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  • 1
    Online Resource
    Online Resource
    Narration and Spectatorship in Moving Images (2007)
    Newcastle upon Tyne : Cambridge Scholars Pub.
    Details
    UID:
    b3kat_BV043060978
    Format: 1 Online-Ressource (295 pages)
    ISBN: 1443809217 , 9781443809214
    Note: TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER ONE; BIO-CULTURALISM; CINEMA AS THE REDEMPTION OF ARCHETYPAL REALITY; CHAPTER TWO; NEUROTRANSMITTER PERSISTENCE, NARRATIVE STRUCTURE, AND EMOTION; EXPANDED EMPATHY; CHAPTER THREE; ASSESSING THE REALITY-STATUS OF FILM; UNDERSTANDING CHARACTER MOTIVATION; CHAPTER FOUR; FORMS MIRRORING FEELINGS; EMBODIED SPACES; CHAPTER FIVE; META-EMOTION AND GENRE PREFERENCE; THE EPISTEMOLOGY OF THE GAZE; CHAPTER SIX; ""THE SEA INSIDE""; RHYTHM AND IMAGE IN DREYER'S FILMS; CHAPTER SEVEN; THE IMPORTANCE OF EMPATHY IN THE ACTOR'S ART. , EMPATHY AND THE EPISODIC STRUCTURE OF ENGAGEMENT IN FICTION FILMCHAPTER EIGHT; VIRTUAL REALITY IN MOVING IMAGES; PERCEPTUAL OPTIMIZATION OF AUDIO-VISUAL MEDIA; CHAPTER NINE; OVERCOMING CONFLICTS BY PLAY; COGNITIVE FILM THEORY AND FILM COMEDY; CHAPTER TEN; OMITTING DEPTH CUES; COGNITION AND THE AESTHETICS OF REEXPERIENCE; CONTRIBUTORS; INDEX. , Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin .. , Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 1-84718-309-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-84718-309-5
    Language: English
    Subjects: General works
    RVK:
    AP 45600
    Keywords: Filmästhetik ; Narrativität ; Konferenzschrift
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Filmuniversität Babelsberg
  • 2
    Online Resource
    Online Resource
    Moving image theory : ecological considerations (2005)
    Carbondale :Southern Illinois University Press,
    Details
    UID:
    almahu_9948318806502882
    Format: xii, 253 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Language: English
    Keywords: Electronic books.
    URL: Click to View
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
  • 3
    Online Resource
    Online Resource
    Narration and spectatorship in moving images / (2007)
    Newcastle, UK :Cambridge Scholars Pub., | Newcastle, U.K. :Cambridge Scholars Pub.,
    Details
    UID:
    almafu_9959233026602883
    Format: 1 online resource (295 p.)
    ISBN: 1-282-19281-7 , 9786612192814 , 1-4438-0921-7
    Content: Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin...
    Note: Selected papers of the conference organized by the Hochschule fur Film und Fernsehen "Konrad Wolf", held in Potsdam-Babelsberg, Germany, 2006. , TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER ONE; BIO-CULTURALISM; CINEMA AS THE REDEMPTION OF ARCHETYPAL REALITY; CHAPTER TWO; NEUROTRANSMITTER PERSISTENCE, NARRATIVE STRUCTURE, AND EMOTION; EXPANDED EMPATHY; CHAPTER THREE; ASSESSING THE REALITY-STATUS OF FILM; UNDERSTANDING CHARACTER MOTIVATION; CHAPTER FOUR; FORMS MIRRORING FEELINGS; EMBODIED SPACES; CHAPTER FIVE; META-EMOTION AND GENRE PREFERENCE; THE EPISTEMOLOGY OF THE GAZE; CHAPTER SIX; ""THE SEA INSIDE""; RHYTHM AND IMAGE IN DREYER'S FILMS; CHAPTER SEVEN; THE IMPORTANCE OF EMPATHY IN THE ACTOR'S ART , EMPATHY AND THE EPISODIC STRUCTURE OF ENGAGEMENT IN FICTION FILMCHAPTER EIGHT; VIRTUAL REALITY IN MOVING IMAGES; PERCEPTUAL OPTIMIZATION OF AUDIO-VISUAL MEDIA; CHAPTER NINE; OVERCOMING CONFLICTS BY PLAY; COGNITIVE FILM THEORY AND FILM COMEDY; CHAPTER TEN; OMITTING DEPTH CUES; COGNITION AND THE AESTHETICS OF REEXPERIENCE; CONTRIBUTORS; INDEX , English
    Additional Edition: ISBN 1-84718-309-3
    Language: English
    Keywords: Libros electrónicos.
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FU Berlin
  • 4
    Online Resource
    Online Resource
    Moving image theory : ecological considerations (2005)
    Carbondale :Southern Illinois University Press,
    Details
    UID:
    almafu_9959226853202883
    Format: 1 online resource (269 p.)
    Edition: 1st ed.
    ISBN: 0-8093-8757-3
    Content: Blending unconventional film theory with nontraditional psychology to provide a radically different set of critical methods and propositions about cinema, Moving Image Theory: Ecological Considerations looks at film through its communication properties rather than its social or political implications. Drawing on the tenets of James J. Gibson's ecological theory of visual perception, the fifteen essays and forty-one illustrations gathered here by editors Joseph D. Anderson and Barbara Fisher Anderson offer a new understanding of how moving images are seen and understood.〈B
    Note: Description based upon print version of record. , Cover; Title Page; Copyright; Contents; Foreword; Preliminary Considerations; Part One. Information Available in Moving Images; 1. Perceiving Scenes in Film and in the World; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art; Part Two. Perception of Simulated Human Motion; 3. Creating Realistic Motion; 4. Perceiving Human Motion in Synthesized Images; Part Three. Acoustic Events; 5. Background Tracks in Recent Cinema; 6. Acoustic Specification of Object Properties; Part Four. Information in Facial Expression , 7. Three Views of Facial Expression and Its Understandingin the Cinema8. Facial Motion as a Cue to Identity; Part Five. Coupling of Perception and Emotion; 9. Film Lighting and Mood; 10. Cinematic Creation of Emotion; Part Six. Appeals of Reality-Based Moving Images; 11. Documentary's Peculiar Appeals; 12. Reality Programming: Evolutionary Models of Film and Television Viewership; Part Seven. Events, Symbols, and Metaphors; 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality; 14. Metaphors in Movies; Contributors; Index; Back Cover , English
    Additional Edition: ISBN 0-8093-2746-5
    Additional Edition: ISBN 1-299-75447-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FU Berlin
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