Format:
1 Online-Ressource (304 Seiten)
ISBN:
9783839436172
Series Statement:
Schriftenreihe für Künstlerpublikationen Volume 8
Content:
Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission. They have brought forth a great number of artistic practices. Up to and into the digital present radio has been - and still is - employed and explored as an apparatus-based structure as well as an (alternative) model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio. It also sheds light on the use of radio as a means of disseminating artistic concepts, and on questions of mediation of this art form
Content:
Frontmatter -- Contents -- Introduction -- The Editors -- "I am an artist. I am not anything else."1: -Robert Adrian Smith, 1935-2015 / Kim, Jee-Hae -- The Reception of Electricity: Art as Radio in Literature, Painting, and Performance / Bull, Hank -- On Radioart / Kogawa, Tetsuo -- I. RADIO SPACE -- The Museum as an Agent of Radio Art / Rothe, Sarah -- Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works / Black, Colin -- The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic / Zeising, Andreas -- II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE -- The Radio and/as Digital Productivism / Glahn, Philip -- Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio / Wegener, Claudia -- Radio Art in the "... Everyday Hand-to-Hand Struggle with Apparatuses?" / Rauh, Franziska -- Radio as a "Minor" Art Practice / Frohne, Ursula -- III. INSTITUTIONAL FRAMING AND AGENCY -- Radio as a Research Medium for Artistic and Oral-History-Based Research Projects / Omlin, Sibylle -- Community Radio as Post-Capitalist Art / Washington, Sarah -- Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar / Singer, Nathalie -- Radio as Art? Heart or Gall Bladder? / Hagelüken, Andreas -- IV. RADIO ART AS ACTION -- In Simulcast: Archigram and Radio Piracy in 1960s Britain / Filipowska, Roksana -- The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA's Oedipus, Tyrant / van Eikels, Kai -- Doing Radio Art: Direct Media Association's Pacific Rim / Slow Scan / Kim, Jee-Hae -- Radio Prolife: Eavesdropping on Life / Gheorghe, Irina -- V. WORDS-SOUND-MUSIC -- John Cage's Cinema for the Ear / Rosati, Lauren -- Peter Roehr's Sound Montages / Hahn, Nadine -- Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit / Mauruschat, Ania -- Listen and Participate: The Work of the Hörspielmacher Paul Plamper / Pinto, Vito -- Dead Spot in Art History / Thurmann-Jajes, Anne -- Author Biographies
Note:
Published on the occasion of the international symposium “Radio as Art: Concepts, Spaces, Practices; Radio Art between Media Reality and Art Reception” held at the Gästehaus of the University of Bremen, Germany, June 5–7, 2014
Language:
English
Keywords:
Radiokunst
;
Medienkunst
;
Klangkunst
;
Medienkunst
;
Aufsatzsammlung
DOI:
10.14361/9783839436172
URL:
http://purl.org/coar/access_right/c_16ec
Author information:
Thurmann-Jajes, Anne 1962-
Author information:
Peters, Maria
Author information:
Frohne, Ursula 1958-
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