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  • 1
    Online Resource
    Online Resource
    New Brunswick, NJ :Rutgers University Press,
    UID:
    (DE-602)edocfu_9959231759902883
    Format: 1 online resource (280 p.)
    ISBN: 1-283-59209-6 , 9786613904546 , 0-8135-4257-X
    Series Statement: Rutgers Depth of Field Series
    Content: In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Introduction: The Dark Genre and Its Paradoxes -- , Shadow-Souls and Strange Adventures: Horror and the Supernatural in European Silent Film -- , Before Sound: Universal, Silent Cinema, and the Last of the Horror-Spectaculars -- , Children of the Night -- , The Horrors of War -- , Postmodern Elements of the Contemporary Horror Film -- , Dread, Taboo, and The Thing: Toward a Social Theory of the Horror Film -- , Toward an Aesthetics of Cinematic Horror -- , Scraping Bottom: Splatter and the Herschell Gordon Lewis Oeuvre -- , Mondo Horror: Carnivalizing the Taboo -- , Horror and Art-Dread -- , Horror and the Holocaust: Genre Elements in Schindler’s List and Psycho -- , Developmental Differences in Responses to Horror -- , The Appeal of Horror and Suspense -- , Contributors -- , Index , English
    Additional Edition: ISBN 0-8135-3362-7
    Language: English
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  • 2
    Book
    Book
    New York : Columbia Univ. Press
    UID:
    (DE-603)215443918
    Format: X, 388 S. , Ill.
    ISBN: 9780231148719 , 9780231148702
    Language: English
    Subjects: General works
    RVK:
    RVK:
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  • 3
    Book
    Book
    Cambridge : Cambridge Univ. Press
    UID:
    (DE-603)079183913
    Format: XII, 228 S. , Ill.
    ISBN: 0521586062 , 0521584337
    Series Statement: Cambridge film handbook series
    Language: English
    Keywords: Aufsatzsammlung
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  • 4
    UID:
    (DE-603)009008535
    Format: VIII, 310 S.
    Note: Mikrokopie (4 Mikrofiches : 24x), erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , University Park, Pa., Univ. of Pennsylvania, Diss., 1987
    Language: English
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  • 5
    Online Resource
    Online Resource
    New Brunswick, NJ : Rutgers University Press
    UID:
    (DE-605)HT021272410
    Format: 1 online resource (144 p.) , 0 images
    ISBN: 9780813596303
    Series Statement: Quick Takes: Movies and Popular Culture
    Content: Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence? Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century
    Language: English
    URL: Cover
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  • 6
    Book
    Book
    New Brunswick, N.J [u.a.] : Rutgers Univ. Press
    UID:
    (DE-605)HT017013582
    Format: VIII, 275 S. : Ill.
    ISBN: 0813528178 , 0813528186
    Series Statement: Rutgers depth of field series
    Language: English
    Keywords: Film ; Gewalt ; Aufsatzsammlung
    URL: 04
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  • 7
    UID:
    (DE-605)HT003949711
    Format: VIII, 310 S. [4 Microfiches]
    Note: Philadelphia, Pa., Univ. of Pennsylvania, Diss. 1987
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    (DE-605)HT008947641
    Format: XX, 282 S. : Ill.
    ISBN: 0485300877
    Note: Includes index. - Bibliography
    Language: English
    Keywords: Peckinpah, Sam 1925-1984 ; Film ; Gewalt
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  • 9
    E-Resource
    E-Resource
    New Brunswick, N.J. : Rutgers University Press
    UID:
    (DE-605)HT015567062
    Format: XIV, 260 S. , ill, ports , 25cm
    ISBN: 9780813543024
    Series Statement: Screen decades
    Note: Includes bibliographical references and index. - Formerly CIP
    Additional Edition: Erscheint auch als Druck-Ausgabe 9780813540337
    Additional Edition: Erscheint auch als Druck-Ausgabe 9780813540344
    Language: English
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  • 10
    Online Resource
    Online Resource
    New Brunswick, N.J : Rutgers University Press
    UID:
    (DE-627)165433023X
    Format: Online Ressource (vi, 272 p.)
    Edition: Online-Ausg.
    ISBN: 9780813542577 , 081354257X
    Series Statement: Rutgers depth of field series
    Content: In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological charact
    Note: Includes bibliographical references and index. - Description based on print version record
    Additional Edition: 1283592096
    Additional Edition: 9781283592093
    Additional Edition: 9786613904546
    Additional Edition: 6613904546
    Additional Edition: 0813533627
    Additional Edition: 9780813533629
    Additional Edition: 0813533635
    Additional Edition: 9780813533636
    Additional Edition: 0813533627
    Additional Edition: Erscheint auch als Druck-Ausgabe Horror film New Brunswick, N.J : Rutgers University Press, ©2004
    Language: English
    Keywords: Electronic books ; Electronic books
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