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  • 1
    UID:
    (DE-604)BV017861008
    Format: 238 S. , Ill., graph. Darst., zahlr. Notenbeisp. , CD (12 cm)
    ISBN: 0851624294
    Note: Frühere Ausg. u.d.T.: Vella, Richard: Musical environments
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Komposition ; Improvisation ; Musikhören ; Einführung
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  • 2
    UID:
    (DE-627)1326454420
    Format: 240 S.
    In: [buch]
    Language: Undetermined
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  • 3
    UID:
    (DE-627)1326454994
    Format: 1 CD
    In: [cd]
    Language: Undetermined
    Keywords: CD
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  • 4
    Media Combination
    Media Combination
    Strawberry Hills, Australia : Currency
    UID:
    (DE-627)1326454153
    ISBN: 0868195448
    Language: Undetermined
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  • 5
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Nigel Kellaway | London : Bloomsbury Publishing PLC
    UID:
    (DE-603)515350028
    Format: 1 Online-Ressource (1 video file)
    ISBN: 9781350900943
    Series Statement: British, American and Australian Theatre Video Collection
    Content: Part of a set of excerpts from ten major works by Nigel Kellaway (1994 - 2004), assembled and edited by Kellaway and his long-time associate, video artist Peter Oldham. El Inocente(developed in 2000 and produced in 2001) considers the heritage of Baroque humanist thought in collision with contemporary South American story-telling. El Inocente is the result of a two year development process by The Opera Project's impressive lineup of experienced artists, exploring contemporary theatrical spectacle in relationship to the opera of the Baroque period (1600 - 1750). Although one of its emphasis is on the musical shape of a 'baroque' work, it in no way endeavours to reconstruct a Baroque opera, in form or content. The idea of 'facade' concerns us in this work - in which less attention is paid to a 'story revealed', but more to the task of 'enactment' as an aesthetic experience in itself. Our task is to draw attention to the discrete components that make up the performative act, eschewing the illusion of 'reality' or (more accurately) 'totality' that has been a concern of much of western theatre since the Renaissance. Like the dramaturgy, the music collides many styles and genres as one would find in opera or feature film. It has its genesis in specific Handel operatic arias, but now the original music by Richard Vella interacts, complements, ignores or collides with Handel's music creating a complex musical web. We are simultaneously experiencing a Baroque opera based on Handel's music and a more contemporary approach to music theatre making. In a certain sense, the music is similar to that found in a road movie. It is neither pastiche nor parody, but is multi-referential - placing the listener into strangely familiar contexts, enabling the work to have multiple layers for interpretation
    Language: English
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Nigel Kellaway | London : Bloomsbury Video
    UID:
    (DE-627)1880885360
    Format: 1 Online-Ressource (1 video file)
    ISBN: 9781350900943
    Series Statement: Works 1994-2004
    Content: Part of a set of excerpts from ten major works by Nigel Kellaway (1994 - 2004), assembled and edited by Kellaway and his long-time associate, video artist Peter Oldham. El Inocente(developed in 2000 and produced in 2001) considers the heritage of Baroque humanist thought in collision with contemporary South American story-telling. El Inocente is the result of a two year development process by The Opera Project's impressive lineup of experienced artists, exploring contemporary theatrical spectacle in relationship to the opera of the Baroque period (1600 - 1750). Although one of its emphasis is on the musical shape of a 'baroque' work, it in no way endeavours to reconstruct a Baroque opera, in form or content. The idea of 'facade' concerns us in this work - in which less attention is paid to a 'story revealed', but more to the task of 'enactment' as an aesthetic experience in itself. Our task is to draw attention to the discrete components that make up the performative act, eschewing the illusion of 'reality' or (more accurately) 'totality' that has been a concern of much of western theatre since the Renaissance. Like the dramaturgy, the music collides many styles and genres as one would find in opera or feature film. It has its genesis in specific Handel operatic arias, but now the original music by Richard Vella interacts, complements, ignores or collides with Handel's music creating a complex musical web. We are simultaneously experiencing a Baroque opera based on Handel's music and a more contemporary approach to music theatre making. In a certain sense, the music is similar to that found in a road movie. It is neither pastiche nor parody, but is multi-referential - placing the listener into strangely familiar contexts, enabling the work to have multiple layers for interpretation
    Note: Altersniveau: 12+
    Language: English
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  • 7
    UID:
    (DE-627)1613640641
    Format: 238 Seiten , 1 CD , 25 cm
    ISBN: 0851624294 , 9780851624297
    Note: Originaltitel: Musical environments, a manual for listening, improvising and composing : Strawberry Hills, N.S.W.: Currency Press, 2000 , Hier auch später erschienene Nachdrucke
    Language: English
    Subjects: Musicology
    RVK:
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  • 8
    UID:
    (DE-627)374683387
    Format: 238 S , 25 cm.
    ISBN: 0851624294
    Note: CD ROM in front pocket , Originally published as: Musical environments, a manual for listening, improvising and composing : Strawberry Hills, N.S.W.: Currency Press, 2000
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Komposition ; Einführung ; Improvisation ; Einführung ; Musikhören ; Einführung
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  • 9
    UID:
    (DE-604)BV048891771
    ISBN: 978-1-59393-521-4
    In: pages:389
    In: Fifties blondes / Richard Koper, Duncan, 2010, Seite 389, 978-1-59393-521-4
    Language: English
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  • 10
    UID:
    (DE-605)HT014135556
    Format: 238 S. : graph. Darst. , 1 Audio-CD ; 12 cm
    ISBN: 0851624294
    Later: Musical environments, a manual for listening, improvising and composing
    Language: English
    Keywords: Komposition ; Improvisation ; Musikhören ; Einführung
    Library Location Call Number Volume/Issue/Year Availability
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