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  • 1
    UID:
    (DE-604)BV021318832
    Format: XII, 255 S. , Ill.
    ISBN: 0231132468 , 0231132476
    Series Statement: Film and culture
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Horrorfilm ; Geschichte
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  • 2
    UID:
    (DE-604)BV047187788
    ISBN: 978-1-118-47512-6
    Note: Part II. 1976-1990
    In: pages:259-274
    In: Volume 2. 1960 to the present, 2016, Seite 259-274, 978-1-118-47512-6
    Language: English
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  • 3
    UID:
    (DE-604)BV049107564
    ISBN: 978-0-8142-5580-3
    Note: Part 1. The political of horror
    In: pages:101-113
    In: Jordan Peele's Get out / edited by Dawn Keetley, Columbus, 2020, Seite 101-113, 978-0-8142-5580-3
    Language: English
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  • 4
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    (DE-605)HT020712209
    Format: 1 online resource , B&W Illus.: 38
    ISBN: 9780231538480
    Series Statement: Film and Culture Series
    Content: Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century
    Language: English
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    (DE-604)BV048391683
    Format: 1 online resource
    ISBN: 9780231556156
    Series Statement: Film and Culture Series
    Content: What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the "others" that threaten the "normal." The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across "normal" self and "monstrous" other. This "transformative otherness" confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-20576-4
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-20577-1
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    (DE-602)gbv_1813288518
    Format: (1 Online-Ressource 215 Seiten) , Illustrationen
    ISBN: 9780231556156
    Series Statement: Film and Culture Series
    Content: What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art
    Note: Frontmatter , CONTENTS , ILLUSTRATIONS , ACKNOWLEDGMENTS , INTRODUCTION: SITUATING HORROR AND OTHERNESS , PART I. TRANSFORMING HORROR AND OTHERNESS , CHAPTER 1. A REINTRODUCTION TO THE AMERICAN HORROR FILM , CHAPTER 2. THE SURREALISM OF HORROR’S OTHERNESS , PART II. TRANSFORMING THE MASTERS OF HORROR , CHAPTER 3. NIGHTMARE ZONE , CHAPTER 4. THE TRAUMA OF ECONOMIC OTHERNESS , CHAPTER 5. THERAPEUTIC DISINTEGRATION , PART III. TRANSFORMING HORROR’S OTHER VOICES , CHAPTER 6. GENDERED OTHERNESS , CHAPTER 7. RACIAL OTHERNESS , AFTERWORD , NOTES , BIBLIOGRAPHY , INDEX , FILM AND CULTURE , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe Lowenstein, Adam Horror film and otherness New York : Columbia University Press, 2022 ISBN 9780231205771
    Additional Edition: ISBN 9780231205764
    Language: English
    Subjects: General works
    RVK:
    Keywords: Horrorfilm
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    (DE-627)1656561158
    Format: Online Ressource (xii, 255 p.) , ill.
    Edition: Online-Ausg.
    ISBN: 0231507186 , 9780231507189
    Series Statement: Film and culture
    Content: France -- Britain -- Japan -- United States -- Canada.
    Content: In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermat
    Note: Includes bibliographical references (p. 221-240) and index. - Description based on print version record
    Additional Edition: 0231132468
    Additional Edition: 9780231132466
    Additional Edition: 0231132476
    Additional Edition: 9780231132473
    Additional Edition: 0231132468
    Additional Edition: 0231132476
    Additional Edition: Erscheint auch als Druck-Ausgabe Lowenstein, Adam Shocking representation New York : Columbia University Press, ©2005
    Language: English
    Keywords: Electronic books ; Electronic books
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  • 8
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    (DE-627)1687101817
    Format: 1 Online-Ressource
    ISBN: 0231538480 , 1322571813 , 9780231538480 , 9781322571812
    Series Statement: Film & culture
    Content: Adam Lowenstein offers a positive alternative to cinema's perceived crisis of realism and, in so doing, enriches the meaning of cinematic spectatorship in the twenty-first century. He begins by showing how 'new' media have made theatrical cinema seem 'old'. He details how a sense of 'cinema lost' has accompanied the ascent of digital media, and explains that many people now worry that film's capacity to record the real is fundamentally changing. He argues that the Surrealist movement never treated cinema as a realist medium and that it understood our perceptions of the real itself to be a mirage
    Content: Introduction: cinema as digital dream machine -- Enlarged spectatorship from realism to surrealism: Bazin, Barthes, and the (digital) sweet hereafter -- Interactive spectatorship gaming, mimicry, and art cinema: between Un chien andalou and ExistenZ -- Globalized spectatorship ring around the superflat global village: J-horror between Japan and America -- Posthuman spectatorship the animal in You(Tube): from Los olvidados to "Christian the lion" -- Collaborative spectatorship -- The surrealism of the stars: from Rose Hobart to Mrs. Rock Hudson -- Afterword: marking cinematic time.
    Note: Includes bibliographical references and index
    Additional Edition: 1322571813
    Additional Edition: 0231166567
    Additional Edition: 0231166575
    Additional Edition: 0231538480
    Additional Edition: Erscheint auch als Druck-Ausgabe
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 9
    UID:
    (DE-603)134766482
    Format: XII, 255 S. , Ill.
    ISBN: 0231132476 , 9780231132473 , 0231132468 , 9780231132466
    Series Statement: Film and culture
    Language: English
    Subjects: General works
    RVK:
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  • 10
    UID:
    (DE-603)377768405
    Format: XII, 253 Seiten , Illustrationen
    ISBN: 9780231166560 , 9780231166577
    Series Statement: Film and culture
    Language: English
    Subjects: General works
    RVK:
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