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  • 1
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    UID:
    (DE-603)44828135X
    Format: 1 Online-Ressource , 42 b&w film stills
    ISBN: 9780231549592
    Series Statement: Film and Culture Series
    Content: Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer’s own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practices.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
    Language: English
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    (DE-605)HT015352730
    Format: VIII, 290 S. : Ill.
    ISBN: 0826428045 , 9780826428042 , 0826428053 , 9780826428059
    Language: English
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  • 3
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    (DE-604)BV045926175
    Format: 1 online resource , 42 b&w film stills
    ISBN: 9780231549592
    Series Statement: Film and Culture Series
    Content: Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer’s own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practices
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) , In English
    Language: English
    Keywords: USA ; Unabhängiger Film ; Improvisation ; Geschichte 1950- ; Filmografie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    (DE-605)HT020712912
    Format: 1 online resource , 42 b&w film stills
    ISBN: 9780231549592
    Series Statement: Film and Culture Series
    Content: Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer's own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practices
    Language: English
    URL: Cover
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  • 5
    Book
    Book
    New York [u.a.] : Continuum
    UID:
    (DE-603)18860572X
    Format: viii, 290 p , ill , 23 cm
    ISBN: 0826428053 , 9780826428059 , 0826428045 , 9780826428042
    Note: Includes bibliographical references (p. 281-284) and index
    Language: English
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  • 6
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of California Press
    UID:
    (DE-605)HT017161836
    Format: XVI, 303 S. : Ill.
    ISBN: 9780520271876 , 0520271874 , 9780520271883 , 0520271882
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe 9780520952164
    Language: English
    Keywords: Warhol, Andy 1928-1987 ; Film
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  • 7
    Book
    Book
    New York, NY [u.a.] : Continuum
    UID:
    (DE-627)519402251
    Format: VIII, 290 S. , Ill. , 23 cm
    ISBN: 0826428045 , 0826428053 , 9780826428042 , 9780826428059
    Note: Includes bibliographical references (p. 281-284) and index
    Language: English
    Keywords: Unabhängiger Film ; USA ; Unabhängiger Film ; Drehbuch
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  • 8
    Online Resource
    Online Resource
    Austin : University of Texas Press
    UID:
    (DE-602)gbv_1800721323
    Format: 1 Online-Ressource (216 p.) , 20 b&w photos
    ISBN: 9781477324059
    Series Statement: 21st Century Film Essentials
    Content: In Sean Baker’s award-winning 2017 film The Florida Project, a young girl, her single mother, and her friends live in rundown motels near Disney World, the children’s summer fun contrasting with the grim conditions around them. In this book, J. J. Murphy delves deep into the movie’s development and filming while also examining it within the wider context of Baker’s career. Using production documents, different versions of the screenplay, and interviews with principal members of the production team, Murphy traces the evolution of The Florida Project from initial idea through its various stages of production. He highlights Baker’s unconventional strategies in making a film about a marginalized subculture, including alternative scripting, guerrilla-like filmmaking, improvisation, and the unorthodox casting of local and first-time actors. Murphy also explores how Baker’s impromptu style sometimes rankled crew members and caused a major crisis on set, revealing the difficulties indie filmmakers can face when working with professional crews on larger films. A lively analysis of this critically acclaimed movie, its director, and its production, The Florida Project also betters our understanding of contemporary independent cinema as a whole
    Note: Frontmatter , Contents , Introduction , Origins of the Film , The Making of The Florida Project , Reception , Conclusion , Acknowledgments , Notes , Bibliography , Index , In English
    Language: English
    URL: Cover
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  • 9
    Online Resource
    Online Resource
    Berkeley : University of California Press
    UID:
    (DE-627)800226348
    Format: Online Ressource (xvi, 303 p., [8] p. of plates) , ill. (some col).
    Edition: Online-Ausg.
    ISBN: 9780520952164 , 0520952162
    Content: Introduction: try not to blink -- The early films of Andy Warhol: obeying the machine -- Scenarios by Ronald Tavel: we've got your number -- Films made with Chuck Wein: mind games -- The sound portraits: doing ourselves -- Expanded cinema: come blow your mind -- The sexploitation films: enticing the raincoat crowd -- Paul Morrissey films: confidential stories -- Conclusion: the factory of the future
    Note: Includes bibliographical references (p. 257-290) and index. - Description based on print version record , Introduction: try not to blinkThe early films of Andy Warhol: obeying the machine -- Scenarios by Ronald Tavel: we've got your number -- Films made with Chuck Wein: mind games -- The sound portraits: doing ourselves -- Expanded cinema: come blow your mind -- The sexploitation films: enticing the raincoat crowd -- Paul Morrissey films: confidential stories -- Conclusion: the factory of the future.
    Additional Edition: 0520271874
    Additional Edition: 0520271882
    Additional Edition: 9780520271876
    Additional Edition: 9780520271883
    Additional Edition: Print version Black hole of the camera
    Language: English
    Keywords: Electronic books ; Electronic books
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  • 10
    Online Resource
    Online Resource
    Austin : University of Texas Press
    UID:
    (DE-627)1778164919
    Format: 1 online resource (225 pages)
    ISBN: 9781477324059
    Series Statement: 21st Century Film Essentials Ser.
    Content: Intro -- Table of Contents -- Introduction -- Origins of the Film -- The Making of The Florida Project -- Reception -- Conclusion -- Acknowledgments -- Notes -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: 9781477325650
    Additional Edition: Erscheint auch als Druck-Ausgabe 9781477325650
    Language: English
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