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  • 1
    Book
    Book
    Oxford ; Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Wien :Peter Lang,
    UID:
    almahu_BV044701471
    Format: 412 Seiten : , Illustrationen.
    ISBN: 978-3-0343-1937-9
    Series Statement: Italian Modernities vol. 28
    Content: Bruno Munari was one of the most important and eclectic twentieth-century European artists. Dubbed the 'Leonardo and Peter Pan' of contemporary art, he pioneered what would later be labelled kinetic art, playing a key role in the constitution and definition of the aesthetic programmes of groups such as Movimento Arte Concreta and Programmed Art. He became an internationally recognized name in the field of industrial design, winning the prestigious 'Compasso d?Oro' prize four times, while also being a prominent figure in Italian graphic design, working for magazines such as Tempo and Domus, as well as renowned publishing companies such as Einaudi and Bompiani. He left an indelible mark as an art pedagogue and popularizer with his famous 1970s artistic laboratories for children and was the author of numerous books
    Additional Edition: Erscheint auch als ISBN 9781787079908
    Additional Edition: Erscheint auch als ISBN 9781787079915
    Additional Edition: Erscheint auch als ISBN 9781787079922
    Language: English
    Subjects: Art History
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    Keywords: 1907-1998 Munari, Bruno ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Antonello, Pierpaolo, 1965-
    Author information: Zanoletti, Margherita, 19XX-
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  • 2
    UID:
    almahu_BV023056132
    Format: XIII, 282 S.
    ISBN: 978-0-567-03251-5 , 0-567-03251-5 , 0567-03252-3 , 978-0-567-03252-2
    Uniform Title: Les Origines de la culture
    Language: English
    Subjects: Philosophy
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    Keywords: 1923-2015 Girard, René ; Kultur ; Vorgeschichte ; Entstehung ; Kulturtheorie ; Interview ; Interview
    Author information: Antonello, Pierpaolo, 1965-
    Author information: Girard, René, 1923-2015.
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  • 3
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948665182802882
    Format: 1 online resource (216 p.)
    Edition: 1st, New ed.
    ISBN: 9783035304565
    Series Statement: Italian Modernities 15
    Content: Law 180, which abolished mental asylums in Italy, was passed in 1978. It came to be known as the ‘Basaglia Law’, after the physician whose work revolutionised psychiatry in Italy and worldwide. Franco Basaglia (1924-1980) battled to overturn an obsolete but prevalent conception of psychiatry, rooted in the asylum, where allegedly dangerous madmen were incarcerated rather than cured. Following Law 180, the asylum system was indeed dismantled in Italy, to be replaced by community centres. This radical transformation coincided with the emergence of ‘biopolitics’, a direct involvement of political power with the biological lives of the subjects, by means of homogenising disciplines such as the statistical analysis of the population. Examining both his practice and his theory of psychiatry, this book argues that Franco Basaglia foresaw this change in the paradigm of power, and that it is possible to trace its embryonic conception in his writings. Combining history of ideas, social and cultural history, and philosophical analysis, the book contextualises Basaglia’s works within the intense current debate on biopolitics. In doing so, it shows not only how his theory of the subject and his criticism of psychiatry are still as powerful and relevant now as they were in the 1970s, but also how Basaglia’s philosophy makes an integral contribution to the burgeoning field of contemporary Italian theory.
    Note: Contents: Basaglia and Psychiatry in the 1950s – The Subject and the Body – The 1960s: Challenging Psychiatry – ‘The Destruction of the Asylum’ – Biopolitics and Psychiatry – Towards an Affirmative Biopolitical Psychiatry.
    Additional Edition: ISBN 9783034308939
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 4
    UID:
    almahu_9948665079702882
    Format: 1 online resource (479 p.)
    Edition: 1st, New ed.
    ISBN: 9783035306576
    Series Statement: Italian Modernities 21
    Content: Italy is one of the most recent immigratory destinations in Europe, having long been one of the continent’s most important sources of emigration. Due to its strategic position in the Mediterranean, the Italian peninsula is a crossroads of complex transnational movements and represents a unique and dynamic context for the study of contemporary migration and its representation through the diverse channels of media, literature and film. The product of a two-year interdisciplinary research project into representations of migration to Italy, this volume brings together scholarly contributions from the fields of migration studies, linguistics, media, literature and film studies as well as essays by practitioners and activists. It provides both a multi-faceted snapshot of how diverse representations of immigration capture experiences and affect decision-making dynamics and an in-depth study of how media, literature and cinema contribute to the public perception of migrants within the destination culture.
    Note: Contents: Marco Binotto: Invaders, Aliens and Criminals: Metaphors and Spaces in the Media Definition of Migration and Security Policies – Marco Bruno: The Journalistic Construction of «Emergenza Lampedusa»: The «Arab Spring» and the «Landings» Issue in Media Representations of Migration – Mahmoud Zidan: The Image of Italy and Immigrants to Italy in the Media: A Destination or Place of Damnation? – Federico Faloppa: Media and Migration: Some Linguistic Reflections – Andrea Pogliano: Framing Migration: News Images and (Meta-)Communicative Messages – Gabriela Jacomella: The Silence of Migrants: The Underrepresentation of Migrant Voices in the Italian Mainstream Media – Anna Meli: Training Journalists on Immigration: Experiences and Reflections – Eugénie Saitta: Ethnicity and Organizational Processes in «Mixed» Media: The Case of Yalla Italia – Grazia Biorci: Beyond Hybridization: Metaphors and New Visions in «Migrant Literature» in Italian – Nora Moll: Narrative Strategies, Literary Imaging and Reflections on Identity: Constructing a Narrative Community in Italy – Emma Bond: «Skin Memories»: Expressions of Corporeality in Recent Trans-national Writing in Italian – Maria Grazia Negro: The Decentred Gaze of Postcolonial Literature on Italians Past and Present – Daniele Comberiati/Linde Luijnenburg: New Postcolonial Art Forms: Timira as Multi-Genre Object Between Cinema and Literature – Derek Duncan: The Postcolonial Afterlife of Primo Levi – Loredana Polezzi: Migrant Writing as (Self-)Translation: The Transnational Trajectory of Giose Rimanelli – Vito Zagarrio: Imagined Journeys: Italian Directors and Immigration – Guido Bonsaver: Accented Voices in Contemporary Italian Cinema – Millicent Marcus: Federico Bondi’s Mar nero: Channelling the Geographic Unconscious – Paolo Russo: Migration Told Through Noir Conventions in La sconosciuta and Gomorra – Alessandro Jedlowski: Nigerian Migrants, Nollywood Videos and the Emergence of an «Anti-Humanitarian» Representation of Migration in Italian Cinema – Áine O’Healy: Witnessing History, Recounting Suffering: The Documentary Project of Andrea Segre – Alessandro Triulzi: Roaming to Rome: Archiving and Filming Migrant Voices in Italy.
    Additional Edition: ISBN 9783034309615
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Romance Studies , General works , Sociology
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    Keywords: Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948664302702882
    Format: 1 online resource (257 p.)
    Edition: 1st, New ed.
    ISBN: 9783035300277
    Series Statement: Italian Modernities 5
    Content: Giorgio Manganelli (1922-1990), one of Italy’s most radical and original writers, went further than most in exploring the creative possibilities of hybrid genres and open forms. Ostentation, theatricality, and a love of drapery and verbal excess are defining features of his body of work, which ranges from prose fiction, literary criticism, and drama to travel writing, treatises, commentaries, and imaginary interviews. This study examines the wealth of Manganelli’s imagination – his grotesque animals, speaking corpses, and melancholy spectres – and argues that his spectacular eloquence was shaped by an exceptional awareness of literary and philosophical models. Following Manganelli’s lead, the author addresses issues such as the boundaries of meaningful language, the relationship between literary and visual texts, fantasy and realism, and the power of literature to express the apprehensions and intimations of human consciousness.
    Content: «Anyone who has an interest in Manganelli and in avant-garde movements should read it.» (Alessio Baldini, Modern Language Review, Vol.110, 2015)
    Note: Contents: Giorgio Manganelli – Avant-garde – Experimental literature – Modernism – Literary theory – Neoavanguardia – Gruppo 63 – Possible-world theory – Philosophy of language – Anti-realism – Storytelling – Language games – Nonsense literature – Fantasy – Minimalism – Solipsism – Italo Calvino – Ludwig Wittgenstein – Roland Barthes – Vladimir Nabokov – Jorge Luis Borges – Hamlet – Apocalypse fiction – Ghosts.
    Additional Edition: ISBN 9783039118359
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948665196802882
    Format: 1 online resource (330 p.)
    Edition: 1st, New ed.
    ISBN: 9783035307092
    Series Statement: Italian Modernities 23
    Content: This book is a ten-step journey around the thought and poetry of the most sensitive Italian visionary of modernity, Giacomo Leopardi, whose contribution to Western thought has been acclaimed by admirers from Schopenhauer to Nietzsche to Benjamin. A variety of readings, moving between different disciplines and approaches – including film studies, psychoanalysis, and queer theory – shed new light on Leopardi’s fascinating and at the same time epistemologically radical compound of poetic imagination and philosophical complexity. An advocate of an ultra-philosophy, which aims to negotiate the fracture opened in Western imagination by the irrecoverable loss of ancient «illusions», Leopardi’s thought seems more relevant than ever in the post-human era, offering an (un)timely meditation on desire, suffering, and imagination as the foundational features of humanity.
    Note: Contents: Daniela Cerimonia: The Making of Leopardi in English – Cosetta M. Veronese: Leopardi and the «Zibaldone» into the New Millennium – Roberto Lauro: Le idee e le parole. Il lessico straniero nello «Zibaldone» – David Gibbons: Philological Cosmopolitanism and European Nationalisms: The Background to Leopardi’s Sanskrit References in the «Zibaldone» – Alessandra Aloisi: «L’infinito» come condizione di un’esperienza possibile – Paola Cori: «Time-image» in Poetry and Cinema: Leopardi and Antonioni – Fabio A. Camilletti : Leopardi avec Sade: Impotence and jouissance in «La ginestra» – Emanuela Cervato: Ending the Ancient Covenant: Leopardi and Molecular Biology – Pamela Williams: Leopardi’s Atheism and Religious Existentialism – Luca Malici: Giacomo Leopardi’s «Zibaldone» of (Queer) Thoughts.
    Additional Edition: ISBN 9783034319256
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948664032902882
    Format: 1 online resource (300 p.)
    Edition: 1st, New ed.
    ISBN: 9783035301069
    Series Statement: Italian Modernities 9
    Content: Cinema has played a key role in articulating the impact and legacies of the so-called anni di piombo in Italy, the years of intra-national political terrorism that lasted from 1969 until well into the 1980s. Tragedia all’italiana offers an analytical exploration of Italian cinema’s representation and refraction of those years, showing how a substantial and still growing corpus of films has shaped the ways in which Italians have assimilated and remembered the events of this period. This is the first monograph in English on terrorism and film in Italy, a topic that is attracting the interest of a wide range of scholars of film, cultural studies and critical terrorism studies. It provides novel analytical categories for an intriguing corpus of films and offers careful accounts of works and genres as diverse as La meglio gioventú, Buongiorno, notte, the poliziottesco (cop film) and the commedia all’italiana. The author argues that fiction film can provide an effective frame for the elaboration of historical experience but that the cinema is symptomatic both of its time and of the codes of the medium itself – in terms of its elisions, omissions and evasions as well as its emphases. The book is a study of a body of films that has elaborated the experience of terrorism as a fascinating and even essential part of the heritage of modern Italy.
    Note: Contents: Tragedia all’italiana – Italian Terrorisms/Italian Film – Locations of Moro: The Kidnap in the Cinema – Filming Stragismo – Patriarchy Postponed – Sexing the Terror – Constituencies of Memory – Patrimonio all’italiana.
    Additional Edition: ISBN 9783039115747
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948665155902882
    Format: 1 online resource (343 p.)
    Edition: 1st, New ed.
    ISBN: 9783035301229
    Series Statement: Italian Modernities 12
    Content: In his brief public career, Piero Gobetti was one of the most outspoken and original voices of early Italian antifascism. Before his sudden death in 1926, he founded and edited three periodicals, including the fiercely antifascist La Rivoluzione Liberale and the literary journal Il Baretti. While much has been written about his antifascism and his theories of ‘liberal revolution’, this book considers him primarily as an ‘organiser of culture’ and situates him both in the context of his lived experience in Turin after the First World War and in a wider European panorama. Although politically marginal by 1918, Turin was one of Italy’s most modern cities, with its futuristic Fiat factories, vocal working class and militant socialist intellectuals such as Antonio Gramsci. The book explores Gobetti’s encounters with Turin – both its history and the modern, urban landscape of Gobetti’s own day – as central to his thinking. Historically and geographically, Turin was also the Italian city closest to France and northern Europe. If Gobetti’s immediate surroundings inspired much of his thinking, his sensibilities were – in true Piedmontese style – more European than Italian, and his ultimate impact far from only local. Finally, Gobetti’s bitter disillusionment with liberal and fascist Italy, as well as his refusal to fit any of the conventional political labels, means that his memory has remained contentious right up to the present day. This groundbreaking new study explores the roots of Gobetti’s thinking, his impact on Italian culture and his controversial legacy.
    Note: Contents: Turin and Italy – Encounters with modernity in post-war Turin – The intellectual community of La Rivoluzione Liberale – Il Baretti and literary publishing – The politics of remembrance in Rebublican Italy – Gobetti, gobettiani and antifascist Turin: the recent past.
    Additional Edition: ISBN 9783034302623
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 9
    UID:
    almahu_9948664287302882
    Format: 1 online resource (299 p.)
    Edition: 1st, New ed.
    ISBN: 9783035300390
    Series Statement: Italian Modernities 8
    Content: Situated at the confluence of history, media and cultural studies, this book reconstructs the often deeply discordant and highly selective memories of the Holocaust in Italy in the postwar era. The author’s core method is one of reception analysis, centred on the public responses to the many films and television programmes that have addressed the Holocaust from the 1940s to the present day. Tied to the heritage of Fascism, antifascism, and the Resistance, public memory of the Holocaust in Italy has changed greatly over the years. Self-acquitting myths of Italian innocence and victimhood, and universalising interpretations grounded in Catholicism and Communism, provided the initial frameworks for understanding the Holocaust. However, the last two decades have seen an increasing centrality of the Holocaust in memory culture but have also witnessed the establishment of a paradigm that relativises other fascist crimes and levels the differences between Fascism and antifascism. Working with the largest corpus yet established of Holocaust film and television in Italy, from the 1948 retelling of the Wandering Jew myth to Roberto Benigni’s controversial Life Is Beautiful, from the American miniseries Holocaust to Perlasca: The Courage of a Just Man, Conflicts of Memory probes Italy’s ongoing, if incomplete, process of coming to terms with this important aspect of its past.
    Note: Contents: Innocence and victimhood in early post-war Italian Holocaust debates – The place of the Holocaust in broader narrative of the war at the beginning of the 1960s – The universalisation of the Holocaust between the Resistance and the ‘New Discourse’ – The broadcast of NBC’s Holocaust on Italian television – From the centrality of the Resistance to that of the Holocaust – Post-war debates on the Vatican during the Holocaust - A post-anti-Fascist memory of the Holocaust?
    Additional Edition: ISBN 9783039118809
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 10
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948665079002882
    Format: 1 online resource (280 p.)
    Edition: 1st, New ed.
    ISBN: 9783035304992
    Series Statement: Italian Modernities 17
    Content: Fictions of Appetite explores and investigates the aesthetic significance of images of food, appetite and consumption in a body of modernist literature published in Italian between 1905 and 1939. The corpus examined includes novels, short stories, poems, essays and plays by F.T. Marinetti, Aldo Palazzeschi, Massimo Bontempelli, Paola Masino and Luigi Pirandello. The book underlines the literary relevance and symbolic implications of the «culinary sign», suggesting a link between the crisis of language and subjectivity usually associated with modernism and figures of consumption and corporeal self-obliteration in «alimentary» discourse. In revisiting these works under label of modernism, which has traditionally been shunned in the Italian critical field, the volume brings critical discourse on early twentieth-century Italian literature closely into line with that of other Western literatures. The author argues that an alimentary perspective not only sheds striking new light on each of the texts examined, but also illustrates the signifying power of the culinary sign, its relations to the aesthetic sphere and its prominent role in the construction of a modernist sensibility.
    Note: Contents: A Futurist Digest: F.T. Marinetti’s Alimentary Rhetoric – Modernist Effacements: Aldo Palazzeschi’s Consuming Bodies – Hard to Swallow: Two Fictions by Paola Masino and a Play by Massimo Bontempelli – How to Cope with the Bites of Modernity: Two Literary Recipes by Massimo Bontempelli and Luigi Pirandello.
    Additional Edition: ISBN 9783034309714
    Language: English
    URL: Volltext  (lizenzpflichtig)
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