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  • 1
    Book
    Book
    Oxford, England [u.a.] :Greenwood World Publ.,
    UID:
    almafu_BV023285671
    Format: XXIV, 333 S.
    ISBN: 978-1-84645-011-2
    Series Statement: Fighting words
    Note: Includes bibliographical references and index
    Language: English
    Subjects: History , Theology
    RVK:
    RVK:
    Keywords: Kreuzzüge ; Quelle ; Quelle
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  • 2
    UID:
    gbv_832216518
    Format: xxxvi, 163 Seiten , Illustrationen , 24 cm
    ISBN: 9781624664038 , 9781624664045 , 1624664032 , 1624664040
    Series Statement: Myths of history: a Hackett series
    Content: "This book is an effort to explode (or at least modify) seven popular myths or misconceptions of the Ccrusades. Despite the seemingly ever-expanding outpouring of first-rate books on the Crusades that has taken place over the past half century, including some fine surveys intended for general audiences, distortions of the crusades seem to be proliferating in all the popular media. These include pseudo-documentaries for TV, big- and small-budget movies, novels, mainstream news reporting, editorials, political speeches by highly visible and influential politicians, the sermons and writings of radical clerics and zealous laity of all three Abrahamic religions (Judaism, Christianity, and Islam), and textbooks prepared for collegiate and high school students enrolled in Western civilization and world history courses"--
    Content: "Seven Myths of the Crusades' rebuttal of the persistent and multifarious misconceptions associated with topics including the First Crusade, anti-Judaism and the Crusades, the crusader states, the Children's Crusade, the Templars and past and present Islamic-Christian relations proves, once and for all, that real history is far more fascinating than conspiracy theories, pseudo-history and myth-mongering. This book is a powerful witness to the dangers of the misappropriation and misinterpretation of the past and the false parallels so often drawn between the Crusades and later historical events ranging from nineteenth-century colonialism to the protest movements of the 1960s to the events of 9/11. This volume's authors have venerable track records in teaching and researching the crusading movement, and anyone curious about the Crusades would do well to start here"--Jessalynn Bird, Dominican University, co-editor of Crusade and Christendom
    Note: Includes bibliographical references and index , 1. The First Crusade : Unprovoked Offense or Overdue Defense? / Paul Crawford2. Mad Men on Crusade : Religious Madness and the Origins of the First Crusade / James M. Muldoon -- 3. The Crusades and Medieval Anti-Judaism : Cause or Consequence? / Daniel P. Franke -- 4. The Quest for Gain : Were the First Crusaders Proto-Colonists? / Corliss Slack -- 5. Myths of Innocence : The Making of the Children's Crusade / David Sheffler -- 6. Templars and Masons : An Origin Myth / Jace Stuckey -- 7. Islam and the Crusades : A Nine-Hundred-Year-Long Grievance? / Mona Hammad and Edward Peters -- Epilogue -- Contributor Biographies. , 1. The First Crusade : Unprovoked Offense or Overdue Defense? , 2. Mad Men on Crusade : Religious Madness and the Origins of the First Crusade , 3. The Crusades and Medieval Anti-Judaism : Cause or Consequence? , 4. The Quest for Gain : Were the First Crusaders Proto-Colonists? , 5. Myths of Innocence : The Making of the Children's Crusade , 6. Templars and Masons : An Origin Myth , 7. Islam and the Crusades : A Nine-Hundred-Year-Long Grievance? , Epilogue , Contributor Biographies
    Language: English
    Subjects: History
    RVK:
    Keywords: Kreuzzüge ; Geschichtsschreibung ; Aufsatzsammlung
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  • 3
    UID:
    kobvindex_ZLB15517261
    Format: 1 DVD-Video (ca. 112 + ca. 76 Bonus Min.) , DD/2.0 , 16:9 anamorphic widescreen
    Series Statement: The American film theatre collection : [DVD-Video]
    Content: Director Arthur Hiller (Love Story, Silver Streak), working from screenwriter Edward Anhalt's (Becket) adaptation, transforms actor-playwright Robert Shaw's The Man in the Glass Booth into a film the Los Angeles Times dubbed, "daring, outrageous, utterly provocative, endlessly ambiguous and strikingly effective." Millionaire Jewish entrepreneur Arthur Goldman (Maximilian Schell) benvolently rules his financial empire from a penthouse apartment overlooking Manhattan. Seemingly at the edge of sanity, Goldman holds forth on everyting from Papal edicts to ex-wives, from baseball to his family's massacre in a Nazi concentration camp. When Goldman remarks on a blue Mercedes continuously parked outside his building, Goldman's captive audience of assistant (Lawrence Pressman) and chauffeur (Henry Brown) dismiss their boss' anxiety as encroaching paranoia. But each of Goldman's passionate, seemingly capricious ravings are transformed into a shocking, inadvertent deposition when Israeli agents capture Goldman and put him on trial as Adolph Dorf, the commandant of the concentration camp where Goldman's family was supposedly exterminated. In a trial scene of unrelenting intensity, Academy Award© winner Schell (Judgement at Nuremberg) crafts what the Detroit Free Press called "a white-hot lead performance," mutating from eccentric Goldman to sociopath Dorf and beyond. The riddle of Dorf's true identity becomes wrapped in an enigma of cunning self-treachery and single-minded obsession. Veteran cinematographer Sam Leavitt enables Hiller to coax a vividly personal and electrifying intelligent dual portrait out of Schell. The Man in the Glass Booth is a timeless drama of surprising intimacy and indefatigable courage, "possessing," declared the Los Angeles Times, "a remarkably resilient sense of lightness for all the profound questions it ponders." (from the container)
    Content: Extras: An interview with director Arthur Hiller. Theatrical trailer. "Robert Shaw and The Man in the Glass Booth" - an essay by Michael Feingold, Chief Theater Critic, The Village Voice. The AFT Cinebill for The Man in the Glass Booth Stills Gallery. An interview with Edie Landau - executive in charge, The American Film Theatre. Ely Landau: In Front of the Camera - AFT promotional reel, 1974. The American Film Theater trailer gallery - includes a complete list of the AFT films. The American Film Theatre scrapbook.
    Note: Ländercode: 0 , Orig.: USA, 1975 , Robert Shaw and the man in the glass booth / Michael Feingold. Filmed message from producer Ely Landau u.a.
    Language: English
    Keywords: American Film Theatre ; Interview ; DVD-Video ; The man in the glass booth ; Inszenierung ; American Film Theatre ; Interview ; DVD-Video ; Interview ; DVD-Video ; Interview
    Author information: Schell, Maximilian
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  • 4
    UID:
    kobvindex_ZLB13560776
    Format: 1 DVD Video (ca. 111 Min.) , 1 Beil. , Bildformat: 1.85:1 ; 16x9 Letterboxed
    Series Statement: The American film theatre collection : [DVD Video]
    Content: Stacy Keach, as German cleric Martin Luther, miraculously breathes life and intimacy into one of the most famous social revolutionaries and theological firebrands in world history. Directed by former cinematographer Guy Green, Luther's graceful camerawork explodes the restricting theatrical proscenium without violating the unity of John Osborne's (Look Back in Anger) original play. Luther compresses nearly two decades into a provocative character study that parallels Martin Luther's deepening religious dilemmas with the irresolvable earthly anxieties that shaped his beliefs and his rebellious search for truth. We're introduced to Luther as a young monk in 1506, as he defends his vows to his jealous and disapproving father (Patrick McGee). But as Luther's religious commitment deepens, his faith in an increasingly commercialized, politicized, and spiritually empty Papacy atrophies until, having preached against the medieval Catholic Church's hypocrisy, he is called to account by the very bishops he must denounce. Keach's Luther is backed by a powerful supporting cast, including Kubrick stalwart Leonard Rossiter, and Dame Judi Dench (Shakespeare in Love, Chocolat) as the nun Luther takes for his wife. In Luther, Martin Luther's condemnation of the Catholic Church and incitement fo the Protestant reformation become the last desperate acts of a brilliant but deeply troubled man of conscience who has run out of options.
    Content: Extras: Theatrical trailer. "John Osborne and Luther" - an essay by Michael Feingold, Chief Theater Critic, The Village Voice. The AFT Cinebill for Luther. Stills Gallery. An interview with Edie Landau - Executive in charge, The American Film Theatre. Ely Landau: In Front of the Camera - AFT promotional reel (1974). The American Film Theatre Trailer Gallery - Includes a complete list of the AFT films. The American Film Theatre scrapbook.
    Note: Engl.
    Language: English
    Keywords: Luther, Martin ; Biographie 1506-1526 ; Film ; DVD-Video ; American Film Theatre ; Interview ; DVD-Video ; Biographie 1506-1526 ; DVD-Video ; Interview ; Interview
    Author information: Osborne, John
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