UID:
almafu_9959246060702883
Format:
1 online resource (237 pages) :
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digital, PDF file(s).
Edition:
1st ed.
ISBN:
90-485-6140-X
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90-485-3673-1
Series Statement:
Film culture in transition
Content:
All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's original research and experimental films, presented in this groundbreaking book, expose fictionalising elements in archival webcams and explore video surveillance as an urban condition that influences both perceptions of the past and visions of the future.
Note:
Title from publisher's bibliographic system (viewed on 01 Jan 2021).
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Frontmatter --
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Table of Contents --
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Ackowledgments --
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Introduction --
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1. Video Surveillance versus the Affected Personal Cam --
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2. Post-Panopticism and the Attention Economy --
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3. From Cinematographic to Cinematic Apparatus --
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4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams --
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5. Webcams and the Archive --
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6. Appropriating the Cinematic Apparatus --
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Conclusion --
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Bibliography --
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List of Images --
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Index of Authors --
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Index of Makers --
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Index of Subjects / Artworks
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Issued also in print.
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In English.
Additional Edition:
ISBN 94-6298-558-8
Language:
English
DOI:
10.1515/9789048536733
URL:
https://www.degruyter.com/doi/book/10.1515/9789048536733
URL:
https://www.cambridge.org/core/product/identifier/9789048536733/type/BOOK
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