Format:
1 Online-Ressource (868 pages)
Edition:
1st ed
ISBN:
9781351544351
Series Statement:
Garland Encyclopedia of World Music v.1
Content:
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Audio Examples -- About The Garland Encyclopedia of World Music -- Preface -- Part 1 Introduction to African Music -- Profile of Africa -- PEOPLES AND LANGUAGES -- SUBSISTENCE AND INDUSTRY -- TRANSPORT AND TRADE -- SOCIAL AND POLITICAL FORMATIONS -- RELIGIOUS BELIEFS AND PRACTICES -- REFERENCES -- African Music in a Constellation of Arts -- CONCEPTS OF MUSIC -- CONCEPTS OF PERFORMANCE -- HISTORICAL PRESERVATION OF AFRICAN MUSIC -- REFERENCES -- The Scholarly Study of African Music: A Historical Review -- THE GOALS OF AFRICAN MUSIC0L0GY -- THE BEGINNINGS OF AFRICAN SCHOLARSHIP IN MUSIC 1920-1950 -- THE SEARCH FOR BROADER PERSPECTIVES: 1950-1960 -- PROFILES OF INDIVIDUAL RESEARCH: 1950-1960 -- SCHOLARSHIP IN THE PERIOD OF INSTITUTIONAL DEVELOPMENT: 1960-1970 -- TRENDS IN AFRICAN SCHOLARSHIP: 1970-1980 -- WESTERN SCHOLARS' CONTRIBUTION TO AFRICAN MUSICOLOGY -- THE CHALLENGE OF SOCIOPOLITICAL CHANGE -- CHALLENGES FOR THE FUTURE -- REFERENCES -- The Representation of African Music in Early Documents -- AFRICAN MUSIC IN EARLY TRAVELERS' ACCOUNTS -- PORTUGUESE IN THE CONGO -- REPRESENTATIONS OF THE SLAVE: THE "SAVAGE" AS COMMODITY -- VICTORIAN HEROES, THE 'LAW OF COMMERCE" -- SOME EARLY TRANSCRIPTIONS -- EVOLUTIONARY THEORY AND THE CONSTRUCTION OF THE PRIMITIVE -- REFERENCES -- Part 2 Issues and Processes in African Music -- Identities: Music and Other African Arts -- MUSIC AND CONTENT -- MUSIC AND SPEECH TONES -- MUSIC AND NARRATIVE -- DANCE -- VISUAL ART -- INTEGRATION OF THE ARTS -- REFERENCES -- Time in African Performance -- THEMES OF TEMPORAL ORGANIZATION -- THE KPELLE IN LIBERIA -- EPIC AND TIME IN PERSPECTIVE -- REFERENCES -- Notation and Oral Tradition -- INDIGENOUS MUSICAL NOTATIONS -- MUSICAL TRANSCRIPTION IN AFRICA -- AFRICAN USE OF WESTERN NOTATION -- REFERENCES
Content:
Issues of Timbre: The Inanga Chuchotee -- GENERIC RULES OF INANGA CHUCHOTEE -- AN ANALYSIS OF TWO SONGS -- REFERENCES -- Compositional Practices in African Music -- LOCAL COMPOSERS -- CONTINENTAL BACKGROUND -- TYPES OF COMPOSERS -- TECHNIQUES OF MUSICAL CONSTRUCTION -- PROSPECTS -- REFERENCES -- Art-Composed Music in Africa -- TYPES OF MUSIC IN NIGERIA -- LOCAL ORIGIN AND DEVELOPMENT -- TRAINING -- VARIETIES OF ART-COMPOSED MUSIC IN NIGERIA -- FACTORS MILITATING AGAINST MUSIC IN AFRICAN SCHOLARSHIP -- CHANGING ATTITUDES TOWARD MUSIC -- LATE-TWENTIETH-CENTURY DEVELOPMENTS -- OKECHUKWU NDUBUISI, A REPRESENTATIVE COMPOSER -- WHAT IN NIGERIAN ART-COMPOSED MUSIC IS NIGERIAN? -- PROSPECTS -- COLLECTED WORKS OF OKECHUKWU NDUBUISI -- REFERENCES -- Theory and Technology in African Music -- DETERMINING MUSICAL SCALES -- AN INNOVATIVE METHODOLOGY: THE CASE OF XYLOPHONES Widespread in Africa, the xylophone -- INTERACTIVE EXPERIMENTATION -- VOCAL MUSIC: THE POLYPHONY OF THE AKA -- PERSPECTIVES -- REFERENCES -- Tumbuka Healing -- HEALING AS MUSICAL EXPERIENCE -- TO DANCE ONE'S DISEASE -- THE DISEASE OF THE PROPHETS -- DIAGNOSTIC TECHNOLOGY -- MUSICAL EXPERIENCE OF CLINICAL REALITY -- MAKING MUSIC TOGETHER -- REFERENCES -- Dance in Communal Life -- FUNCTIONALITY OF DANCING -- DANCE AS AN INTEGRATED ART -- DANCERS AND TYPES OF DANCING -- DANCERS'TRAINING -- ROLES OF DRUMMERS, SINGERS, AND PRAISE SINGERS -- INTERDEPENDENCE OF DANCERS AND MUSICIANS -- DANCERS AND MUSICIANS IN COMMUNAL LIFE -- REFERENCES -- Intra-African Streams of Influence -- RESEARCH HISTORY -- METHODOLOGICAL CONSIDERATIONS -- EXAMPLES OF DIFFUSION AND BORROWING -- TWENTIETH-CENTURY TRENDS -- REFERENCES -- Islam in Liberia -- ISLAMIZATION AND MUSIC IN VAI -- BULUMI IN 1977-1978 -- SACRIFICES AT ZONTORI -- THE END OF PORO, CHANGES IN SANDE -- BULUMI IN 1987-1988 -- SUFISM AT BULUMI
Content:
THE EVOLVED FORTIETH-DAY DEATH FEAST -- CELEBRATION OF MUHAMMAD'S BIRTH -- CHANGING CONCEPTS ABOUT MUSIC -- THE ISLAMIC MUSICAL REPERTORY -- REFERENCES -- The Guitar in Africa -- LATE NINETEENTH AND EARLY TWENTIETH CENTURIES -- THE 1920S AND 1930S -- THE 1940S TO 1960 -- THE 1960S TO THE 1990S -- REFERENCES -- Kru Mariners and Migrants of the West African Coast -- HISTORICAL BACKGROUND -- MUSIC OF THE KRU -- LATE TWENTIETH-CENTURY TRANSITIONS -- REFERENCES -- Latin American Musical Influences in Zaire -- THE ROLE OF RADIO -- THE ROLE OF RECORDINGS -- THE ROLE OF CONCERTS -- REFERENCES -- Rural-Urban Interchange: The Anlo-Ewe -- BACKGROUND TO RURAL-URBAN INTERCHANGE -- MECHANISMS AND FACILITATORS OF RURAL-URBAN LINKS -- FORMAL AND INFORMAL LINKAGES -- URBAN MODELS OF THE GROUP AS A SOCIAL UNIT -- REFERENCES -- Foreign-Indigenous Interchange: The Yoruba -- RURAL THEATER -- URBAN THEATER -- CULTURAL NATIONALISM AND RELIGION -- THE ALADURA MOVEMENT -- YORUBA MUSIC DRAMA -- MUSIC AND RELATED VERBAL ARTS -- FESTIVALS -- ISLAMIC MUSICAL GENRES -- REFERENCES -- Popular Music in Africa -- THE COMMERCIALIZATION OF AFRICAN MUSIC -- AFRICAN POPULAR MUSIC AND THE INTERNATIONAL MARKET -- TRENDS IN THE MAJOR REGIONS OF AFRICA -- INTRA-AFRICAN CONNECTIONS -- REFERENCES -- Part 3 Regional Case Studies -- West Africa -- West Africa: An Introduction -- THE SAVANNA -- THE FOREST -- REFERENCES -- Yoruba Popular Music -- GENERAL FEATURES -- MUSLIM GENRES -- YORUBA HIGHLIFE -- JUJU -- AFRO-BEAT -- FUJI -- "TRADITIONAL" AND "POPULAR" STYLES -- REFERENCES -- Praise Singing in Northern Sierra Leone -- TERMINOLOGY -- THE CONCEPT OF GENRE -- A CULTURE-SPECIFIC DEFINITION OF GENRE -- REFERENCES -- Hausa Performance -- FIELDWORK -- STUDIES OF HAUSA MUSIC -- THEORETICAL CONSIDERATIONS -- ETHNOGRAPHIC CONTEXT -- THE SOCIAL ORGANIZATION OF MUSICIANS' GROUPS
Content:
POSSESSION TRANCE PERFORMANCE -- COURT MUSICIANS' PERFORMANCE -- CULTURAL PROCESS AND MEANING -- REFERENCES -- North Africa -- North Africa: An Introduction -- THE PEOPLE -- CULTURE HISTORY -- THE ARAB-ANDALUSIAN TRADITION -- MUSIC AND ISLAM -- MUSIC IN FOLK LIFE -- POPULAR MUSIC -- REFERENCES -- Music in Sudan -- MUSIC AND ISLAM -- Z4/7AND TAMBURA -- TRADITIONAL CULTURES OF MUSIC -- CITY MUSIC -- REFERENCES -- Tuareg Music -- THE MUSICAL CULTURE -- THE ANZAD -- THE TENDE -- MUSICAL CURING CEREMONIES -- THE TAHARDENT -- OTHER INSTRUMENTS -- OTHER VOCAL GENRES -- DANCE TRADITIONS -- REFERENCES -- East Africa -- East Africa: An Introduction -- THE SETTLED PEOPLES -- NOMADIC AND SEMINOMADIC PEOPLES -- INDONESIAN, ARABIC, ISLAMIC, AND EUROPEAN INFLUENCES -- LATE-TWENTIETH-CENTURY DEVELOPMENTS AND URBAN MUSIC -- REFERENCES -- Music and Poetry in Somalia -- MUSICAL INSTRUMENTS -- INNOVATION OF MUSICAL FORMS -- LINGUISTIC TRAITS OF SOMALI PROSODY -- MUSICAL TRAITS OF SOMALI PROSODY -- THE CLASSES OF GENRES -- SOMALI PROFESSIONAL MUSIC -- REFERENCES -- Music in Kenya -- MUSICAL ZONES -- INTRA-KENYAN INFLUENCES -- REFERENCES -- Music in Tanzania -- PEOPLE AND LANGUAGE -- HISTORY -- AREAS OF MUSICAL STYLE -- MUSICAL INSTRUMENTS -- NEOTRADITIONAL MUSICAL FORMS -- REFERENCES -- Central A frica 64 -- Central Africa: An Introduction -- MUSICAL CULTURES IN THE ADAMAWA-EASTERN SUBREGION -- MUSICAL CULTURES IN THE BANTU SUBREGION -- REFERENCES -- Musical Life in the Central African Republic -- SOUNDS OF THE CITY: ZOKELA -- SOUNDS OF THE FOREST: BAAKA PYGMIES -- CONCLUSION -- REFERENCES -- Southern Africa -- Southern Africa: An Introduction -- INDIGENOUS MUSIC OF SOUTHERN AFRICA -- ISSUES CONCERNING INDIGENOUS MUSIC IN SOUTHERN AFRICA -- IMPACT OF THE WIDER WORLD -- REFERENCES -- Harmony in Luvale Music of Zambia -- MUKANDA AMONG THE LUVALE
Content:
INVESTIGATING LUVALE MUSICAL PERCEPTION -- CULTURALLY DIFFERENT PERCEPTIONS -- REFERENCES -- Music of the Shona of Zimbabwe -- MUSICAL PERFORMANCE -- SHONA CONCEPTS OF MUSIC -- USES AND FUNCTIONS OF SHONA MUSIC -- CHANGE IN SHONA MUSIC -- THE MUSIC INDUSTRY -- MUSIC AND THE "UPRISING" -- REFERENCES -- Popular Music in South Africa -- CAPETOWN -- KIMBERLEY -- CHRISTIAN RELIGIOUS MUSIC -- INFLUENCES FROM THE UNITED STATES -- JOHANNESBURG -- JAZZ, MARABI -- JAZZ:THE 'RESPECTABLE RESPONSE" -- "OUR KIND OF JAZZ": MBAQANGA -- BLACK SHOW BUSINESS UNDER APARTHEID -- REFERENCES -- Performance in Madagascar -- STREAMS OF INFLUENCE -- MUSICAL INSTRUMENTS -- RELIGIOUS PERFORMANCE WITH ANCESTORS -- ROYAL MUSIC -- POSTCOLONIAL MUSICAL LIFE -- REFERENCES -- Glossary -- A Guide to Publications on African Music -- A Guide to Recordings of African Music -- A Guide to Films and Videos -- Notes on the Audio Examples -- Index
Additional Edition:
9780824060350
Additional Edition:
Erscheint auch als Druck-Ausgabe Stone, Ruth M The Garland Encyclopedia of World Music : Africa CT : Taylor and Francis,c1997 9780824060350
Language:
English
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