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  • 1
    Online Resource
    Online Resource
    London : I. B. Tauris & Company, Limited
    UID:
    (DE-627)1695198425
    Format: 1 online resource (204 pages)
    ISBN: 9781786724342
    Series Statement: International library of the moving image 48
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: 9781788311908
    Additional Edition: Erscheint auch als Druck-Ausgabe 9781788311908
    Language: English
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  • 2
    UID:
    (DE-604)BV045492460
    Format: xiv, 274 Seiten, 4 ungezählte Seiten Tafeln , Illustrationen
    ISBN: 9781788311908
    Series Statement: International library of the moving image
    Additional Edition: Erscheint auch als Online-Ausgabe, eISBN ISBN 978-1-78672-434-2
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-78673-434-1
    Language: English
    Subjects: General works
    RVK:
    Keywords: China ; Film ; Propaganda ; Ästhetik ; Geschichte 1949-1966 ; China ; Film ; Propaganda ; Internationalismus ; Geschichte 1949-1966
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  • 3
    UID:
    (DE-602)gbv_1662522010
    Format: xiv, 274 Seiten, 4 ungezählte Seiten , Illustrationen , 22 cm
    ISBN: 9781788311908 , 1788311906
    Series Statement: International library of the moving image 48
    Note: Includes bibliographical references (pages 225-236) and index -- Filmography: pages 222-224
    Additional Edition: ISBN 9781786724342
    Additional Edition: ISBN 9781786734341
    Additional Edition: Erscheint auch als Online-Ausgabe Chan, Jessica Ka Yee Chinese revolutionary cinema London : I.B. Tauris, 2019 ISBN 9781788318914
    Additional Edition: ISBN 9781786734341
    Additional Edition: ISBN 9781786724342
    Language: English
    Keywords: China ; Film ; Propaganda ; Internationalismus ; Geschichte 1949-1966
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    (DE-602)b3kat_BV045492460
    Format: xiv, 274 Seiten, 4 ungezählte Seiten Tafeln , Illustrationen
    ISBN: 9781788311908
    Series Statement: International library of the moving image
    Additional Edition: Erscheint auch als Online-Ausgabe, eISBN ISBN 978-1-78672-434-2
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-78673-434-1
    Language: English
    Subjects: General works
    RVK:
    Keywords: China ; Film ; Propaganda ; Ästhetik ; Geschichte 1949-1966 ; China ; Film ; Propaganda ; Internationalismus ; Geschichte 1949-1966
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    (DE-605)HT021108044
    Format: 1 online resource (xiv, 274 pages) , illustrations
    Edition: First edition
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily , Includes bibliographical references (225-236) and index , Also issued in print
    Additional Edition: 9781788318914
    Additional Edition: 9781786724342$q(electronic book)
    Additional Edition: 9781786734341$q(pdf)
    Additional Edition: 9781788311908$q(hardback)
    Language: English
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  • 6
    UID:
    (DE-627)1877869422
    Format: 1 Online-Ressource (xiv, 274 pages, 4 unnumbered pages of plates) , illustrations (some color)
    ISBN: 1786724340 , 1786734346 , 9781786724342 , 9781786734341
    Series Statement: International library of the moving image 48
    Content: Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture
    Content: Propaganda and film aesthetics -- Literature on screen: recasting classical Hollywood narration in family melodrama -- Translating Soviet montage -- Socialist glamour: the socialist star craze, Stanislavski's system and cinematic iconography of the gaze -- Visions of internationalism in Chinese film journals.
    Note: Includes bibliographical references (pages 225-236) and index -- Filmography: pages 222-224
    Additional Edition: 9781788318914
    Additional Edition: 1788318919
    Additional Edition: 9781788311908
    Additional Edition: 1788311906
    Additional Edition: 1788311906
    Additional Edition: Erscheint auch als Druck-Ausgabe Chan, Jessica Ka Yee Chinese revolutionary cinema London: I.B. Tauris, 2019 1788311906
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    (DE-602)b3kat_BV046797809
    Format: 1 Online-Ressource (xiv, 274 Seiten) , Illustrationen
    ISBN: 9781788318914 , 9781786734341 , 9781786724342
    Series Statement: International library of the moving image 48
    Content: "Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture."--Bloomsbury Publishing
    Content: Introduction 1 -- 1 Propaganda and Film Aesthetics 23 2 Literature on Screen: Recasting Classical Hollywood Narration in Family Melodrama 54 3 Translating Soviet Montage 87 4 Socialist Glamour: The Socialist Star Craze, Stanislavski's System and Cinematic Iconography of the Gaze 119 5 Visions of Internationalism in Chinese Film Journals 147 -- Conclusion 173 -- Notes 180 Glossary 215 Filmography 222 Bibliography 225 Index 237
    Note: Includes bibliographical references (pages 225-236) and index -- Filmography: pages 222-224
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-78831-190-8
    Language: English
    Subjects: General works
    RVK:
    Keywords: China ; Film ; Propaganda ; Internationalismus ; Geschichte 1949-1966 ; China ; Film ; Propaganda ; Ästhetik ; Geschichte 1949-1966
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    (DE-605)HT020295192
    Format: 1 Online-Ressource (xiv, 274 Seiten, 4 ungezählte Seiten Tafeln) , Illustrationen
    ISBN: 9781786734341 , 9781786724342
    Series Statement: International library of the moving image 48
    Additional Edition: Erscheint auch als Druck-Ausgabe 9781788311908
    Language: English
    Subjects: General works
    RVK:
    Keywords: China ; Film ; Propaganda ; Ästhetik ; Geschichte 1949-1966
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    London : I.B. Tauris | London : Bloomsbury Publishing
    UID:
    (DE-627)1681134055
    Format: 1 Online-Ressource (xiv, 274 pages) , illustrations
    ISBN: 9781788318914 , 9781786734341 , 9781786724342
    Series Statement: International library of the moving image 48
    Content: "Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture."--Bloomsbury Publishing
    Content: Introduction 1 -- 1 Propaganda and Film Aesthetics 23 2 Literature on Screen: Recasting Classical Hollywood Narration in Family Melodrama 54 3 Translating Soviet Montage 87 4 Socialist Glamour: The Socialist Star Craze, Stanislavski's System and Cinematic Iconography of the Gaze 119 5 Visions of Internationalism in Chinese Film Journals 147 -- Conclusion 173 -- Notes 180 Glossary 215 Filmography 222 Bibliography 225 Index 237.
    Note: Includes bibliographical references (pages 225-236) and index -- Filmography: pages 222-224
    Additional Edition: 9781788311908
    Additional Edition: Erscheint auch als Druck-Ausgabe Chan, Jessica Ka Yee Chinese revolutionary cinema London : I.B. Tauris, 2019 9781788311908
    Additional Edition: 1788311906
    Language: English
    Keywords: China ; Film ; Propaganda ; Internationalismus ; Geschichte 1949-1966
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    UID:
    (DE-627)1662522010
    Format: xiv, 274 Seiten, 4 ungezählte Seiten , Illustrationen , 22 cm
    ISBN: 9781788311908 , 1788311906
    Series Statement: International library of the moving image 48
    Note: Includes bibliographical references (pages 225-236) and index -- Filmography: pages 222-224
    Additional Edition: 9781786724342
    Additional Edition: 9781786734341
    Additional Edition: Erscheint auch als Online-Ausgabe Chan, Jessica Ka Yee Chinese revolutionary cinema London : I.B. Tauris, 2019 9781788318914
    Additional Edition: 9781786734341
    Additional Edition: 9781786724342
    Language: English
    Keywords: China ; Film ; Propaganda ; Internationalismus ; Geschichte 1949-1966
    Library Location Call Number Volume/Issue/Year Availability
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