Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (319 Seiten) , Illustrationen

ISBN: 9789048551958

Series Statement: Film culture in transition

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-94-6372-733-4

Language: English

Subjects: General works

Keywords: Deutschland ; Film ; Neoliberalismus ; Geschichte 1980-2010

DOI: 10.1515/9789048551958

DOI: 10.5117/9789463727334

DOI: 10.2307/j.ctv1hp5hnv

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

Author information: Baer, Hester 1970-

UID:

Format: XIII, 304 S. : , Ill. ; , 24 cm.

ISBN: 978-1-84545-605-4 , 978-0-85745-617-5

Series Statement: Film Europa: German cinema in an international context 9

Note: Includes bibliographical references and index. - Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Käutner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Käutner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture

Language: English

Subjects: General works

Keywords: Film ; Film

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018633339&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

Author information: Baer, Hester 1970-

UID:

Format: VIII, 208 Seiten.

ISBN: 978-1-57113-584-1

Series Statement: Studies in German literature, linguistics, and culture

Content: "What is the status of women's writing in German today, in an era when feminism has thoroughly problematized binary conceptions of sex and gender? Drawing on gender and queer theory, including the work of Lauren Berlant, Judith Butler, and Michel Foucault, the essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which "women's literature" has been conceived. With an eye to the literary and feminist legacy of authors such as Christa Wolf and Ingeborg Bachmann, contributors treat the works of many of contemporary Germany's most significant literary voices, including Hatice Akyün, Sibylle Berg, Thea Dorn, Tanja Dückers, Karen Duve, Jenny Erpenbeck, Julia Franck, Katharina Hacker, Charlotte Roche, Julia Schoch, and Antje Rávic Strubel ... authors who, through their writing or their role in the media, engage with questions of what it means to be a woman writer in twenty-first-century Germany." ..

Note: "This book has its roots in a conversation that began at the Women in German conference in 2006."...Preface. - Includes bibliographical references and index

Language: English

Subjects: German Studies , Sociology

Keywords: Deutsch ; Literatur ; Schriftstellerin ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

Author information: Baer, Hester, 1970-

Author information: Stewart, Alexandra Merley.

UID:

Format: 1 Online-Ressource (319 Seiten) , Illustrationen

ISBN: 9789048551958

Series Statement: Film culture in transition

Content: This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980 – rather than 1989 – as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East, West, and post-unification Germany together, Baer argues that contemporary German cinema is characterized most strongly by its origins in and responses to advanced capitalism. Informed by a feminist approach and in dialogue with prominent theories of contemporary film, the book places a special focus on how German films make visible the neoliberal recasting of gender and national identities around the new millennium.

Note: Literaturverzeichnis: Seite 295-309 , Enthält ein Register , Introduction : making neoliberalism visible -- 1. German cinema and the neoliberal turn : the end of the national-cultural film project -- 2. Producing German cinema for the world : global blockbusters from location Germany -- 3. From everyday life to the crisis ordinary : films of ordinary life and the resonance of DEFA -- 4. Future feminism : political filmmaking and the resonance of the West German feminist film movement -- 5. The failing family : changing constellations of gender, intimacy, and genre -- 6. Refiguring national cinema in films about labour, money, and debt -- Conclusion: German cinema in the age of neoliberalism.

Additional Edition: ISBN 9789463727334

Language: English

Subjects: General works

Keywords: Deutschland ; Film ; Filmproduktion ; Geschichte 1980-2010 ; Deutschland ; Film ; Filmproduktion ; Deutsche Film AG

DOI: 10.1515/9789048551958

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Inhaltsverzeichnis

URL: Rezension  (H-Soz-Kult)

URL: Cover

Author information: Baer, Hester 1970-

UID:

Format: 1 online resource (320 p.)

Edition: 1st ed.

ISBN: 90-485-5195-1

Series Statement: Film Culture in Transition

Content: This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980-rather than 1989-as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East, West, and post-unification Germany together, Baer argues that contemporary German cinema is characterized most strongly by its origins in and responses to advanced capitalism. Informed by a feminist approach and in dialogue with prominent theories of contemporary film, the book places a special focus on how German films make visible the neoliberal recasting of gender and national identities around the new millennium.

Note: Frontmatter -- , Table of Contents -- , Acknowledgements -- , Introduction: Making Neoliberalism Visible -- , 1. German Cinema and the Neoliberal Turn : The End of the National-Cultural Film Project -- , 2. Producing German Cinema for the World : Global Blockbusters from Location Germany -- , 3. From Everyday Life to the Crisis Ordinary : Films of Ordinary Life and the Resonance of DEFA -- , 4. Future Feminism : Political Filmmaking and the Resonance of the West German Feminist Film Movement -- , 5. The Failing Family: Changing Constellations of Gender, Intimacy, and Genre -- , 6. Refiguring National Cinema in Films about Labour, Money, and Debt -- , Conclusion: German Cinema in the Age of Neoliberalism -- , Bibliography -- , Index , In English.

Language: English

DOI: 10.1515/9789048551958

URL: kostenfrei

URL: lizenzpflichtig

UID:

Format: 1 online resource (368 p.) : , 14 b&w illustrations

ISBN: 9781487538262 , 9783110993899

Content: For at least a decade, university foreign language programs have been in decline throughout the English-speaking world. As programs close or are merged into large multi-language departments, disciplines like German studies find themselves struggling to survive. Transverse Disciplines offers an overview of the current research on the humanities and the academy at large and proposes creative and courageous ideas for the university of the future. Using German studies as a case study, the book examines localized academic work in Australia, Canada, the United Kingdom, and the United States in order to model new ideas for invigorated thinking beyond disciplinary specificity, university communities, and entrenched academic practices. In contributions that are theoretical, speculative, experimental, and deeply personal, contributors suggest that German studies might do better to stop trying to protect existing national and disciplinary arrangements. Instead, the discipline should embrace feminist, queer, anti-racist, and decolonial academic practices and commitments, including community-based work, research-creation, and scholar activism. Interrogating the position of researchers, teachers, and administrators inside and outside academia, Transverse Disciplines takes stock of the increasingly tenuous position of the humanities and stakes a claim for the importance of imagining new disciplinary futures within the often restrictive and harmful structures of the academy.

Note: Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Preface: Forging Alliances in the Burning Present -- , Introduction: Transversal Thinking, Accountabilities, and Commitments -- , Section 1: Situating Disciplinarity: Diagnoses, Genealogies, and Possibilities -- , 1. Recomposing the Humanities: Transversal Legacies, Localized Futures -- , 2. Beyond Germanistik: Transverse Approaches to German Studies in Australia -- , 3. Imagining German Studies for the Future -- , 4. Diversifying the German Curriculum through Student Research -- , Section 2: Against Insularity -- , 5. Critical Interventions in Land-Grant Epistemologies -- , 6. Unsettled Memory: Learning about the Holocaust at a United States Prison -- , 7. Anxious Trajectories: Game Studies and German Studies -- , 8. Thinking Inconveniently: A Neuroqueer Project on Mathematics and Lyric Poetry -- , 9. Making Academic Publishing More Public -- , Section 3: Speculative Methodologies and Radical Relationality -- , 10. Collaborative Infrastructures for Feminist German Studies -- , 11. "Sometimes I dream of different kinds of plants": Assemblage, Defiance, and Tenuous Connection -- , 12. Anti-Blackness in German Studies -- , 13. Beyond Disciplinary Belonging: Constructing a Scholarly Self through Interactions and Relationality -- , 14. German Studies, Home, Hospitality: Decolonial Possibilities and a Politics of Place? -- , Contributors -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

In: EBOOK PACKAGE Education, Psychology, Comm 2022 English, De Gruyter, 9783110993950

In: EBOOK PACKAGE Education, Psychology, Communication 2022, De Gruyter, 9783110994186

In: University of Toronto Press Complete eBook-Package 2022, De Gruyter, 9783110767155

Language: English

DOI: 10.3138/9781487538262

URL: https://doi.org/10.3138/9781487538262

URL: https://www.degruyter.com/isbn/9781487538262

URL: Cover

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

UID:

Format: 1 online resource (viii, 208 pages) , digital, PDF file(s).

ISBN: 9781782044864 , 9781571135841

Series Statement: Studies in German literature, linguistics, and culture

Content: What is the status of women's writing in German today, in an era when feminism has thoroughly problematized binary conceptions of sex and gender? Drawing on gender and queer theory, including the work of Lauren Berlant, Judith Butler, and Michel Foucault, the essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which "women's literature" has been conceived. With an eye to the literary and feminist legacy of authors such as Christa Wolf and Ingeborg Bachmann, contributors treat the works of many of contemporary Germany's most significant literary voices, including Hatice Akyün, Sibylle Berg, Thea Dorn, Tanja Dückers, Karen Duve, Jenny Erpenbeck, Julia Franck, Katharina Hacker, Charlotte Roche, Julia Schoch, and Antje Rávic Strubel -- authors who, through their writing or their role in the media, engage with questions of what it means to be a woman writer in twenty-first-century Germany. Contributors: Hester Baer, Necia Chronister, Helga Druxes, Valerie Heffernan, Alexandra Merley Hill, Lindsey Lawton, Sheridan Marshall, Beret Norman, Mihaela Petrescu, Jill Suzanne Smith, Carrie Smith-Prei, Maria Stehle, Katherine Stone. Hester Baer is Associate Professor of Germanic Studies at the University of Maryland. Alexandra Merley Hill is Assistant Professor of German at the University of Portland.

Note: Title from publisher's bibliographic system (viewed on 28 May 2021)

Additional Edition: ISBN 9781571135841

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781571135841

Language: English

Subjects: German Studies

Keywords: Deutsch ; Frauenliteratur ; Geschichte 2000-2014 ; Aufsatzsammlung ; Konferenzschrift

URL: lizenzpflichtig

Author information: Stewart, Alexandra Merley

Author information: Baer, Hester 1970-

UID:

Format: 1 Online-Ressource (xvi, 256 Seiten) , Illustrationen

ISBN: 9781350370098 , 9781350370081 , 9781350370074

Series Statement: Visual cultures and German contexts

Content: "The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture. Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital. Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture. Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes"

Additional Edition: Erscheint auch als Druck-Ausgabe, hbk ISBN 978-1-350-37006-7

Additional Edition: Erscheint auch als Druck-Ausgabe, pbk ISBN 978-1-350-37005-0

Language: English

Keywords: Babylon Berlin ; Ästhetik ; Geschichtlichkeit ; Medienkultur ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.5040/9781350370098

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

Author information: Baer, Hester 1970-

Author information: Smith, Jill Suzanne 1972-

UID:

Format: 1 online resource (viii, 208 pages) : , digital, PDF file(s).

ISBN: 9781782044864 (ebook)

Series Statement: Studies in German literature, linguistics, and culture

Content: What is the status of women's writing in German today, in an era when feminism has thoroughly problematized binary conceptions of sex and gender? Drawing on gender and queer theory, including the work of Lauren Berlant, Judith Butler, and Michel Foucault, the essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which "women's literature" has been conceived. With an eye to the literary and feminist legacy of authors such as Christa Wolf and Ingeborg Bachmann, contributors treat the works of many of contemporary Germany's most significant literary voices, including Hatice Akyün, Sibylle Berg, Thea Dorn, Tanja Dückers, Karen Duve, Jenny Erpenbeck, Julia Franck, Katharina Hacker, Charlotte Roche, Julia Schoch, and Antje Rávic Strubel -- authors who, through their writing or their role in the media, engage with questions of what it means to be a woman writer in twenty-first-century Germany. Contributors: Hester Baer, Necia Chronister, Helga Druxes, Valerie Heffernan, Alexandra Merley Hill, Lindsey Lawton, Sheridan Marshall, Beret Norman, Mihaela Petrescu, Jill Suzanne Smith, Carrie Smith-Prei, Maria Stehle, Katherine Stone. Hester Baer is Associate Professor of Germanic Studies at the University of Maryland. Alexandra Merley Hill is Assistant Professor of German at the University of Portland.

Note: Title from publisher's bibliographic system (viewed on 28 May 2021). , Acknowledgments -- Introduction: German Women's Writing beyond the Gender Binary / Hester Baer and Alexandra Merley Hill -- Language-bodies: Interpellation and Gender Transition in Antje Ravic Strubel's Kaltere Schichten der Luft and Judith Hermann's "Sonja" / Necia Chronister -- Matrilineal Narrative and the Feminist Family Romance / Valerie Heffernan -- The Pitfalls of Constructing a Female Genealogy : Cultural Memory of National Socialism in Recent Family Narratives / Katherine Stone -- Reckoning with God : Attitudes toward Religion in German-Language Women's Writing in the Twenty-First Century / Sheridan Marshall -- Muslim Writing, Women's Writing / Lindsay Lawton -- Popfeminism, Ethnicity, and Race in Contemporary Germany : Hatice Akyun's Popfeminist Autobiographic Works "Einmal Hans mit scharfer So?e (2005) and Ali zum Dessert / Mihaela Petrescu -- The Awkward Politics of Popfeminist Literary Events : Helene Hegemann, Charlotte Roche, and Lady Bitch Ray / Carrie Smith-Prei and Maria Stehle -- The Indictment of Neoliberalism and Communism in the Novels of Katharina Hacker, Nikola Richter, Judith Schalansky, and Julia Schoch / Helga Druxes -- Sounds of Silence : Rape and Representation in Juli Zeh's Bosnian Travelogue / Jill Suzanne Smith -- Bibliography -- Notes on the Contributors -- Index.

Additional Edition: Print version: ISBN 9781571135841

Language: English

URL: https://www.cambridge.org/core/product/identifier/9781782044864/type/BOOK

UID:

Format: xiii, 304 Seiten , Illustrationen

Edition: First paperback edition

ISBN: 9780857456175

Series Statement: Film Europa : German cinema in an international context 9

Note: Literaturverzeichnis: Seite 283-289. - Register , Introduction : dismantling the dream factory: gender and spectatorship in postwar German cinema -- Part I. Relegitimating cinema : female spectators and the problem of representation -- 1 How do you solve a problem like Susanne? : the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- 2 When fantasy meets reality : authorship and stardom in Rudolf Jugert's Film without a title (1948) -- 3. Gendered visions of the German past : Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- 4 Unsolved mysteries : race, ethnicity, and gender in Helmut Käutner's Epilogue (1950) -- Part II. Art on film : representing gender and sexuality in popular cinema -- 5 "Through her eyes" : regendering representation in Willi Forst's The sinner (1951) -- 6 Looking at Heimat : visual pleasure and cinematic realism in Alfons Stummer's The forester of the Silver wood (1955) -- 7 Degenerate art? : problems of gender and sexuality in Veit Harlan's Different from you and me (§175) (1957) -- Part III. Towards the new wave : gender and the critique of popular cinema -- 8 Pleasurable negotiations : spectatorship and genre in Helmut Käutner's "anti-tearjerker" Engagement in Zurich (1957) -- 9 Sound and spectacle in the Wirtschaftswunder : the critical strategies of Rolf Thiele's The girl Rosemarie -- 10 Gender and the new wave : Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue : adapting the 1950s : the afterlife of postwar cinema in post-unification popular culture.

Additional Edition: ISBN 9780857456182

Language: English

Subjects: General works

Keywords: Deutschland ; Film ; Geschichte 1946-1949 ; Deutschland ; Film ; Geschichte 1949-1962

URL: Inhaltsverzeichnis

Author information: Baer, Hester 1970-