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  • 1
    Online Resource
    Online Resource
    Dancing with the doctor : dimensions of gender in the Doctor Who universe (2017)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_1694753727
    Format: 1 Online-Ressource (viii, 211 pages)
    Edition: First edition
    Edition: Also available in print
    ISBN: 1784533742 , 9781350986015 , 9781784533748 , 9781786721464 , 9781786731463
    Content: Main Man? -- Companions and Allies -- Multidimensional Identity -- Paratexts: The Unfolding Franchise -- Production: Unsung Heroes -- Reception: Squeeing, Trolling, Transforming
    Content: Widespread conversations and criticisms continue about the ways in which Doctor Who represents gender. Dancing with the Doctor, the first book on the Doctor Who universe to take gender as its focus, examines both the successful revival of the series since 2005 and its spin-off series, Torchwood and The Sarah Jane Adventures. Lorna Jowett delves into the distinctive stories and characters, including the Doctors themselves, their female and male companions, Captain Jack Harkness, Missy, Sarah Jane and her young comrades. She considers the showrunners, directors, producers and writers and the problems this flagship science fiction series has had in offering alternative gender models. Constructions of masculinity, the author function, and how gender intersects with the other facets of identity, race, ethnicity and age, are just some of the areas explored in this accessible and wide-ranging re-view of these hotly debated elements of the successful BBC franchise. -- Provided by publisher
    Note: Includes bibliographical references and index -- Filmography: pages 205-206 , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350986015
    URL: lizenzpflichtig
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  • 2
    Online Resource
    Online Resource
    Performing femininity : woman as performer in early Russian cinema (2016)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_1694753891
    Format: 1 Online-Ressource (xv, 288 pages) , illustrations
    Edition: First edition
    Edition: Also available in print
    ISBN: 1784531596 , 9781350987487 , 9781784531591 , 9781786720580 , 9781786730589
    Series Statement: KINO: the Russian and Soviet cinema series
    Content: From Oriental dancers to ballerinas and opera singers, the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From Romashkov's Stenka Razin (1908), to Viskovsky's The Last Tango (1918), the female performer remains central. In this groundbreaking new study, Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers used this archetype of femininity to experiment and develop a unique cinematic language
    Content: List of illustrations -- General editors' preface -- Acknowledgements -- Note on transliteration -- Introduction -- The Oriental dancer -- The peasant girl and the Boyar's ward -- The opera singer -- From the Oriental dancer to the tango-woman -- The Gypsy dancer -- From the ballerina to the early modern dancer -- The actress -- Conclusion -- Coda -- Notes -- Bibliography -- Filmography -- Index.
    Note: Includes bibliographical references (pages 260-273) and index -- Filmography: pages 274-278 , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350987487
    URL: lizenzpflichtig
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  • 3
    Online Resource
    Online Resource
    British children's cinema : from The Thief of Bagdad to Wallace and Gromit (2016)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_1694753972
    Format: 1 Online-Ressource (xiv, 306 pages) , illustrations
    Edition: First edition
    Edition: Also available in print
    ISBN: 1784534005 , 9781350985582 , 9781784534004 , 9781786721013 , 9781786731012
    Series Statement: Cinema and society series
    Content: "British children's films have played a part in the childhoods of generations of young people around the world for over a century. Until now, however, their cherished status has remained largely unexplored. In this book, Noel Brown relates the history of children's cinema in Britain from the early years of commercial cinema to the present day, to reveal the reasons behind its acclaim in international popular culture. Drawing on multiple sources, Brown provides in-depth analysis of a range of iconic films, including The Railway Children, The Thief of Bagdad, Bugsy Malone, the Harry Potter films, Mary Poppins, Nanny McPhee, Paddington, Oliver!, and Aardman's Wallace and Gromit series. Futhermore, he investigates industrial and commercial contexts, such as the role of the Children's Film Foundation; and includes revealing insights on changing social and cultural norms, such as the once-sacred tradition of Saturday morning cinema. Brown challenges common prejudices that children's films are inherently shallow or simplistic, revealing the often complex strategies that underpin their enduring appeal to audiences of all ages and backgrounds. In addition, he shows how the films allow a privileged access to historic cultures and the nation's political past. In doing so, Brown firmly establishes children's cinema as an important genre not only for students and scholars of film studies but also for those interested in socio-cultural history, the production and reception of popular entertainment and anyone looking for entertainment, escapism and nostalgia."--Cover page 4
    Content: In the Beginning: Children and British Cinema in the Silent Era -- The Children's Adventure Movie, 1930-60 -- Family Entertainers: Formby, Hay, Lucan, Wisdom -- J. Arthur Rank, Saturday Morning Cinema and the Children's Film Foundation -- Happiest Days: British Cinema and the Family Audience in the Fifties -- Disney in Britain -- Summers of Love and Winters of Discontent: The Sixties and Seventies -- From Thatcher to Blair: The Eighties and Nineties -- Exporting Englishness.
    Note: Includes bibliographical references (pages 293-295), filmography (pages 290-292) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350985582
    URL: lizenzpflichtig
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  • 4
    Online Resource
    Online Resource
    Pompeii : an archaeological guide (2017)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_1694754065
    Format: 1 Online-Ressource (xiii, 240 pages, 32 unnumbered pages of plates) , illustrations (some color), maps
    Edition: First edition
    Edition: Also available in print
    ISBN: 1350129399 , 9781350987555 , 9781350129399
    Content: "The resonant ruins of Pompeii are perhaps the most direct route back to the living, breathing world of the ancient Romans. Two million visitors annually now walk the paved streets which re-emerged, miraculously preserved, from their layers of volcanic ash. Yet for all the fame and unique importance of the site, there is a surprising lack of a handy archaeological guide in English to reveal and explain its public spaces and private residences. This compact and user-friendly handbook, written by an expert in the field, helpfully fills that gap. Illustrated throughout with maps, plans, diagrams and other images, Pompeii: An Archaeological Guide offers a general introduction to the doomed city followed by an authoritative summary and survey of the buildings, artefacts and paintings themselves. The result is an unrivalled picture, derived from an intimate knowledge of Roman archaeology around the Bay of Naples, of the forum, temples, brothels, bath-houses, bakeries, gymnasia, amphitheatre, necropolis and other site buildings - including perennial favourites like the House of the Faun, named after its celebrated dancing satyr."--
    Note: Includes bibliographical references (pages 219-223) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350987555
    URL: lizenzpflichtig
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  • 5
    Online Resource
    Online Resource
    Girls like this, boys like that : the reproduction of gender in contemporary youth cultures (2018)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_1694753506
    Format: 1 Online-Ressource (xviii, 173 pages) , illustrations
    Edition: First edition
    Edition: Also available in print
    ISBN: 1784535648 , 9781350986619 , 9781784535643 , 9781786724328 , 9781786734327
    Series Statement: Library of gender and popular culture 12
    Content: Introduction -- 1. Researching Youth Taste Cultures: The Study -- 2. Fitting in at School: The Context of Youth Taste Cultures -- 3. What is Gender? Theorising Gender and Young People's Lived Experiences -- 4. Boys Like This: Masculinity and Appropriate Tastes for Boys -- 5. Girls Like That: Femininity and Appropriate Tastes for Girls -- 6. Living on the Edge: Regulating and Transgressing Gender Appropriate Taste -- Conclusions and Recommendations.
    Content: What role does taste play in contemporary youth culture? How do young people reproduce, or alternatively, reject gender norms? Using new research and the work of renowned theorists such as Judith Butler and Pierre Bourdieu, Victoria Cann argues that popular culture affects young people's experiences of masculinity and femininity and forces them to navigate a social minefield in which they are pressured to display tastes deemed appropriate for their gender. Combining her own unique empirical research with a strong theoretical framework, Cann widens and links the fields of gender and taste studies to show the everyday reality of twenty-first-century youth and their apprehensions--especially those of young boys--about participating in activities, or embracing pop-cultureal preferences that have traditionally only been associated with the opposite sex--back cover
    Note: Includes bibliographical references (pages 159-168) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350986619
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  • 6
    Online Resource
    Online Resource
    From steam to screen : cinema, the railways and modernity (2018)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_1694753514
    Format: 1 Online-Ressource (xv, 299 pages) , illustrations
    Edition: First edition
    Edition: Also available in print
    ISBN: 1784539155 , 9781350986527 , 9781784539153 , 9781786723222 , 9781786733221
    Series Statement: Cinema and society
    Content: In late nineteenth- and early twentieth-century Britain, there was widespread fascination with the technological transformations wrought by modernity. Films, newspapers and literature told astonishing stories about technology, such as locomotives breaking speed records and moving images seemingly springing into life onscreen. And, whether in films about train travel, or in newspaper articles about movie theatres on trains, stories about the convergence of the railway and cinema were especially prominent. Together, the two technologies radically transformed how people interacted with the world around them, and became crucial to how British media reflected the nation's modernity and empire. Rebecca Harrison draws on archival sources and an extensive corpus of films to trace the intertwined histories of the train and the screen for the first time. In doing so, she presents a new and illuminating material and cultural history of the period, and demonstrates the myriad ways railways and cinema coalesced to transform the population's everyday life. With examples taken from more than 240 newsreels and 40 feature-length films, From Steam to Screen is essential reading for students and researchers working on film studies and British history at the turn of the century and beyond. Book jacket
    Content: Machine generated contents note: Intersections -- Space and Time -- Approaching the Past -- 1. Ghost Stories, Phantom Rides and Class at the Cinematograph Show -- Ghosts in Victorian Culture -- The Phantom Aesthetics of Early Cinema -- Class and the `Panicking Audience' -- Phantom Rides and Rural Modernity --
    Note: Includes bibliographical references (pages 285-294) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350986527
    URL: lizenzpflichtig
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  • 7
    Online Resource
    Online Resource
    The myth of Hero and Leander : the history and reception of an enduring Greek legend (2017)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_1694754081
    Format: 1 Online-Ressource (x, 284 pages) , illustrations
    Edition: First edition
    Edition: Also available in print
    ISBN: 1784539562 , 1786722909 , 1786732904 , 9781784539566 , 9781786722904 , 9781786732903 , 9781350988941
    Series Statement: Library of classical studies (LCS) 19
    Content: "Hero and Leander are the protagonists in a classical tale of epic but tragic love. Hero lives secluded in a tower on the European shore of the Hellespont, and Leander on the opposite side of the passage. Since they cannot hope to marry, the couple resolves to meet in secret: each night he swims across to her, guided by the light of her torch. But the time comes when a winter storm kills both the light and Leander. At dawn, Hero sees her lover's mangled body washed ashore, and so hurls herself from the tower to meet him in death. Silvia Montiglio here shows how and why this affecting story has proved to be one of the most popular and perennial mythologies in the history of the West. Discussing its singular drama, danger, pathos and eroticism, the author explores the origin of the legend and its rich and varied afterlives. She shows how it was used by Greek and Latin writers; how it developed in the Middle Ages - notably in the writings of Christine de Pizan - and Renaissance; how it inspired Byron to swim the Dardanelles; and how it has lived on in representations by artists including Rubens and Frederic Leighton."--
    Content: Introduction -- 1. Seduction, love and athleticism: Leander (and Hero) in Roman literature and culture -- 2. Musaeus' Hero and Leander, or 'love against the world' -- 3. Lustful fornicators or courtly lovers? the legend in medieval European literature -- 4. The tale as Musaeus told it: Hero and Leander in medieval Greek literature and the diffusion of Musaeus' poem in Europe -- Epilogue:
    Note: Includes bibliographical references (pages 263-276) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350988941
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  • 8
    Online Resource
    Online Resource
    Military leaders and sacred space in classical Greek warfare : temples, sanctuaries and conflict in antiquity (2016)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_169475409X
    Format: 1 Online-Ressource (307 pages)
    Edition: First edition
    Edition: Also available in print
    ISBN: 1784532851 , 1786720671 , 1786730677 , 9781784532857 , 9781786720672 , 9781350987197 , 9781786730671
    Series Statement: Library of classical studies 14
    Content: Abbreviations -- Acknowledgements -- Introduction -- Part 1. Boundaries of culture and space -- Part 2. Sanctuaries : The temple as fortress -- Talismans -- On the battlefield -- Taking asylum -- Part 3. Relationships : Reputation and diplomacy -- Fighting for sacred space: sacred wars, prestige, and plunder -- Conclusions -- Notes -- Bibliography -- Index.
    Content: The ancient Greeks attributed great importance to the sacred during war and campaigning, as demonstrated from their earliest texts. Among the first four lines of the Iliad, for example, is a declaration that Apollo began the feud between Achilles and Agamemnon and sent a plague upon the Greek army because its leader, Agamemnon, had mistreated Apollo's priest. In this first in-depth study of the attitude of military commanders towards holy ground, Sonya Nevin addresses the customs and conduct of these leaders in relation to sanctuaries, precincts, shrines, temples and sacral objects. Focusing on a variety of Greek kings and captains, the author shows how military leaders were expected to react to the sacred sites of their foes. She further explores how they were likely to respond, and how their responses shaped the way such generals were viewed by their communities, by their troops, by their enemies and also by those -- like Herodotus, Thucydides and Xenophon -- who were writing their lives. This is a groundbreaking study of the significance of the sacred in warfare and the wider culture of antiquity
    Note: Includes bibliographical references (pages 281-298) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350987197
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  • 9
    Online Resource
    Online Resource
    Corinth in late antiquity : a Greek, Roman and Christian city (2018)
    London : I.B. Tauris
    Details
    UID:
    (DE-602)gbv_1694754138
    Format: 1 Online-Ressource (xiv, 341 pages, 10 unnumbered pages of plates)
    Edition: First edition
    Edition: Also available in print
    ISBN: 178453823X , 1786723581 , 1786733587 , 9781784538231 , 9781786723581 , 9781786733580 , 9781350985865
    Series Statement: Library of classical studies 17
    Content: "Late antique Corinth was on the front line of the radical political, economic and religious transformations that swept across the Mediterranean world from the second to sixth centuries CE. A strategic merchant city, it became a hugely important metropolis in Roman Greece and, later, a key focal point for early Christianity. In late antiquity, Corinthians recognised new Christian authorities; adopted novel rites of civic celebration and decoration; and destroyed, rebuilt and added to the city's ancient landscape and monuments. Drawing on evidence from ancient literary sources, extensive archaeological excavations and historical records, Amelia Brown here surveys this period of urban transformation, from the old Agora and temples to new churches and fortifications. Influenced by the methodological advances of urban studies, Brown demonstrates the many ways Corinthians responded to internal and external pressures by building, demolishing and repurposing urban public space, thus transforming Corinthian society, civic identity and urban infrastructure. In a departure from isolated textual and archaeological studies, she connects this process to broader changes in metropolitan life, contributing to the present understanding of urban experience in the late antique Mediterranean"--
    Content: Introduction: Signifieanee, Seholarship and Strueture, p.1 -- 1. Landseape and Civie Authorities in Late Antique Corinth, p.16 -- 2. The Forum and Spaees of Civie Administration, p.37 -- 3. Commeree, Water Supply and Communieations, p.52 -- 4. Spaces of Civic Assembly and Entertainment, p.71 -- 5.
    Note: Includes bibliographical references (pages 192-329) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781784538231
    Additional Edition: ISBN 178453823X
    Additional Edition: ISBN 9781786723581
    Additional Edition: ISBN 9781786733580
    Additional Edition: ISBN 1786733587
    Additional Edition: Erscheint auch als Druck-Ausgabe Brown, Amelia Corinth in late antiquity London : I.B. Tauris, 2018 ISBN 9781784538231
    Additional Edition: ISBN 9781350124981
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350985865
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  • 10
    Online Resource
    Online Resource
    The female body in the looking-glass : contemporary art, aesthetics and genderland (2016)
    London, England : I.B. Tauris & Co. Ltd | London, England : Bloomsbury Publishing
    Details
    UID:
    (DE-602)gbv_1694754189
    Format: 1 Online-Ressource (xiii, 226 pages) , illustrations
    Edition: First edition
    Edition: Also available in print
    ISBN: 1780766440 , 9781350988675 , 9781780766447 , 9781786720085 , 9781786730084
    Series Statement: International Library of Cultural Studies 32
    Content: Introduction -- Looking-glass reality -- Down the skin-deep hole -- White and red queens, or Venus and Medusa -- The Cheshire Cat and disappearing appearances -- A rose garden -- Postscript.
    Content: In his theory of the 'mirror stage', the psychoanalyst and psychiatrist Jacques Lacan argued that the female body is defined by its lack of male attributes. Within this framework, he described female sexuality primarily as an absence, and assumed female subordination to the male gaze. However, what happens if one follows Jean Baudrillard's advice to swallow the mirror and go through the looking-glass to explore the reflections and realities that we encounter in the cultural mirror, which reflects the culture in question: its norms, ideals and values? What if the beautiful is inverted and becomes ugly; and the ugly is considered beautiful or shape-shifts into something conventionally thought of as beautiful? These are the fundamental questions that Basia Sliwinska poses in this important new enquiry into gender identity and the politics of vision in contemporary women's art. Through an innovative discussion of the mirror as a metaphor, Sliwinska reveals how the post-1989 practices of woman artists from both sides of the former Iron Curtain - such as Joanna Rajkowska, Marina Abramović, Boryana Rossa, Natalia LL and Anetta Mona Chişa & Lucia Tkácová - go beyond gender binaries and instead embrace otherness and difference by playing with visual tropes of femininity. Their provocative works offer alternative representations of the female body to those seen in the cultural mirror. Their art challenges and deconstructs patriarchal representations of the social and cultural 'other', associated with visual tropes of femininity such as Alice in Wonderland, Venus and Medusa. The Female Body in the Looking-Glass makes a refreshing, radical intervention into art theory and cultural studies by offering new theoretical concepts such as the mirror and genderland (inspired by Alice's adventures in Wonderland) as critical tools with which we can analyse and explain recent developments in women's art.--dust-jacket
    Note: Includes bibliographical references (pages 183-216) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
    DOI: 10.5040/9781350988675
    URL: lizenzpflichtig
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