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  • 1
    UID:
    (DE-605)HT018219624
    ISSN: 1753-9129
    In: Communication, culture & critique, Malden, Mass. [u.a.], 7(2014), Nr. 1, S. 37 - 54, 1753-9129
    Language: English
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  • 2
    UID:
    (DE-604)BV043118318
    Format: 1 Online-Ressource (viii, 210 p.)
    ISBN: 0253005213 , 9780253005212
    Note: Includes bibliographical references (p. [193]-202) and index , Introduction: media, emotion, and the public sphere -- Mourning Matthew Shepard: grief, shame, and the public sphere -- "Hate is not a Laramie value": translating feelings into law -- The murder of James Byrd Jr.: the political pedagogy of melodrama -- The visibility of suffering, injustice, and the law -- Conclusion: feeling in the public sphere
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 0-253-22339-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 0-253-35659-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-253-22339-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-253-35659-8
    Language: English
    Subjects: General works , Sociology
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  • 3
    UID:
    (DE-627)647594110
    Format: VIII, 210 S. , 23 cm
    ISBN: 0253356598 , 0253223393 , 9780253356598 , 9780253223395
    Content: Introduction: media, emotion, and the public sphere -- Mourning Matthew Shepard: grief, shame, and the public sphere -- "Hate is not a Laramie value": translating feelings into law -- The murder of James Byrd Jr.: the political pedagogy of melodrama -- The visibility of suffering, injustice, and the law -- Conclusion: feeling in the public sphere
    Note: Includes bibliographical references (S. [171] - 202) and index , Introduction: media, emotion, and the public sphere -- Mourning Matthew Shepard: grief, shame, and the public sphere -- "Hate is not a Laramie value": translating feelings into law -- The murder of James Byrd Jr.: the political pedagogy of melodrama -- The visibility of suffering, injustice, and the law -- Conclusion: feeling in the public sphere.
    Language: English
    Subjects: General works , Sociology
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    Keywords: Massenmedien ; Beeinflussung ; Gesellschaft ; USA ; Mord ; Hate crime ; Berichterstattung
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  • 4
    UID:
    (DE-627)781091373
    Format: IV, 134 S. , Ill., graph. Darst.
    Note: Kiel, Fachhochsch., Fachbereich Soziale Arbeit und Gesundheit, Master-Thesis, 2014
    Language: German
    Keywords: Schulversäumnis ; Hochschulschrift
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  • 5
    Online Resource
    Online Resource
    Bloomington : Indiana University Press | Ann Arbor, Michigan : ProQuest
    UID:
    (DE-603)398469091
    Format: 1 Online-Ressource (222 pages)
    ISBN: 9780253005212
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: 9780253356598
    Language: English
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  • 6
    Book
    Book
    Durham ; London : Duke University Press
    UID:
    (DE-604)BV047953642
    Format: ix, 288 Seiten , Illustrationen , 24 cm
    ISBN: 9781478014522 , 1478013605 , 9781478013600 , 1478014520
    Series Statement: Sign, storage, transmission
    Content: "How Machines Came to Speak argues that the development of new media technologies-from the phonograph, film, and radio in the early twentieth century to computer code and algorithms today-has been integral to legal conceptions of free speech in the U.S. Traditional histories of free speech and the First Amendment focus on court cases with clear moral and political stakes in regulating speech, including cases that established worker picketing, criticism of war, and freedom of the press as aspects of free speech. Yet, according to Jennifer Petersen, the outcomes of these cases have often been determined by earlier legal precedent around how we define speech itself. Offering what she calls "a media history of free speech," Petersen shows that over the course of the twentieth century, the Supreme Court's definition of speech grew to include everything from symbols and gestures (like saluting the flag) to messages without a clear speaker (like opinions broadcast over the radio) to corporate messages (like commercials and donations). As algorithms increasingly determine which news and culture we consume, Petersen argues that technology and discourse on communication are still central to how the Courts conceptualize free speech, and legal decisions concerning the parameters of speech are bound up in concerns about the constitution of personhood that have been shaped and reshaped by the role of technology as a mediator of social relations and identity"--
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4780-2182-7
    Language: English
    Subjects: Political Science , General works , Sociology
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    Keywords: Redefreiheit ; Neue Technologie
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  • 7
    UID:
    (DE-627)1766647871
    In: Media, Culture & Society, 29(2007), 3, Seite 377-394
    In: volume:29
    In: year:2007
    In: number:3
    In: pages:377-394
    Language: Undetermined
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  • 8
    UID:
    (DE-627)1766897398
    ISSN: 1753-9129
    In: Communication, culture & critique, Cary, NC : Oxford University Press, 2008, 7(2014), 1, Seite 37-54, 1753-9129
    In: volume:7
    In: year:2014
    In: number:1
    In: pages:37-54
    Language: Undetermined
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  • 9
    UID:
    (DE-602)almafu_BV039825772
    Format: VIII, 210 S. ; , 23 cm.
    ISBN: 978-0-253-35659-8 , 0-253-35659-8 , 978-0-253-22339-5 , 0-253-22339-3
    Note: Includes bibliographical references (p. [171]-202) and index
    Language: English
    Subjects: General works , Sociology
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  • 10
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    (DE-602)edocfu_9960060057502883
    Format: 1 online resource (305 pages)
    ISBN: 1-4780-2182-9
    Series Statement: Sign, storage, transmission
    Content: "How Machines Came to Speak argues that the development of new media technologies-from the phonograph, film, and radio in the early twentieth century to computer code and algorithms today-has been integral to legal conceptions of free speech in the U.S. Traditional histories of free speech and the First Amendment focus on court cases with clear moral and political stakes in regulating speech, including cases that established worker picketing, criticism of war, and freedom of the press as aspects of free speech. Yet, according to Jennifer Petersen, the outcomes of these cases have often been determined by earlier legal precedent around how we define speech itself. Offering what she calls "a media history of free speech," Petersen shows that over the course of the twentieth century, the Supreme Court's definition of speech grew to include everything from symbols and gestures (like saluting the flag) to messages without a clear speaker (like opinions broadcast over the radio) to corporate messages (like commercials and donations). As algorithms increasingly determine which news and culture we consume, Petersen argues that technology and discourse on communication are still central to how the Courts conceptualize free speech, and legal decisions concerning the parameters of speech are bound up in concerns about the constitution of personhood that have been shaped and reshaped by the role of technology as a mediator of social relations and identity"--
    Note: Moving images and early twentieth-century public opinion -- "A primitive but effective means of conveying ideas" : gesture and image as speech -- Transmitters, relays, and messages : decentering the speaker in midcentury speech law -- Speech without speakers : how speech became information -- Speaking machines : the uncertain subjects of computer communication.
    Additional Edition: ISBN 1-4780-1452-0
    Language: English
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