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  • 1
    UID:
    b3kat_BV005723935
    Format: [5], 154 S.
    Note: Kiel, Univ., Diss., 1992
    Language: English
    Keywords: Indien ; Erbrecht ; Indien ; Erbfolge ; Hochschulschrift
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  • 2
    Image
    Image
    New Delhi : The Nagaara Trust in association with Himalayan Books | New Delhi : Himalayan Books | New Delhi : The English Book Store
    UID:
    gbv_848686195
    Format: xi, 492 Seiten , Illustrationen, Karten , 32 cm
    ISBN: 9788170021155
    Language: English
    Keywords: Pakistan ; Sikhismus ; Architektur ; Geschichte ; Bildband ; Reisebericht
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  • 3
    Book
    Book
    Newcastle : Cambridge Scholars Press
    UID:
    gbv_517448351
    Format: 186 S. , 22 cm
    ISBN: 1847180493 , 9781847180490
    Note: Literaturverz. S. [176] - 182 , Teilw. zugl.: Durham, Univ, Diss., 2001
    Language: English
    Keywords: Religion ; Säkularismus ; Roman ; Geschichte 1901-2000 ; Hochschulschrift
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  • 4
    Book
    Book
    Jackson, Miss. : University Press of Mississippi
    UID:
    kobvindex_KIND-018443
    Format: VI, 227 S., Ill., Filmogr., Bibliogr.
    Edition: First printing
    ISBN: 9781496821164
    Language: Undetermined
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  • 5
    Book
    Book
    Jackson : University Press of Mississippi
    UID:
    gbv_1015469426
    Format: vii, 227 Seiten , Illustrationen
    ISBN: 9781496821164 , 9781496819116
    Content: "The Films of Mira Nair presents the first, full-length scholarly study of her cinema. Nair has broken new ground as both a feminist filmmaker and an Indian filmmaker. Several of her works, especially those related to the South Asian diaspora, have been influential around the globe. Amardeep Singh delves into the complexities of Nair's films from 1981 to 2016, offering critical commentary on all of Mira Nair's major works, including her early documentary projects as well as shorts. The subtitle, "Diaspora Vérité," alludes to Singh's primary theme: Nair's filmmaking project is driven aesthetically by her background in the documentary realist tradition (cinema vérité) and thematically by her interest in the lives of migrants and diasporic populations. Mainly, Nair's filmmaking intends to document imaginatively the experiences of diasporic communities. Nair's focus on the diasporic appears in the long list of her films that have explored the subject, such as Mississippi Masala, So Far from India, Monsoon Wedding, The Perez Family, My Own Country, The Namesake, and The Reluctant Fundamentalist. However, a version of the diasporic sensibility also emerges even in films with an apparently different scope, such as Nair's adaptation of Thackeray's Vanity Fair. Nair began her career as a documentary filmmaker in the early 1980s. While Nair now has largely moved away from the documentary format in favor of making fictional feature films, Singh shows that a documentary realist style remains active in her subsequent fictional cinema." -- Provided by publisher
    Content: Mira Nair's diaspora vérité -- "Our hearts and eyes are wide open": Mira Nair's documentaries -- Salaam Bombay! (1988): the aesthetics of disillusionment -- A tale of two "chunaris": the critique of Bollywood in Monsoon Wedding -- Into the diasporic mixing bowl: Mississippi Masala (1991), the Perez Family (1995), and My Own Country -- Feminist period pieces: Vanity Fair (2004) and Kama Sutra: a tale of love -- "Every day since then has been a gift": The Namesake -- "I had a Pakistani once": The Reluctant Fundamentalist (2013) and Nair's post-9/11 short films -- "Where do you belong?": returning to Uganda in Queen of Katwe
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781496819123
    Additional Edition: Erscheint auch als Online-Ausgabe Singh, Amardeep, 1974- author Films of Mira Nair Jackson : University Press of Mississippi, [2018]
    Language: English
    Subjects: General works
    RVK:
    Keywords: Nair, Mira 1957- ; Film
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