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  • 1
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2021
    In:  The Journal of the Acoustical Society of America Vol. 150, No. 4_Supplement ( 2021-10-01), p. A102-A102
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 150, No. 4_Supplement ( 2021-10-01), p. A102-A102
    Abstract: Communication is at the heart of everything we do as consultants. We are constantly striving for new and better ways to guide our clients to make informed decisions. In situ auralizations of major pieces of future mechanical / electrical equipment allows major stakeholders and decision makers to get an aural sense for various equipment configurations, enclosure types, and barrier wall buildups prior to installation. After the auralization, board members and homeowners from past projects had a richer understanding of the anticipated experience at the property line and nearby classroom spaces when compared to reviewing graphs and charts alone. We will explore the value of, and challenges with, this in situ auralization method, as well as some future improvements to further validate the process through the lens of two past projects—New Trier High School and Lake Bluff Middle School in Illinois.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2021
    detail.hit.zdb_id: 1461063-2
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  • 2
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2014
    In:  The Journal of the Acoustical Society of America Vol. 136, No. 4_Supplement ( 2014-10-01), p. 2089-2089
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 136, No. 4_Supplement ( 2014-10-01), p. 2089-2089
    Abstract: Ray trace animation, level plots, and impulse responses, while all useful tools in providing a visual representation of sound, do not always bridge the gap between the eye and ear. Threshold utilized auralization to inform decisions for an upcoming theater renovation with the goal of improving the room’s acoustic support of orchestral performance. To achieve the desired acoustic response, the renovation will require major modifications to the shaping of a hall with a very distinctive architectural vernacular; a distinctive vernacular that will need to be preserved in some form to maintain the facility’s identity. Along with other modeling tools, auralization provided useful support, reassuring both the client and the design team of the validity of the concepts.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2014
    detail.hit.zdb_id: 1461063-2
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  • 3
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2015
    In:  The Journal of the Acoustical Society of America Vol. 138, No. 3_Supplement ( 2015-09-01), p. 1738-1738
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 138, No. 3_Supplement ( 2015-09-01), p. 1738-1738
    Abstract: Designing with sensitivity toward our natural environment relates not only to the resources that are used in the design, construction, and ongoing operation of buildings, but also to creating environments inspired by nature to achieve a level of comfort in our surroundings. Green building design is by no means at odds with the goals of acoustic design. An overarching byproduct of good design should be an environment that is both pleasing to the ear and to the earth’s resources. These principles can be subtle and subdued, such as in the reuse of building materials in the Writer’s Theatre and the design of buildings to be flexible insuring longevity for Duke University. Or, rather than pouring energy into creating materials, buildings for music can be engineered with stiffness in mind to maintain energy and body, such as in the new orchestra shell at the Lyric Opera in Chicago. More traditionally, the Tower at PNC Plaza’s tagline is the “world’s greenest skyscraper;” yet, the interior of the office space shows minimal obvious signs of LEED influence. Alternatively, nature’s touch is right on the sleeve of the National Research Defense Counsel project with the inclusion of foliage grown directly on the walls.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2015
    detail.hit.zdb_id: 1461063-2
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  • 4
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2014
    In:  The Journal of the Acoustical Society of America Vol. 135, No. 4_Supplement ( 2014-04-01), p. 2263-2263
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 135, No. 4_Supplement ( 2014-04-01), p. 2263-2263
    Abstract: By 1940, nearly every sizable city in America had a movie palace or movie-adapted vaudeville theater. As these regal houses for the silver screen were replaced by cinemas, the palaces and vaudeville theaters of the early 20th century sat with empty stages, taunting orchestras, theater companies, and would be audiences. Christopher Jaffe's most noted contribution to architectural acoustics was championing the adaptive re-use of these theaters through the development of an orchestra shell system. These light-weight shell systems allowed the theaters to support multiple performing arts organizations without a monumental capital campaign that neither the cities nor art organizations could afford. Chris' most singular contribution to acoustics was, however, his mentorship. This maverick in the field, always on a quest to prove himself, never missed an opportunity to share his knowledge or work out a new concept with a colleague or apprentice. He fostered the growth of consultants at all stages of their careers, first in his practice and later in the establishment of an architectural acoustics program at his alma mater.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2014
    detail.hit.zdb_id: 1461063-2
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  • 5
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2020
    In:  The Journal of the Acoustical Society of America Vol. 148, No. 4_Supplement ( 2020-10-01), p. 2685-2685
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 148, No. 4_Supplement ( 2020-10-01), p. 2685-2685
    Abstract: A remarkable role model for acoustics consultants at any point in their career, Bill Cavanaugh was kind, humble, and always willing to share his successes and failures in hopes that we would all be better acousticians. In 1991, several acoustic consulting firms, including Cavanaugh Tocci Associates, came together to form the Concert Hall Research Group. They pooled experience and funds to support research and measurements in the interest of advancing the understanding of acoustics in concert halls. When the original work of collecting measurements from several halls was completed, Bill championed the idea of creating a Summer Institute to continue the advancement of knowledge. The Institute brought together acoustic consultants in performing arts, faculty and researchers in architectural acoustics, and college students studying or interested in architectural acoustic to foster conversations and honest sharing of knowledge in an informal and intimate setting.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2020
    detail.hit.zdb_id: 1461063-2
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  • 6
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2022
    In:  The Journal of the Acoustical Society of America Vol. 152, No. 4_Supplement ( 2022-10-01), p. A210-A210
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 152, No. 4_Supplement ( 2022-10-01), p. A210-A210
    Abstract: Flutter is generally considered an acoustical defect – the timbral distortions and rhythmic nature can be distracting, annoying, or downright disruptive. The paper recontextualizes flutter as a compositional tool for sound art, particularly when the flutter of existing rooms is used for site-specific installations. Due to the global COVID-19 pandemic, the artist was unable to travel, allowing us to visit the site and take several room impulse responses. The measured spaces were parallelpiped, sound reflective, and fluttery. To give the artist creative flexibility, we simulated the rooms for an extended range of source and receiver locations informed by the in-situ measurements. This paper will discuss our calibration and modeling techniques to simulate flutter and reverberation coloration in real rooms, which is non-trivial for image source methods or ray-based software.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2022
    detail.hit.zdb_id: 1461063-2
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2018
    In:  The Journal of the Acoustical Society of America Vol. 143, No. 3_Supplement ( 2018-03-01), p. 1765-1765
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 143, No. 3_Supplement ( 2018-03-01), p. 1765-1765
    Abstract: When Canada’s National Arts Centre opened in 1967, the Brutalist architecture style of its era yielded a fortress for the arts. As Canada celebrates its sesquicentennial, a $110M (Canadian) architectural rejuvenation process is transforming the inward facing fortress into alluring beacon at the heart of the capital. Expanded public spaces enveloped in transparent facades form multiple pre-function spaces that visually spill into one another to convey the constant activity of Canada’s incubator for the performing arts to the patrons within and the surrounding city. The desire for visual transparency, the building’s designation as a National Historic Site of Canada, and need for simultaneous programming of the performance and pre-functions spaces provided no shortage of acoustic challenges.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2018
    detail.hit.zdb_id: 1461063-2
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  • 8
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2016
    In:  Journal of the Acoustical Society of America Vol. 139, No. 4_Supplement ( 2016-04-01), p. 2169-2169
    In: Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 139, No. 4_Supplement ( 2016-04-01), p. 2169-2169
    Abstract: The design of a 600-seat opera house is a rare opportunity. The cost of modern opera production leads to much larger facilities and small venues are more frequently multi-purpose venues by nature, leading to the use of concert hall or lyric theatre forms that can be pressed into service for opera. The United States has many small theatres, mostly on college campuses, but few see frequent use for Opera and as a result design choices tilt away from optimal for Opera performance. Historic opera houses of Europe present more opportunities for exploration. Many follow the Italianate form which is intimate and evokes our sense of what an opera house “should” be, though closer investigation exposes the weakness in these designs both theatrically and acoustically. The experience for many patrons is removed and lonely with severely challenged sightlines and an acoustic experience that is frontal, dry, and unengaging. Our exploration took us to the Royal Opera in the Palace of Versailles whose form varies in key ways from the typical. While the construction techniques of Versailles hinder its acoustic response, as inspiration, a new form for intimate opera is created.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2016
    detail.hit.zdb_id: 1461063-2
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2018
    In:  The Journal of the Acoustical Society of America Vol. 143, No. 3_Supplement ( 2018-03-01), p. 1792-1792
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 143, No. 3_Supplement ( 2018-03-01), p. 1792-1792
    Abstract: The end product of an architectural acoustic design is not the quality of the documentation or the successful achievement of a set of parameters, but rather the experience of the end users. With rare exception, the perception of acoustic characteristics cannot be separated from the users’ visual and tactile experiences. To unify these sensory experiences, we have adopted an approach to acoustic design that fully embraces the architect’s spatial and material vision for a building. At the same time, we seek to educate the architect so that they can embrace and internalize the acoustic goals of the building in their work. This presentation will describe our overall design approach, means of communication and demonstration used to build conviviality with our clients, and examples where acoustic and architectural goals have coincided.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2018
    detail.hit.zdb_id: 1461063-2
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    Acoustical Society of America (ASA) ; 2022
    In:  The Journal of the Acoustical Society of America Vol. 151, No. 4_Supplement ( 2022-04-01), p. A25-A25
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 151, No. 4_Supplement ( 2022-04-01), p. A25-A25
    Abstract: Fabric tensile structures are a common architectural response to the need for an outdoor performance venue because they provide a lightweight, durable shelter, capable of spanning large distances. Particular care is necessary when threading the needle between efficient structural form and functional acoustic performance. This paper will discuss the acoustic design considerations necessary to yield the best acoustic results when designing outdoor fabric tensile structures. Concepts such as geometry, materiality, and amplified audio will be explored through the story of a few project examples.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    RVK:
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2022
    detail.hit.zdb_id: 1461063-2
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