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  • 1
    Book
    Book
    Frauenfeld : Huber
    UID:
    gbv_1487213190
    Format: 245 S.
    Language: German
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  • 2
    UID:
    b3kat_BV046679484
    Format: 1 Online-Ressource
    ISBN: 9780692402764
    Additional Edition: Übersetzung von Last day every day
    Language: Portuguese
    URL: Volltext  (kostenfrei)
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  • 3
    UID:
    b3kat_BV042566404
    Format: 1 Online-Ressource
    ISBN: 9780615766010
    Additional Edition: Übersetzung von Last day every day
    Language: Spanish
    URL: Volltext  (kostenfrei)
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  • 4
    Book
    Book
    Basingstoke [u.a.] :Palgrave Macmillan,
    UID:
    almafu_BV042223937
    Format: XVIII, 235 S. : , Ill.
    Edition: 1. publ.
    ISBN: 978-1-137-26994-2
    Series Statement: Palgrave close readings in film and television
    Content: "Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command. The ways in which film critics and scholars have analysed these transformations in film style have also often changed. This book explores two central style concepts from the history of audiovisual criticism and theory, mise en scène and dispositif, to illuminate a wide range of film and new media examples. It argues that we need an open, inclusive and truly international approach to understand anew both old and current film and media works"..
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Inszenierung ; Filmtheorie ; Filmkritik
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    almahu_9948639636302882
    Format: 1 online resource (423 pages) : , digital, PDF file(s).
    ISBN: 9789048538201 (ebook)
    Series Statement: Film culture in transition
    Content: The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.
    Note: Title from publisher's bibliographic system (viewed on 01 Jan 2021).
    Additional Edition: Print version: ISBN 9789462986831
    Language: English
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  • 6
    UID:
    almafu_BV010513431
    Format: XXIII, 347 S. : Ill., graph. Darst.
    ISBN: 0-444-81917-7
    Series Statement: International congress series 1073
    Language: English
    Subjects: Medicine
    RVK:
    Keywords: Hautkrankheit ; Kind ; Konferenzschrift ; Congress ; Konferenzschrift
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  • 7
    Online Resource
    Online Resource
    Brooklyn, NY : punctum books | Baltimore, Maryland :Project Muse,
    UID:
    almahu_9947382568402882
    Format: 1 online resource (40 pages) : , illustrations; PDF, digital file(s).
    Content: Reflecting upon his experience making his 2010 feature film Mothers, a cinematic triptych interweaving three narratives that are each, in their own way, about the often tenuous lines between truth and fiction, and one of which actually morphs into a documentary about the aftermath in a small Macedonian town where three retired cleaning women were found raped and killed in 2008 and the murderer turned out to be the journalist covering the story for a major Macedonian newspaper, the Oscar-nominated Macedonian-born and New York-based writer-director Milcho Manchevski writes that, "Most of us look at films differently or accept stories in a different way if we believe that they are true. We watch a documentary film in a different way from the way we watch a drama. We read a magazine article in a different way from the way in which we read a short story. Sometimes, we even treat a film that employs actors differently than a regular drama because we were told that it is based on something that really happened. We treat these works based on truth or reporting on the truth in different ways. Why? What is it in our relation to reality or in our relation to what we perceive to be reality that makes us value a work of artifice (an art piece) differently depending on our knowledge or conviction of whether that work of artifice is based on events that really took place?" In this extended essay, or letter, Manchevski ruminates the different ways in which both filmmakers and audiences create, experience, and absorb the cinematic narrative with a certain trust and faith in the artwork to render, not the factual truth, per se, but the importantly shared experience of trusting "the plane of reality created by the work itself," such that "we trust its inner logic and integrity, we have faith in what happens while we give ourselves to this work of art." Truth becomes a question of what artist and audience can see and feel together: what feels real becomes the world we inhabit. The book also includes an Afterword, "Truth Approaches, Reality Affects," by internationally renowned film scholar Adrian Martin.
    Note: Truth and fiction : notes on (exceptional) faith in art / Milcho Manchevski -- Afterword : truth approaches, reality affects / Adrian Martin. , Also available in print form. , English
    Additional Edition: ISBN 0-615-64710-3
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 8
    Online Resource
    Online Resource
    London :Routledge,
    UID:
    almahu_9949383734702882
    Format: 1 online resource (xxii, 168 pages)
    Edition: First edition.
    ISBN: 9780429266416 , 0429266413 , 9781000690491 , 1000690490 , 9781000690422 , 1000690423 , 9781000690569 , 1000690563
    Series Statement: The Practical Guide to Events and Hotel Management Series
    Content: The Practical Guide to Understanding and Raising Hotel Profitability offers a comprehensive, easy-to-follow breakdown of how to understand profit and loss accounts for hotels. It offers practical advice on how to maximise the profits of this customer-facing business and improve performance results. Chapters cover every aspect of the profit and loss account including marketing, accommodation, food and beverage sales, quality, budgeting, event sales, and all the corresponding costs involved. It explains all the relevant KPIs and industry quirks within the profit and loss document as well as industry benchmarks to equip the reader with the skills to attend high level meetings, complete finance-based assignments and ultimately run their own business. Valuable tips from leading professionals within the industry are included throughout, giving advice on how to improve hotels' financial results and positively influence net profit through everyday actions. Packed full of practical case studies and written in an easy-to-read-style, this book is essential reading for hospitality students and current hospitality and hotelmanagers.
    Note: Chapter 1- Understanding and Raising Profits in Hotels 1.0 Introduction 1.1 What is a profit and loss account? 1.2 The different sections of the profit and loss account 1.2.1 Revenue 1.2.2 Costs of Goods Sold 1.2.3 Expenses 1.3 How to improve the Net Profit of a hotel Chapter 2 -- Maintaining and Improving Quality 2.0 Introduction 2.1 Knowing your product 2.2 Picking apart the detail 2.3 Find ways to improve 2.4 Improve and Measure Chapter 3 -- Marketing and Sales 3.0 Introduction 3.1 Knowing your customer 3.2 The Dangers of Overselling Chapter 4- Budgeting 4.0 Introduction 4.1 Where budgets come from 4.2 How to create a budget 4.3 How budgets are developed Chapter 5 -- Accommodation Sales 5.0 Introduction 5.1 How to measure performance in room sales 5.11 Occupancy percentage 5.1.2 Average Daily Rate (ADR) 5.1.3 Revenue Per Available Room (RevPAR) 5.2 Where the measure comes from 5.3 Revenue Management 5.4 Overbooking Chapter 6 -- Food Sales, contributed by Dimitri Lera 6.0 Introduction 6.1 Measures 6.1.1 Increasing loyalty 6.1.2 Alternative Payment methods 6.1.3 Maximising table turnover rate 6.1.4 Enhancing online presence 6.2 Upselling and cross-selling 6.2.1 What upselling and cross-selling mean 6.3 Sales Techniques 6.3.1 Know the customers 6.3.2 Know the dishes 6.3.3 Know the drinks 6.3.4 Know the extras 6.3.5 Know thyself 6.4 Oversell 6.5 Menu positioning 6.6 Conclusion Chapter 7 -- Beverage Sales, contributed by Jennifer Kaye 7.0 Introduction 7.1 Merchandising, upselling and revenue generation 7.2 Factors that can improve beverage revenue 7.3 Weights and Measures Act 7.4 The Licensing Act 2003 Chapter 8 -- Event Sales, contributed by Philip Berners 8.0 Introduction 8.1 The problem with hotels 8.2 Why use hotels for events? 8.3 Winning Event Business into hotels 8.4 Pricing 8.5 Managing event costs 8.6 The one-person management structure Chapter 9 -- Accommodation Costs 9.0 Introduction 9.1 Calculating the cost to clean each room 9.2 How to reduce the cost of cleaning bedrooms 9.3 Impact of savings Chapter 10 -- Food Costs 10.0 Introduction 10.1 Calculating the food cost % 10.2 Calculating the food cost in recipes 10.3 How to increase profitability in kitchens 10.3.1 Wastage 10.3.2 Supplier prices 10.3.3 Order and delivery check 10.3.4 Menu flexibility and seasonality 10.3.5 Forecasting and over-ordering 10.3.6 Storage 10.3.7 Staff meals 10.3.8 Theft 10.3.9 Accounting errors 10.3.10 Pricing Chapter 11 -- Liquor Costs 11.0 Introduction 11.1 Calculating the liquor cost % 11.2 Calculating the liquor cost in recipes 11.3 How to increase profitability in bars 11.3.1 Ullage 11.3.2 Supplier prices 11.3.3 Order and delivery check 11.3.4 Theft 11.3.5 Accounting errors 11.3.6 Pricing Chapter 12 -- Payroll Costs 12.0 Introduction 12.1 Calculating the payroll cost percentage 12.2 Reducing payroll costs from the turnover of staff 12.3 Calculating levels of staff 12.4 Calculating what to pay 12.5 Training costs 12.6 Motivating employees Chapter 13 -- Marketing Costs 13.0 Introduction 13.1 Getting the message out in a cost effective way 13.2 To spend on marketing or not to spend 13.3 Social media Chapter 14 -- Fixed Costs 14.0 Introduction 14.1 Accounting costs 14.2 Depreciation costs 14.3 Refurbishment/ Equipment Maintenance 14.4 Utilities 14.5 Insurance 14.6 Online travel agent commission 14.7 Tax 14.8 Bank charges and interest 14.9 Bad debts Chapter 15 -- Net Profit and EBITDA (Earnings before interest, tax depreciation and amortization) 15.0 Introduction 15.1 What is Net Profit? 15.2 How incremental changes to the hotel affect Net Profit 15.3 EBITDA and valuing a business
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 9
    UID:
    gbv_1778698190
    Format: 1 Online-Ressource (40 p.)
    ISBN: 9780615647104
    Content: Reflecting upon his experience making his 2010 feature film Mothers, a cinematic triptych interweaving three narratives that are each, in their own way, about the often tenuous lines between truth and fiction, and one of which actually morphs into a documentary about the aftermath in a small Macedonian town where three retired cleaning women were found raped and killed in 2008 and the murderer turned out to be the journalist covering the story for a major Macedonian newspaper, the Oscar-nominated Macedonian-born and New York-based writer-director Milcho Manchevski writes that, “Most of us look at films differently or accept stories in a different way if we believe that they are true. We watch a documentary film in a different way from the way we watch a drama. We read a magazine article in a different way from the way in which we read a short story. Sometimes, we even treat a film that employs actors differently than a regular drama because we were told that it is based on something that really happened. We treat these works based on truth or reporting on the truth in different ways. “Why? “What is it in our relation to reality or in our relation to what we perceive to be reality that makes us value a work of artifice (an art piece) differently depending on our knowledge or conviction of whether that work of artifice is based on events that really took place?”
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    UID:
    gbv_1778701795
    Format: 1 Online-Ressource (54 p.)
    ISBN: 9780615719467
    Content: Where is film analysis at today? What is cinema theory up to, behind our backs? The field, as professionally defined (at least in the Anglo-American academic world), is presently divided between contextual historians who turn to broad formations of modernity, and stylistic connoisseurs who call for a return to old-fashioned things like authorial vision, tone, and mise en scène. But there are other, vital, inventive currents happening — in criticism, on the Internet, in small magazines, and renegade conferences everywhere — which we are not hearing much about in any official way. Last Day Every Day shines a light on one of these exciting new avenues. Is there a way to bring together, in a refreshed manner, textual logic, hermeneutic interpretation, theoretical speculation, and socio-political history? A way to break the deadlock between classical approaches that sought organic coherence in film works, and poststructuralist approaches that exposed the heterogeneity of all texts and scattered the pieces to the four winds? A way to attend to the minute materiality of cinema, while grasping and contesting the histories imbricated in every image and sound?
    Note: English
    Language: English
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