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  • 1
    UID:
    (DE-627)1842151126
    ISSN: 2214-1332
    In: Journal of Jesuit studies, Leiden : Brill, 2014, 10(2023), 2, Seite 382-385, 2214-1332
    In: volume:10
    In: year:2023
    In: number:2
    In: pages:382-385
    Language: English
    Keywords: Rezension
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    UID:
    (DE-627)1695258673
    ISSN: 2214-1332
    In: Journal of Jesuit studies, Leiden : Brill, 2014, 7(2020), 3, Seite 486-489, 2214-1332
    In: volume:7
    In: year:2020
    In: number:3
    In: pages:486-489
    Language: English
    Keywords: Rezension
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  • 3
    UID:
    (DE-627)1772475203
    ISBN: 9789004362659
    In: Jesuit intellectual and physical exchange between England and mainland Europe, c. 1580-1789, Leiden : Brill, 2019, (2019), Seite 235-262, 9789004362659
    In: year:2019
    In: pages:235-262
    Language: English
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  • 4
    Online Resource
    Online Resource
    Martlesham : Boydell & Brewer, Incorporated
    UID:
    (DE-627)1804255637
    Format: 1 online resource (225 pages)
    ISBN: 9781800107991
    Content: Knowing Britten is a vivid and insightful account of Steuart Bedford's long association with both Britten the man and his music.
    Note: Description based on publisher supplied metadata and other sources
    Language: English
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  • 5
    Online Resource
    Online Resource
    Woodbridge, Suffolk :Bittern Press,
    UID:
    (DE-602)almahu_9949534838902882
    Format: 1 online resource (xiii, 193 pages) : , digital, PDF file(s).
    ISBN: 9781800107991 (ebook)
    Content: Knowing Britten is a vivid and insightful account of Steuart Bedford's long association with both Britten the man and his music The conductor and pianist Steuart Bedford (199-2021) could not remember a time when he did not know Benjamin Britten. His mother, Lesley Duff, sang with the English Opera Group in the premieres of The Rape of Lucretia and Albert Herrring in the late 1940s, and the family was closely involved with Britten and Pears for many years. Following his music studies and time on the music staff at Glyndebourne, Bedford joined the English Opera Group, gradually becoming Britten's trusted surrogate conductor. As Britten's health began to fail, Before took on responsibility for the premiere of Death in Venice, including its US premiere at the Metropolitan Opera, New York, and the dramatic cantata Phaedra among others.
    Note: Title from publisher's bibliographic system (viewed on 14 Jun 2023). , My mind beats on , A thirst, a leaping, wild unrest, a deep desire , Should I give up the fruitless struggle with the word? , So be it , What lies in wait for me here? , My head is heavy, my eyelids ache , I must go elsewhere, I must find a clearer sky, a fresher air , How much better to live, not words but beauty, to exist in it, and of it , The power of beauty sets me free , Yet I am driven on , O voluptuous days, O the joy I suffer , So the moments pass , And now, Phaedrus, I will go , No epilogue, I pray you, for your play needs no excuse
    Additional Edition: Print version: ISBN 9780957167223
    Language: English
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  • 6
    Online Resource
    Online Resource
    Woodbridge, Suffolk : Bittern Press
    UID:
    (DE-604)BV049341610
    Format: 1 Online-Ressource (xiii, 193 Seiten)
    ISBN: 9781800107991
    Content: Knowing Britten is a vivid and insightful account of Steuart Bedford's long association with both Britten the man and his music The conductor and pianist Steuart Bedford (199-2021) could not remember a time when he did not know Benjamin Britten. His mother, Lesley Duff, sang with the English Opera Group in the premieres of The Rape of Lucretia and Albert Herrring in the late 1940s, and the family was closely involved with Britten and Pears for many years. Following his music studies and time on the music staff at Glyndebourne, Bedford joined the English Opera Group, gradually becoming Britten's trusted surrogate conductor. As Britten's health began to fail, Before took on responsibility for the premiere of Death in Venice, including its US premiere at the Metropolitan Opera, New York, and the dramatic cantata Phaedra among others
    Note: Title from publisher's bibliographic system (viewed on 14 Jun 2023) , 1 - My mind beats on - p. 1 -- - 2 - A thirst, a leaping, wild unrest, a deep desire - p. 17 -- - 3 - Should I give up the fruitless struggle with the word? - p. 31 -- - 4 - So be it - p. 45 -- - 5 - What lies in wait for me here? - p. 54 -- - 6 - My head is heavy, my eyelids ache - p. 71 -- - 7 - I must go elsewhere, I must find a clearer sky, a fresher air - p. 90 -- - 8 - How much better to live, not words but beauty, to exist in it, and of it - p. 104 -- - 9 - The power of beauty sets me free - p. 112 -- - 10 - Yet I am driven on - p. 120 -- - 11 - O voluptuous days, O the joy I suffer - p. 135 -- - 12 - So the moments pass - p. 151 -- - 13 - And now, Phaedrus, I will go - p. 169 -- - No epilogue, I pray you, for your play needs no excuse - p. 180
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780957167223
    Language: English
    Keywords: Britten, Benjamin 1913-1976
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Woodbridge, Suffolk : Bittern Press
    UID:
    (DE-627)1806769409
    Format: 1 Online-Ressource (194 Seiten) , Illustrationen
    ISBN: 9781800107991 , 1800107994
    Additional Edition: 0957167229
    Additional Edition: 9780957167223
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Britten, Benjamin 1913-1976
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  • 8
    Online Resource
    Online Resource
    Woodbridge, Suffolk : Bittern Press | Cambridge, UK : Cambridge University Press
    UID:
    (DE-603)510371531
    Format: 1 Online-Ressource (xiii, 193 pages)
    ISBN: 9781800107991
    Content: Knowing Britten is a vivid and insightful account of Steuart Bedford's long association with both Britten the man and his music The conductor and pianist Steuart Bedford (199-2021) could not remember a time when he did not know Benjamin Britten. His mother, Lesley Duff, sang with the English Opera Group in the premieres of The Rape of Lucretia and Albert Herrring in the late 1940s, and the family was closely involved with Britten and Pears for many years. Following his music studies and time on the music staff at Glyndebourne, Bedford joined the English Opera Group, gradually becoming Britten's trusted surrogate conductor. As Britten's health began to fail, Before took on responsibility for the premiere of Death in Venice, including its US premiere at the Metropolitan Opera, New York, and the dramatic cantata Phaedra among others.
    Additional Edition: 9780957167223
    Language: English
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  • 9
    Image
    Image
    Woodbridge, Suffolk : Bittern Press
    UID:
    (DE-604)BV047498392
    Format: xiii, 194 Seiten , Illustrationen
    ISBN: 9780957167223
    Note: Includes index
    Language: English
    Keywords: Britten, Benjamin 1913-1976
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  • 10
    Online Resource
    Online Resource
    Woodbridge, Suffolk : Bittern Press
    UID:
    (DE-627)1888603690
    Format: 1 Online-Ressource (xiv, 194 pages)
    ISBN: 9781800107991 , 1800107994
    Content: "Knowing Britten is a vivid and insightful account of Steuart Bedford's long association with both Britten the man and his musicThe conductor and pianist Steuart Bedford (199-2021) could not remember a time when he did not know Benjamin Britten. His mother, Lesley Duff, sang with the English Opera Group in the premieres of The Rape of Lucretia and Albert Herrring in the late 1940s, and the family was closely involved with Britten and Pears for many years. Following his music studies and time on the music staff at Glyndebourne, Bedford joined the English Opera Group, gradually becoming Britten's trusted surrogate conductor. As Britten's health began to fail, Before took on responsibility for the premiere of Death in Venice, including its US premiere at the Metropolitan Opera, New York, and the dramatic cantata Phaedra among others"--
    Note: Includes index , My mind beats on -- A thirst, a leaping, wild unrest, a deep desire -- Should I give up the fruitless struggle with the world? -- So be it -- What lies in wait for me here? -- My head is heavy, my eyelids ache -- I must go elsewhere, I must find a clearer sky, a fresher air -- How much better to live, not words but beauty, to exist in it, and of it -- The power of beauty sets me free -- Yet I am driven on -- O voluptuous days, O the joy I suffer -- So the moments pass -- And now, Phaedrus, I will go -- No epilogue, I pray you, for your play needs no excuse.
    Additional Edition: Erscheint auch als Druck-Ausgabe Bedford, Steuart Knowing Britten Martlesham : Boydell & Brewer, Incorporated,c2021
    Language: English
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