN 9780521663199
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Woodbridge :Boydell Press,
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414252302882
    Umfang: 1 online resource (xiii, 263 pages) : , digital, PDF file(s).
    ISBN: 9781139027021 (ebook)
    Serie: Music in context
    Inhalt: Presenting a fresh interpretation of Mozart's Requiem, Simon P. Keefe redresses a longstanding scholarly imbalance whereby narrow consideration of the text of this famously incomplete work has taken precedence over consideration of context in the widest sense. Keefe details the reception of the Requiem legend in general writings, fiction, theatre and film, as well as discussing criticism, scholarship and performance. Evaluation of Mozart's work on the Requiem turns attention to the autograph score, the document in which myths and musical realities collide. Franz Xaver Süssmayr's completion (1791–2) is also re-appraised and the ideological underpinnings of modern completions assessed. Overall, the book affirms that Mozart's Requiem, fascinating for interacting musical, biographical, circumstantial and psychological reasons, cannot be fully appreciated by studying only Mozart's activities. Broad-ranging hermeneutic approaches to the work, moreover, supersede traditionally limited discursive confines.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , The Requiem legend in the nineteenth and twentieth centuries -- Criticism and scholarship from 1800 to the present day -- The Requiem in performance -- Mozart's work on the Requiem: sounds and strategies -- After Mozart: the Requiem completion, 1791-1792 -- Modern completions of the Requiem -- Epilogue: a Requiem for the future.
    Weitere Ausg.: Print version: ISBN 9780521198370
    Sprache: Englisch
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9948036787902882
    Umfang: 1 online resource (xvii, 333 pages) : , digital, PDF file(s).
    ISBN: 9781316848487 (ebook)
    Serie: Composers in context
    Inhalt: The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.
    Anmerkung: Title from publisher's bibliographic system (viewed on 04 Jan 2019).
    Weitere Ausg.: Print version: ISBN 9781107181052
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Biografie
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947415234702882
    Umfang: 1 online resource (xxvii, 689 pages) : , digital, PDF file(s).
    ISBN: 9781316337752 (ebook)
    Inhalt: Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.
    Anmerkung: Title from publisher's bibliographic system (viewed on 15 Sep 2017).
    Weitere Ausg.: Print version: ISBN 9781107116719
    Sprache: Englisch
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947413984602882
    Umfang: 1 online resource (xi, 258 pages) : , digital, PDF file(s).
    ISBN: 9781107360051 (ebook)
    Serie: Cambridge composer studies
    Inhalt: Cultural, historical and reception-related contexts are central to understanding Mozart, one of the greatest and most famous musicians of all time. Widening and refining the lens through which the composer is viewed, the essays in Mozart Studies 2 focus on themes, issues, works and repertories perennially popular among Mozart scholars of all kinds, pointing to areas primed for future study and also suitable for investigation by musicians outside the scholarly community. Following on from the first Mozart Studies volume, internationally renowned contributors bring new perspectives to bear on many of Mozart's most popular works, as well as the composer's letters, biography, and reception. Chapters are grouped according to topics covered and collectively affirm the vitality of Mozart scholarship and the significant role it continues to play in defining and redefining musicological priorities in general.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Mozart the letter writer and his language / Ulrich Konrad -- Mozart 'stuck in music' in Paris (1778) : towards a new biographical paradigm / Simon P. Keefe -- Mozart's association with the Tonkunstler-societat / David Black -- The hymn topic in Mozart's instrumental music / Stephen Rumph -- A newly identified Viennese Mozart edition / Rupert Ridgewell -- Composing, performing and publishing : Mozart's 'Haydn' quartets / Simon P. Keefe -- The trouble with Cherubino / Ian Woodfield -- Mozart's spirit from Seyfried's hands / David Wyn Jones -- Mozart, song, and the pre-uncanny / Emily I. Dolan.
    Weitere Ausg.: Print version: ISBN 9781107044234
    Sprache: Englisch
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Buch
    Buch
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV019783219
    Umfang: XXV, 309 S. : , Notenbeisp.
    Ausgabe: 1. publ.
    ISBN: 0-521-83483-X , 978-0-521-83483-4 , 0-521-54257-X , 978-0-521-54257-9
    Serie: Cambridge companions to music
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Konzert ; Aufsatzsammlung ; Aufsatzsammlung
    Mehr zum Autor: Keefe, Simon P., 1968-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Buch
    Buch
    Cambridge, United Kingdom :Cambridge University Press,
    UID:
    almahu_BV044524521
    Umfang: xxvii, 689 Seiten : , Notenbeispiele.
    ISBN: 978-1-107-11671-9
    Inhalt: Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them. - Simon P. Keefe is James Rossiter Hoyle Chair of Music at the University of Sheffield. He is the author of three books on Mozart, including Mozart's Requiem: Reception, Work, Completion (Cambridge, 2012), which won the 2013 Marjorie Weston Emerson Award. He is also the editor of six volumes for Cambridge University Press, including Mozart Studies (2006) and Mozart Studies 2 (2015), and is general editor of the Royal Musical Association monographs series. In 2005 he was elected a life member of the Academy for Mozart Research at the International Mozart Foundation in Salzburg. (Klappentext)
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-31-633775-2
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): 1756-1791 Mozart, Wolfgang Amadeus ; Biografie ; Biografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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