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  • 1
    Online Resource
    Online Resource
    New-Bedford [Mass.] : Printed by Abraham Shearman, Jun. proprietor of the copy: Sold by him, at New-Bedford; by Job Shearman, Newport, R.I. and by others, in different places. (A handsome allowance to those who purchase quantities.)
    UID:
    (DE-603)31140457X
    Format: [24] p , 21 cm
    Edition: Online-Ausg. Chester, Vt Readex, a division of Newsbank, Inc 2004-2007 Online-Ressource Early American Imprints : Shaw/Shoemaker 1801-1819 (Series II) [Online-Ausg.]
    Note: Advertised in the Columbian courier, New Bedford, for Dec. 10, 1802, and in the Newport Mercury for Dec. 21 , Drake, M. Almanacs, 3642 , Parentheses substituted for square brackets in imprint transcription , Shaw & Shoemaker, 1776 , Title vignette , Erscheinungsjahr in Vorlageform:[1802] , Online-Ausg.:
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New-Bedford [Mass.] : Printed by Abraham Shearman, Jun. proprietor of the copy: Sold by him, at New-Bedford; by Job Shearman, Newport, R.I. and by others, in different places. (A handsome allowance to those who purchase quantities.)
    UID:
    (DE-605)HT017853167
    Format: Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text, Online-Ressource ([24] p) , 21 cm
    Edition: Online edition [Chester, Vt Readex, a division of Newsbank, Inc Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text Early American Imprints : Shaw/Shoemaker 1801-1819 (Series II) ; 041064-0
    Edition: Early American imprints. Second series ; no. 1776
    Note: Advertised in the Columbian courier, New Bedford, for Dec. 10, 1802, and in the Newport Mercury for Dec. 21. - Drake, M. Almanacs, 3642. - Parentheses substituted for square brackets in imprint transcription. - Shaw & Shoemaker, 1776. - Title vignette
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New-Bedford [Mass.] : Printed by Abraham Shearman, Jun. proprietor of the copy: Sold by him, at New-Bedford; by Job Shearman, Newport, R.I. and by others, in different places. (A handsome allowance to those who purchase quantities.)
    UID:
    (DE-627)72491224X
    Format: 1 Online-Ressource (Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text) , 21 cm
    Series Statement: Early American Imprints. Series II : Shaw/Shoemaker 1801-1819
    Note: Advertised in the Columbian courier, New Bedford, for Dec. 10, 1802, and in the Newport Mercury for Dec. 21 , Drake, M. Almanacs, 3642 , Parentheses substituted for square brackets in imprint transcription , Shaw & Shoemaker, 1776 , Title vignette
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New-Bedford [Mass.] : Printed by Abraham Shearman, Jun. proprietor of the copy: Sold by him, at New-Bedford; by Job Shearman, Newport, R.I. and by others, in different places. (A handsome allowance to those who purchase quantities.)
    UID:
    (DE-604)BV042834956
    Format: 1 Online-Ressource ([24] p)
    Edition: Online-Ausgabe Chester, Vt Readex, a division of Newsbank, Inc 2004-2007 Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text Early American Imprints : Shaw/Shoemaker 1801-1819 (Series II)
    Note: Advertised in the Columbian courier, New Bedford, for Dec. 10, 1802, and in the Newport Mercury for Dec. 21. - Drake, M. Almanacs, 3642. - Parentheses substituted for square brackets in imprint transcription. - Shaw & Shoemaker, 1776. - Title vignette
    Additional Edition: Reproduktion von The Astronomical and miscellaneous calendar, for the year of our Lord, 1803 [1802]
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New-Bedford [Mass.] : Printed by Abraham Shearman, Jun. proprietor of the copy: Sold by him, at New-Bedford; by Job Shearman, Newport, R.I. and by others, in different places. (A handsome allowance to those who purchase quantities.)
    UID:
    (DE-602)b3kat_BV042834956
    Format: 1 Online-Ressource ([24] p)
    Edition: Online-Ausgabe Chester, Vt Readex, a division of Newsbank, Inc 2004-2007 Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text Early American Imprints : Shaw/Shoemaker 1801-1819 (Series II)
    Note: Advertised in the Columbian courier, New Bedford, for Dec. 10, 1802, and in the Newport Mercury for Dec. 21. - Drake, M. Almanacs, 3642. - Parentheses substituted for square brackets in imprint transcription. - Shaw & Shoemaker, 1776. - Title vignette
    Additional Edition: Reproduktion von The Astronomical and miscellaneous calendar, for the year of our Lord, 1803 [1802]
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Cham :Springer International Publishing,
    UID:
    (DE-602)edoccha_BV046996641
    Format: 1 Online-Ressource (XV, 236 Seiten) : , Illustrationen.
    Edition: 1st edition
    ISBN: 978-3-030-55609-9
    Content: This book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians' engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures
    Note: Chapter 1 Contemporary Congregational Songs Genre Formation and Scrutiny -- Chapter 2 Contemporary Congregational Song -- Chapter 3 The Contemporary Congregational Song Industry (Poietic Analysis Pt 1) -- Chapter 4 So the Songwriters Say (Poietic Analysis Pt 2) -- Chapter 5 The Old and New Guard - Ways of Thinking for Contemporary Congregational Songs Writers (Poietic Analysis Pt 3) -- Chapter 6 How Christians Feel About the Songs they Sing - Individually (Esthesic Analysis Pt 1) -- Chapter 7 How Christians Feel About the Songs they Sing - Corporately (Esthesic Analysis Pt 2) -- Chapter 8 Just Another Pop Song? The Music (Trace Analysis Pt 1) -- Chapter 9 Just Another Pop Song? The Lyrics (Trace Analysis Pt 2) -- Chapter 10 Some Individual Examples - Australia (Trace Analysis Pt 3) -- Chapter 11 Some Individual Examples - UK and USA (Trace Analysis Pt 4) -- Chapter 12 The Current and Future Contemporary Congregational Songs Genre.
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030556082
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030556105
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030556112
    Language: English
    Keywords: Englisch ; Kirchenlied ; Gotteslob ; Globalisierung ; Musikalische Semiotik ; Hochschulschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Book
    Book
    Cham, Switzerland : palgrave macmillan
    UID:
    (DE-604)BV047092819
    Format: xv, 236 Seiten , Illustrationen, Diagramme
    ISBN: 9783030556082
    Content: This book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians' engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures
    Note: Dissertation Macquarie University, Australia
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-030-55609-9
    Language: English
    Keywords: Englisch ; Kirchenlied ; Gotteslob ; Globalisierung ; Musikalische Semiotik ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    (DE-627)1778865577
    ISSN: 2165-9214
    Content: Abstract Contemporary congregational songs (ccs) are a global genre of Christian worship, driven presently from Western production centres. Streaming media platforms, in particular YouTube, have become essential vehicles for disseminating these songs globally, as well as a way for fans to contribute to the popularity of songs through views, likes, comments, sharing, and uploading their own fan-created videos. While this activity has had some scholarly attention, it has not focussed on the varied forms these videos take and how they contribute to and nuance the definition of the genre. This article utilises the most sung songs data from recent Christian Copyright Licensing International reports across five regions to establish the 32 most sung ccs globally. A media studies analysis is then conducted, with contributions from musicology and theology, of the most viewed versions of those ccs on YouTube. Three typical video forms are identified and discussed in relation to the way they reflect and shape perceptions of the contemporary congregational song genre.
    In: Journal of religion, media and digital culture, Leiden : Brill, 2012, 10(2021), 3, Seite 445-466, 2165-9214
    In: volume:10
    In: year:2021
    In: number:3
    In: pages:445-466
    Language: English
    Keywords: Christentum ; Geistliche Musik ; Moderne ; Streaming ; YouTube
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    UID:
    (DE-604)BV046996641
    Format: 1 Online-Ressource (XV, 236 Seiten) , Illustrationen
    Edition: 1st edition
    ISBN: 9783030556099
    Content: This book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians' engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures
    Note: Chapter 1 Contemporary Congregational Songs Genre Formation and Scrutiny -- Chapter 2 Contemporary Congregational Song -- Chapter 3 The Contemporary Congregational Song Industry (Poietic Analysis Pt 1) -- Chapter 4 So the Songwriters Say (Poietic Analysis Pt 2) -- Chapter 5 The Old and New Guard - Ways of Thinking for Contemporary Congregational Songs Writers (Poietic Analysis Pt 3) -- Chapter 6 How Christians Feel About the Songs they Sing - Individually (Esthesic Analysis Pt 1) -- Chapter 7 How Christians Feel About the Songs they Sing - Corporately (Esthesic Analysis Pt 2) -- Chapter 8 Just Another Pop Song? The Music (Trace Analysis Pt 1) -- Chapter 9 Just Another Pop Song? The Lyrics (Trace Analysis Pt 2) -- Chapter 10 Some Individual Examples - Australia (Trace Analysis Pt 3) -- Chapter 11 Some Individual Examples - UK and USA (Trace Analysis Pt 4) -- Chapter 12 The Current and Future Contemporary Congregational Songs Genre.
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030556082
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030556105
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030556112
    Language: English
    Keywords: Englisch ; Kirchenlied ; Gotteslob ; Globalisierung ; Musikalische Semiotik ; Hochschulschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Book
    Book
    Basingstoke : Palgrave Macmillan
    UID:
    (DE-627)1774694875
    Format: 1 volume , illustrations (black and white) , 21 cm
    ISBN: 9783030556112
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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