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  • 1
    Online Resource
    Online Resource
    Cary : Oxford University Press USA - OSO
    UID:
    (DE-627)180914521X
    Format: 1 online resource (304 pages)
    ISBN: 9780199863310
    Content: The Music of James Bond is the first comprehrensive chronicle of the songs and scores written for the movie adventures of Ian Fleming's intrepid Agent 007. New interviews with Bond songwriters and composers coupled with previously undiscovered details--tales of temperamental artists, unexpected hits and surprising convergences of great music with unforgettable images--make this book "must" reading for all 007 fans.
    Content: Cover -- Contents -- Acknowledgments -- Introduction -- 1 ". . . Come watch for de moon . . ." Dr. No -- 2 ". . . But oh, you haunted me so . . ." From Russia with Love -- 3 ". . . The Midas touch-a spider's touch . . ." Goldfinger -- 4 ". . . He looks at this world and wants it all . . ." Thunderball -- 5 ". . . Well, it takes my breath away . . ." Casino Royale (1967) -- 6 ". . . Make one dream come true . . ." You Only Live Twice -- 7 ". . . We have all the time in the world . . ." On Her Majesty's Secret Service -- 8 ". . . Touch it, stroke it and undress it . . ." Diamonds Are Forever -- 9 ". . . You gotta give the other fellow hell . . ." Live and Let Die -- 10 ". . . An assassin that's second to none . . ." The Man with the Golden Gun -- 11 ". . . Nobody does it better . . ." The Spy Who Loved Me -- 12 ". . . That moonlight trail that leads to your side . . ." Moonraker -- 13 ". . . You see what no one else can see . . ." For Your Eyes Only -- 14 ". . . Hold on tight, let the flight begin . . ." Octopussy -- 15 ". . . Though I know there's danger there, I don't care . . ." Never Say Never Again -- 16 ". . . Until we dance into the fire . . ." A View to a Kill -- 17 ". . . The living's in the way we die . . ." The Living Daylights -- 18 ". . . And you know I'm going straight for your heart . . ." Licence to Kill -- 19 ". . . Time is not on your side . . ." GoldenEye -- 20 ". . . Until the world falls away . . ." Tomorrow Never Dies -- 21 ". . . No point in living if you can't feel alive . . ." The World Is Not Enough -- 22 ". . . It's not my time to go . . ." Die Another Day -- 23 ". . . The coldest blood runs through my veins . . ." Casino Royale (2006) -- 24 ". . . A door left open, a woman walking by . . ." Quantum of Solace -- Afterword -- Appendix 1: The Bond Soundtrack Albums -- Appendix 2: The Bond Songs That Never Were -- Endnotes.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: 9780199358854
    Additional Edition: Erscheint auch als Druck-Ausgabe 9780199358854
    Language: English
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  • 2
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    UID:
    (DE-603)510117112
    Format: 1 Online-Ressource , Ill.
    ISBN: 9780199979981
    Content: This volume is a comprehensive chronicle of the songs and scores written for the movie adventures of Ian Fleming's intrepid Agent 007. New interviews with Bond songwriters and composers coupled with previously undiscovered details make this book a 'must' read for all 007 fans.
    Note: Includes bibliographical references and index
    Additional Edition: 9780199863303
    Language: English
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  • 3
    UID:
    (DE-603)507079493
    Format: viii, 467 Seiten , Illustrationen
    ISBN: 9780190618308
    Language: English
    Subjects: Musicology , General works
    RVK:
    RVK:
    RVK:
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  • 4
    Book
    Book
    New York : Billboard Books, an Imprint of Watson-Guptill Publ.
    UID:
    (DE-603)091826470
    Format: XI, 244 S. , Ill.
    Edition: 1. printing
    ISBN: 0823084272
    Language: English
    Subjects: General works
    RVK:
    Keywords: Wörterbuch ; Tonträger ; Verzeichnis
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  • 5
    UID:
    (DE-604)BV045287287
    ISBN: 978-0-415-88873-8
    Note: Part 6. The business of film music. 14. Labor pains
    In: pages:215-217
    In: The Routledge film music sourcebook / ed. by James Wierzbicki, Nathan Platte and Colin Roust, New York, NY [u.a.], 2012, Seiten 215-217, 978-0-415-88873-8
    Language: English
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  • 6
    Book
    Book
    New York, NY : Oxford Univ. Press
    UID:
    (DE-604)BV040445884
    Format: IX, 293 S. , Ill.
    ISBN: 9780199863303
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: James-Bond-Film ; Filmmusik ; Geschichte
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  • 7
    UID:
    (DE-627)776580027
    ISBN: 9780415888738
    In: The Routledge film music sourcebook, New York, NY [u.a.] : Routledge, 2012, (2012), Seite 215-217, 9780415888738
    In: 9780415888745
    In: year:2012
    In: pages:215-217
    Language: English
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  • 8
    UID:
    (DE-627)1845963490
    Format: viii, 467 pages , Illustrationen , 27 cm
    ISBN: 9780190618308
    Content: "Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, Jerry Goldsmith and Lalo Schifrin learned and/or honed their craft in television before going on to major success in feature films. Oscar-winning film composers like Bernard Herrmann, Franz Waxman and Maurice Jarre wrote hours of music for television projects, and such high-profile jazz figures as Duke Ellington, Dave Brubeck and Quincy Jones also contributed music to TV series. Concert-hall luminaries from Aaron Copland to Leonard Bernstein, and theater writers from Jerome Moross to Richard Rodgers, penned memorable scores for TV. Music for Prime Time is the first serious, journalistic history of music for American television. It is the product of 35 years of research and more than 450 interviews with composers, orchestrators, producers, editors and musicians active in the field. Based on, but vastly expanded and revised from, an earlier book by the same author, this wide-ranging narrative not only tells the backstory of every great TV theme but also examines the many neglected and frequently underrated orchestral and jazz compositions for television dating back to the late 1940s. Covering every series genre (crime, comedy, drama, westerns, action-adventure, fantasy and sci-fi), it also looks at music for animated series, news and documentary programming, TV-movies and miniseries, and how music for television has evolved in the era of cable and streaming options. It is the most comprehensive history of television scoring ever published"--Jacket
    Note: Literaturverzeichnis: Seiten 431-446 , "Hi-yo, Silver!" : the birth of TV music -- "Book 'em, Danno" : cop and detective shows -- "Head 'em up, move 'em out!" : the westerns -- "You are traveling through another dimension" : fantasy and science fiction -- "Man, woman, birth, death, infinity" : drama -- "Just sit right back and you'll hear a tale" : comedy -- "Your mission, should you decide to accept it" : action-adventure -- "You are there" : documentaries, news, and information programming -- "Flintstones! Meet the Flintstones!" : cartoons in prime time -- "My name is Kunta Kinte" : made-for-TV movies and miniseries -- "Mrs. Peel, we're needed" : British shows aired in America -- "This is the way" : music for cable and streaming services.
    Additional Edition: 9780190618339
    Additional Edition: Erscheint auch als Online-Ausgabe Burlingame, Jon Music for prime time New York, NY : Oxford University Press, 2023 9780190618339
    Language: English
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  • 9
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    (DE-603)323134777
    Format: IX, 293 S. , Ill., Notenbeisp.
    ISBN: 019986330X , 9780199863303
    Note: Includes bibliographical references and index
    Language: English
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  • 10
    UID:
    (DE-604)BV011065689
    Format: XI, 338 S. , Ill.
    ISBN: 0028703243
    Language: English
    Keywords: Fernsehen ; Filmmusik ; Geschichte
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