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  • 1
    UID:
    almahu_BV043580117
    Format: 141 Seiten : , Illustrationen.
    ISBN: 978-90-8964-661-3
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-90-4852-480-8 10.1515/9789048524808
    Additional Edition: 10.5117/9789089646613
    Language: English
    Subjects: Computer Science , Ethnology , General works
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Museum ; Neue Medien ; Kulturgüterschutz ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV043580117
    Format: 141 Seiten , Illustrationen
    ISBN: 9789089646613
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-90-4852-480-8 10.1515/9789048524808
    Additional Edition: 10.5117/9789089646613
    Language: English
    Subjects: Computer Science , Ethnology , General works
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Museum ; Neue Medien ; Kulturgüterschutz ; Geschichte 2000-2016 ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    almafu_9959242263402883
    Format: 1 online resource (157 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 90-485-3789-4
    Content: This book addresses a wide range of philosophical problems about history and the semantics of time. The point of departure is the distinction between events under the description of past witnesses and their contemporaries and events under the description of historians. Its main claim is that a thesis on the past is exemplified rather than being justified by the available evidence. Such thesis, the book argues, retroactively becomes concrete in the past under consideration. This book will not only appeal to philosophers and historians, but to students and scholars across the humanities.
    Note: Title from publisher's bibliographic system (viewed on 29 Jan 2021). , Introduction: Retroaction, Indeterminacy, and Seeing-in -- , Periods and Other Minds -- , Narrative Truth -- , Resemblance, Substitution, Expression -- , Exemplification -- , Danto's End of Art. , In English.
    Additional Edition: ISBN 94-6298-661-4
    Language: English
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  • 4
    Online Resource
    Online Resource
    Amsterdam, [Netherlands] :Amsterdam University Press,
    UID:
    almahu_9948618214102882
    Format: 1 online resource (142 pages) : , illustrations, photographs
    Edition: 1st ed.
    ISBN: 90-485-2480-6
    Content: The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
    Note: Includes index. , Cover -- Contents -- Introduction: Museums in a Digital Culture: How Art and Heritage Become Meaningful / Chiel van den Akker and Susan Legêne -- 1. Touched from a Distance: The Practice of Affective Browsing / Martijn Stevens -- 2. Visual Touch: Ekphrasis and Interactive Art Installations / Cecilia Lindhé -- 3. Breathing Art: Art as an Encompassing and Participatory Experience / Christina Grammatikopoulou -- 4. Curiosity and the Fate of Chronicles and Narratives / Chiel van den Akker -- 5. Networked Knowledge and Epistemic Authority in the Development of Virtual Museums / Anne Beaulieu and Sarah de Rijcke -- 6. Between History and Commemoration: The Digital Monument to the Jewish Community in the Netherlands / Serge ter Braake -- 7. From the Smithsonian's MacFarlane Collection to Inuvialuit Living History / Kate Hennessy -- Conclusion / Chiel van den Akker -- Notes on Contributors -- Index -- List of Figures -- Figure 1 -- Philip James De Loutherbourg. The Vision of the White Horse 1798 -- Figure 2 -- Char Davies. Breathing and balance interface used in the performance of immersive virtual reality environments Osmose (1995) and Ephémère (1998) -- Figure 3 -- Char Davies. Forest Grid, Osmose (1995). Digital still captured in real-time through HMD (head-mounted display) during live performance of the immersive virtual environment Osmose -- Figure 4 -- George Khut. Cardiomorphologies v.2 (2005). Interactive installation -- Figure 5 -- Christa Sommerer and Laurent Mignonneau. Mobile Feelings II (2003). Interface devices -- Figure 6 -- Anton Raphael Mengs (1772/73). The Triumph of History over Time: Allegory of the Museum Clementinum. Ceiling fresco in the Camera dei Papiri, Vatican Library -- Figure 7 -- Screenshot from the Digital Monument to the Jewish Community. , In English.
    Additional Edition: ISBN 90-8964-661-2
    Language: English
    Keywords: Electronic books.
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  • 5
    Online Resource
    Online Resource
    Amsterdam, Netherlands :Amsterdam University Press,
    UID:
    kobvindex_INT0004520
    Format: 1 electronic resource (141 pages) : , illustrations.
    ISBN: 9789089646613 , 9089646612 , 9789048524808 , 9048524806
    Content: MACHINE-GENERATED SUMMARY NOTE: "The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?"
    Language: English
    Keywords: Edited volumes ; Electronic books. ; Electronic books.
    URL: FULL
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: OAPEN
    URL: Image
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV047628695
    Format: xv, 620 Seiten.
    ISBN: 978-0-367-42108-3 , 978-1-032-11745-4
    Series Statement: Routledge companions
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-367-82181-4
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-00-046545-7
    Language: English
    Subjects: History
    RVK:
    Keywords: Geschichtstheorie ; Aufsatzsammlung
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949385773002882
    Format: 1 online resource (xv, 620 pages)
    ISBN: 9781000465457 , 1000465454 , 9780367821814 , 0367821818 , 9781000465501 , 1000465500
    Content: This Companion provides a wide-ranging and up-to-date overview of the conceptual issues that history as a discipline and mode of thought gives rise to. The book offers both historical and systematic treatments of these issues, as well as addressing their contemporary relevance. Structured in three parts - Modes and Schools of Historical Thought, Epistemology and Metaphysics of History, and Issues and Challenges in Historical Theory - it offers the reader a wide scope and expert treatment of each topic in this vibrant field that can be read in any order. An international team of experts both discuss the basis of their topic and present their own view, offering the reader a cutting-edge contribution while ensuring their chapters are of interest to both students and specialists in the field of historical theory and engaging with the very nature of historical thought, the metaphysics of historical existence, the politics of history-writing, and the intelligibility of the historical process. The volume is an indispensable companion to the study of history and essential reading for anyone interested in the reflection on the nature of history and our historical existence.
    Additional Edition: Print version: Routledge companion to historical theory. Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9780367421083
    Language: English
    Subjects: History
    RVK:
    Keywords: Electronic books. ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
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  • 8
    UID:
    gbv_1869515951
    ISBN: 9783111078038
    Note: Literaturangaben
    In: Modes of publication, Berlin : De Gruyter Oldenbourg, 2023, (2023), Seite 189-201, 9783111078038
    In: 9783111078083
    In: year:2023
    In: pages:189-201
    Language: English
    URL: Volltext  (kostenfrei)
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  • 9
    Online Resource
    Online Resource
    Amsterdam, [Netherlands] :Amsterdam University Press,
    UID:
    edoccha_9958994473502883
    Format: 1 online resource (142 pages) : , illustrations, photographs
    Edition: 1st ed.
    ISBN: 90-485-2480-6
    Content: The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
    Note: Includes index. , Cover -- Contents -- Introduction: Museums in a Digital Culture: How Art and Heritage Become Meaningful / Chiel van den Akker and Susan Legêne -- 1. Touched from a Distance: The Practice of Affective Browsing / Martijn Stevens -- 2. Visual Touch: Ekphrasis and Interactive Art Installations / Cecilia Lindhé -- 3. Breathing Art: Art as an Encompassing and Participatory Experience / Christina Grammatikopoulou -- 4. Curiosity and the Fate of Chronicles and Narratives / Chiel van den Akker -- 5. Networked Knowledge and Epistemic Authority in the Development of Virtual Museums / Anne Beaulieu and Sarah de Rijcke -- 6. Between History and Commemoration: The Digital Monument to the Jewish Community in the Netherlands / Serge ter Braake -- 7. From the Smithsonian's MacFarlane Collection to Inuvialuit Living History / Kate Hennessy -- Conclusion / Chiel van den Akker -- Notes on Contributors -- Index -- List of Figures -- Figure 1 -- Philip James De Loutherbourg. The Vision of the White Horse 1798 -- Figure 2 -- Char Davies. Breathing and balance interface used in the performance of immersive virtual reality environments Osmose (1995) and Ephémère (1998) -- Figure 3 -- Char Davies. Forest Grid, Osmose (1995). Digital still captured in real-time through HMD (head-mounted display) during live performance of the immersive virtual environment Osmose -- Figure 4 -- George Khut. Cardiomorphologies v.2 (2005). Interactive installation -- Figure 5 -- Christa Sommerer and Laurent Mignonneau. Mobile Feelings II (2003). Interface devices -- Figure 6 -- Anton Raphael Mengs (1772/73). The Triumph of History over Time: Allegory of the Museum Clementinum. Ceiling fresco in the Camera dei Papiri, Vatican Library -- Figure 7 -- Screenshot from the Digital Monument to the Jewish Community. , In English.
    Additional Edition: ISBN 90-8964-661-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Book
    Book
    Amsterdam :Amsterdam University Press,
    UID:
    almafu_BV047096456
    Format: 170 Seiten : , 6 Illustrationen ; , 21 cm.
    ISBN: 978-94-6372-833-1
    Uniform Title: Geschiedenis 2019
    Content: This is an original and accessible introduction to the modern idea of history and its value, and an indispensable companion to the study of history and its philosophical underpinnings.0The book answers two basic questions: What is history? And what is its value? It also shows how the answers to these questions are mutually dependent. The old view that history is the teacher of life, for instance, assumes that the past is a reservoir of examples from which moral lessons for the present can be drawn.0The subjects discussed include history as the teacher of life, the need for truth and objectivity, the moral standards of the historian, realism and the value of historical insight, historical explanation and understanding, the intelligibility of the historical process, the tragedy of history, the politics of history-writing, and the close connection between history, narrative, and the desire for justice.0These topics are discussed with the help of inspiring and influential historians and philosophers such as Thucydides, Ranke, Hegel, Nietzsche, Collingwood, Arendt, White, Hunt, and Ankersmit.
    Note: Originally published as "Geschiedenis" by Athenaeum, 2019. - Translated from Dutch. - Includes bibliographical references and index
    Language: English
    Keywords: Geschichtswissenschaft ; Geschichtsschreibung
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