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  • 1
    Online Resource
    Online Resource
    MIT Press ; 2003
    In:  Leonardo Vol. 36, No. 1 ( 2003-02), p. 3-4
    In: Leonardo, MIT Press, Vol. 36, No. 1 ( 2003-02), p. 3-4
    Type of Medium: Online Resource
    ISSN: 0024-094X , 1530-9282
    Language: English
    Publisher: MIT Press
    Publication Date: 2003
    detail.hit.zdb_id: 2018786-5
    SSG: 24
    SSG: 9,10
    SSG: 9,11
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  • 2
    Online Resource
    Online Resource
    MIT Press ; 2008
    In:  Leonardo Vol. 41, No. 5 ( 2008-10), p. 510-518
    In: Leonardo, MIT Press, Vol. 41, No. 5 ( 2008-10), p. 510-518
    Abstract: Otto Piene discusses his projects with new media as well as the history and tradition of techological art. Topics range from archaic megalithic structures to large-scale, outdoor contemporary works articulated and enhanced by electronic forms of expression. Piene discusses his concept of ‘sky art’ and examines his attempts to expand the physical proportions of art and to communicate publicly with a large audience. Other issues raised include the beneficial effects of integrating art and science, the need to reevaluate and update art education and the importance of developing new forms of technological art that will improve communication and more effectively express human concerns.
    Type of Medium: Online Resource
    ISSN: 0024-094X , 1530-9282
    Language: English
    Publisher: MIT Press
    Publication Date: 2008
    detail.hit.zdb_id: 2018786-5
    SSG: 24
    SSG: 9,10
    SSG: 9,11
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  • 3
    Online Resource
    Online Resource
    Springer Science and Business Media LLC ; 1992
    In:  MRS Bulletin Vol. 17, No. 1 ( 1992-01), p. 18-23
    In: MRS Bulletin, Springer Science and Business Media LLC, Vol. 17, No. 1 ( 1992-01), p. 18-23
    Abstract: To avoid misinterpretation, the term “art-and-technology” should be hyphenated because we are looking at an integrated art form which developed, roughly, during the past 70 years (since Naum Gabo's virtual volume, Kinetic Construction , Berlin, 1920). Art-and-technology results from “incorporated” contributions of art, science, and technology or, better, from artists, scientists, and engineers (plus industry, business, government, etc.). Although art-and-technology has frequently been bad-mouthed or even pronouned “dead” by advocates and practitioners of pure art as well as science and technology, it is alive and well and enjoying more vitality, variety, and expansion than ever before. It is currently the only expanding field in the arts; it feeds vitally into technology and industry—most visibly in entertainment but it also provides stimulus beyond fun to areas of science and engineering where “art applications” have abounded since the advent of photography and its vast consequent uses in science. We can claim an eloquent tradition for art-and-technology in ancient historic, cultural manifestations such as the Egyptian pyramids and their “environmental” scale or the Greek theater with its elaborate stage machines. We are aware of elements of that tradition when we observe contemporary art-and-technology such as sky and space art (Figures 1 and 2), computer-generated virtual reality, performance with medical inquiry and medical apparatus, and art concepts inspired by molecular biology (Figure 3). Emphasis of search—whether artistic/expressive, conceptual/philosophical, or inquisitive/scientific—depends on taste and motivation. However, Leonardo is an undisputed idol to both artists and scientists.
    Type of Medium: Online Resource
    ISSN: 0883-7694 , 1938-1425
    Language: English
    Publisher: Springer Science and Business Media LLC
    Publication Date: 1992
    detail.hit.zdb_id: 2749565-6
    detail.hit.zdb_id: 2136359-6
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  • 4
    Online Resource
    Online Resource
    JSTOR ; 1976
    In:  Leonardo Vol. 9, No. 1 ( 1976-24), p. 82-
    In: Leonardo, JSTOR, Vol. 9, No. 1 ( 1976-24), p. 82-
    Type of Medium: Online Resource
    ISSN: 0024-094X
    Language: Unknown
    Publisher: JSTOR
    Publication Date: 1976
    detail.hit.zdb_id: 2018786-5
    SSG: 24
    SSG: 9,10
    SSG: 9,11
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    JSTOR ; 1975
    In:  Leonardo Vol. 8, No. 4 ( 1975-23), p. 350-
    In: Leonardo, JSTOR, Vol. 8, No. 4 ( 1975-23), p. 350-
    Type of Medium: Online Resource
    ISSN: 0024-094X
    Language: Unknown
    Publisher: JSTOR
    Publication Date: 1975
    detail.hit.zdb_id: 2018786-5
    SSG: 24
    SSG: 9,10
    SSG: 9,11
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    JSTOR ; 1996
    In:  Leonardo Vol. 29, No. 1 ( 1996), p. 68-
    In: Leonardo, JSTOR, Vol. 29, No. 1 ( 1996), p. 68-
    Type of Medium: Online Resource
    ISSN: 0024-094X
    Language: Unknown
    Publisher: JSTOR
    Publication Date: 1996
    detail.hit.zdb_id: 2018786-5
    SSG: 24
    SSG: 9,10
    SSG: 9,11
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    JSTOR ; 1986
    In:  Leonardo Vol. 19, No. 3 ( 1986), p. 193-
    In: Leonardo, JSTOR, Vol. 19, No. 3 ( 1986), p. 193-
    Type of Medium: Online Resource
    ISSN: 0024-094X
    Language: Unknown
    Publisher: JSTOR
    Publication Date: 1986
    detail.hit.zdb_id: 2018786-5
    SSG: 24
    SSG: 9,10
    SSG: 9,11
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  • 8
    Online Resource
    Online Resource
    Informa UK Limited ; 1965
    In:  Art Education Vol. 18, No. 5 ( 1965-05), p. 20-
    In: Art Education, Informa UK Limited, Vol. 18, No. 5 ( 1965-05), p. 20-
    Type of Medium: Online Resource
    ISSN: 0004-3125
    Language: Unknown
    Publisher: Informa UK Limited
    Publication Date: 1965
    detail.hit.zdb_id: 2065959-3
    SSG: 9,10
    SSG: 5,3
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