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  • 1
    UID:
    kobvindex_ZLB34448786
    ISBN: 9781553797838 , 9781553797821
    Content: " Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. This is one of the 200 exceptional projects funded through the Canada Council for the Arts' New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada. "
    Content: Biographisches: " Kateri Akiwenzie-Damm is a writer, poet, spoken-word performer, librettist, and activist from the Saugeen Ojibway Nation. She is the founder and Managing Editor of Kegedonce Press which was established in 1993 to publish the work of Indigenous creators. Kateri has written two books of poetry, was a contributor to the graphic novel anthology This Place: 150 Years Retold , was editor of the award-winning Skins: Contemporary Indigenous Writing , and has also released two poetry and music CDs. Kateri's work has been published internationally, and she has performed and spoken around the world. " Biographisches: " Sonny Assu is an interdisciplinary artist whose diverse practice is informed by a deep connection to Kwakwaka'wakw art and culture and melded with western/pop principles of art making. His work has been accepted into the National Gallery of Canada, Seattle Art Museum, Vancouver Art Gallery and into various public and private collections across Canada, the US, and the UK. He currently resides in unceded Ligwił" Biographisches: " From Listuguj, Quebec, Brandon Mitchell is the founder of Birch Bark Comics and creator of the Sacred Circles comic series, which draws on his Mi'kmaq heritage. He has also written five books with the Healthy Aboriginal Network, ( Lost Innocence , Drawing Hope , River Run , Making it Right , and Emily's Choice ) and wrote and illustrated Jean-Paul's Daring Adventure: Stories from Old Mobile for the University of Alabama. " Biographisches: " David A. Robertson (he/him/his) is an award-winning writer. His books include When We Were Alone (winner Governor General's Literary Award ), Will I See? (winner Manuela Dias Book Design and Illustration Award ), Betty, The Helen Betty Osborne Story (listed In The Margins), and the YA novel Strangers ( winner of The Michael Van Rooy Award for Genre Fiction ) . David educates as well as entertains through his writings about Indigenous Peoples in Canada, reflecting their cultures, histories, communities, as well as illuminating many contemporary issues. David is a member of Norway House Cree Nation. He lives in Winnipeg. " Biographisches: " Niigaanwewidam James Sinclair , PhD., (he/him/his) is Anishinaabe (St. Peter's/Little Peguis) and an associate professor at the University of Manitoba. He regularly speaks and writes about Indigenous issues for national and international media outlets and his writing appears bi weekly in the Winnipeg Free Press. He has also published short stories in books like The Exile Edition of Native Canadian Fiction and Drama and graphic novels like This Place: 150 Years Retold . He is the 2018 recipient of a National Newspaper Award for best Canadian Columnist and also was named 2019 Peace Educator of the Year by the Peace and Justice Studies Association at Georgetown University in Washington, D.C. Niigaan is co-editor of the award-winning Manitowapow: Aboriginal Writings from the Land of Water and Centering Anishinaabeg Studies: Understanding the World Through Stories and the editorial director of The Debwe Series (published by HighWater Press). " Biographisches: " Jennifer Storm is an Ojibway writer from the Couchiching First Nation in Northwestern Ontario. Born and raised in Winnipeg, Manitoba, Jennifer completed Deadly Loyalties , her first novel, at age 14. In 2006, Jennifer received the Manitoba Aboriginal Youth Achievement Award as well as the Helen Betty Osborne Award. " Biographisches: " Richard Van Camp , a proud member of the Dogrib (Tlicho) Nation from Fort Smith, NWT, is the author of the novel The Lesser Blessed (also a feature film), and four collections of short stories, including Night Moves. He has published children's books and baby books, including Little You. He is also author of the graphic novel Three Feathers (in English, Bush Cree, and Dene). " Biographisches: " Kat" Rezension(9): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: Indigenous authors share tales from Canada's past in this compendium. Dystopian visions have become increasingly common in mainstream culture, but as Tuscarora writer Alicia Elliott asserts in her foreword to this graphic novel anthology, as Indigenous people, we all live in a post-apocalyptic world. Survival against all odds is a common thread in these intriguing stories, as are resistance, self-determination, and respect for traditional ways of life. Métis author Katherena Vermette tells the tale of Annie Bannatyne, a Métis entrepreneur who, in 1868, reacted to a newspaper article disparaging Métis women by treating its author to some frontier justice. Cree writer David A. Robertson explores the life of legendary World War I sniper--and later chief of the Wasauksing Nation--Francis Peggy Pegahmagabow, who earned a level of respect from whites in the military he could not have hoped for in civilian life. Anishinaabe author Niigaanwewidam James Sinclair recounts the experiences of an Indigenous youth coming-of-age during the Indigenous resistance to the Meech Lake Accord and the subsequent Oka Crisis--an armed standoff between the Canadian government and Mohawk activists--in 1990. Standout pieces include Rosie by Inuit-Cree writer Rachel Qitsualik-Tinsley and Scottish-Mohawk author Sean Qitsualik-Tinsley (with stunning images by GMB Chomichuk) and Red Clouds by Ojibway writer Jen Storm (illustrations and color by Métis artist Natasha Donovan). The Red Clouds images feature thin lines and flat, broad patches of orange, white, and gray, lending the tale a picture-book quality that perfectly fits its ghost story plot. The anthology hops around in time, geography, and narrative style. But the repetition of certain illustrators and colorists gives it a cohesive, though not overly uniform, look. For those interested in the under-covered history of Indigenous Canada--and the contemporary Indigenous graphic novel scene--this should be a must-have book. An illuminating, self-assured graphic novel anthology in which every panel reads like a radical act. COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED. (Online Review) " Rezension(10): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: April 22, 2019 Ten tales offer an enlightening perspective of Canadian history from the point of view of First Nations people. Preceded with timelines to place them in historical context, each explores survival strategies adopted by indigenous people after the arrival of Europeans in North America. “We have survived the apocalypse,” Alicia Elliot writes in the foreword. “Annie of Red River” by Katherena Vermette and Scott B. Henderson, set in 1850, features a prominent Native woman who takes physical action against a journalist who insulted Mé" Rezension(11): "〈a href=http://www.slj.com/ target=blank〉〈img src=https://images.contentreserve.com/schoollibraryjournal_logo.png alt=School Library Journal border=0 /〉〈/a〉: Starred review from June 1, 2019 Gr 9 Up- Ten stories. Ten stunning Indigenous insights into 150 years of Canadian history, leavened with a dash of hope for the future, written and drawn in defiance of the attempted erassure of Indigenous peoples from Canadian identity and history. Each piece is introduced by a foreword from its author, with a time line of events surrounding the narrative, adding to readers' appreciation. Ten different art styles bring to life tales of separation, personal sacrifice, and resistance, of spiritualism and wonder, of promises broken, and of voices finally heard. Some of the artwork is in full color with large page spreads and vibrant hues and detail. One selection is rendered in dreamy watercolors,others are presented in black-and-white, with strong stark contrasts or sketchlike elements. All are powerful and poignant. Expressive and well rendered, the characters stand out and will linger with readers. In every case, the art and writing are a perfect fit,panels are creatively spaced, the pacing superb, and the speech bubbles well placed. VERDICT An essential title with first-rate storytelling and beautiful use of color and design.- Kelley Gile, Cheshire Public Library, CTCopyright 2019 School Library Journal, LLC Used with permission. " Rezension(12): "〈a href=https://www.booklistonline.com target=blank〉〈img src=https://images.contentreserve.com/booklist_logo.png alt=Booklist border=0 /〉〈/a〉: March 15, 2019 Grades 9-12 This collection of 10 stories retells Canada's history since Confederacy in 1867 through the lens of its Indigenous peoples. Each story focuses on a significant Indigenous historical figure or event, illuminating pivotal moments with a focus on Indigenous rights and sovereignty. Eleven Indigenous authors and eight illustrators from various cultures make for a wide range of storytelling and illustrative styles, although author introductions and timelines for each piece establish some continuity. The fact-based stories relay important historical figures and pivotal moments for Indigenous rights in an accessible way, but the more fantastical stories are where this collection really shines. Red Clouds, a fictionalized account of a woman murdered during a great famine, conveys a disturbingly eerie and convincing alternate explanation of events, while Rosie offers a surreal, dreamlike landscape in which Inuit shamanism and European colonialism collide, illuminating the vast chasm between the two cultures. Although somewhat uneven, this collection provides invaluable opportunity to hea
    Content: ar voices that are featured all too rarely in literature and is a worthwhile addition to collections.(Reprinted with permission of Booklist, copyright 2019, American Library Association.) "
    Language: English
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  • 2
    Book
    Book
    Wien : Bahoe Books
    UID:
    kobvindex_VBRD-i97839032904190284
    Format: 284 Seiten
    ISBN: 9783903290419
    Content: 150 Jahre sind seit der Gruùndung der Kanadischen Konfoùderation vergangen. Diese Comic-Anthologie erzaùhlt uùber diesen Nationalstaat aus der Sicht der First Nations. Uùber 25 Illustratorinnen, Comickuùnstler, Autorinnen und Forscher berich- ten uùber die leidvollen Erfahrungen mit den europaùischen Siedlern und ihren Nachfahren, uùber indigene Selbstbestimmung, uùber Proteste gegen Umweltzerstoùrung, uùber den Kampf um Land und uùber ihre eigene Kulturgeschichte. Die totgeschwiegene Vergangenheit und Gegenwart der indigenen Bevoùlkerung Kanadas muss endlich auf der ganzen Welt gehoùrt werden.
    Language: German
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  • 3
    UID:
    kobvindex_ZLB34491324
    Format: 284 Seiten
    Edition: 1. Auflage
    ISBN: 9783903290419
    Content: 150 Jahre sind seit der Gründung der Kanadischen Konföderation vergangen. Diese Comic-Anthologie erzählt über diesen Nationalstaat aus der Sicht der First Nations. Über 25 Illustratorinnen, Comickünstler, Autorinnen und Forscher berichten über die leidvollen Erfahrungen mit den europäischen Siedlern und ihren Nachfahren, über indigene Selbstbestimmung, über Proteste gegen Umweltzerstörung, über den Kampf um Land und über ihre eigene Kulturgeschichte. Die totgeschwiegene Vergangenheit und Gegenwart der indigenen Bevölkerung Kanadas muss endlich auf der ganzen Welt gehört werden. (Verlag)
    Note: Deutsch
    Language: German
    Keywords: Kanada ; Kolonialismus ; Indigenes Volk ; Indigenes Volk ; Widerstand ; Comic ; Anthologie
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  • 4
    UID:
    gbv_1019688866
    Format: 221 Seiten , 26 cm
    ISBN: 9780295742113 , 0295742119
    Content: "Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu's career, highlighting more than 120 full-color works, including several never-before-exhibited pieces. Through analytical essays and personal narratives, Candice Hopkins, Marianne Nicolson, Richard Van Camp, and Ellyn Walker provide brilliant commentary on Assu's practice, its meaning in the context of contemporary art, and its wider significance in the struggle for Indigenous cultural and political autonomy. Exploring themes of Indigenous rights, consumerism, branding, humor, and the ways in which history informs contemporary ideas and identities, this is the first major full-scale book to pay tribute to this important, prolific, and vibrant figure in the contemporary art world"--
    Note: In order to survive we create , From the copper record to Emily Carr: interventions on the imaginary , (Re) Sounding the beyond: speculative futures in the drum works of Sonny Assu , Sonny Assu is pure Psionics and I travelled back in time to tell you this , A selective history
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Assu, Sonny 1975- ; Bildband
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  • 5
    UID:
    gbv_175133645X
    Format: 287 Seiten
    Edition: 3. [Nachdruck]
    ISBN: 9781553797586
    Note: Überwiegend Illustrationen (farbig) , The White Ravens 2020
    Language: English
    Keywords: Kanada ; Indigenes Volk ; Indianer ; Geschichte 1867-2019 ; Anthologie ; Comic
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