Kooperativer Bibliotheksverbund

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Format: 185 S. : Ill.

ISBN: 90-420-0801-6 , 90-420-0811-3

Series Statement: Lier en boog series 15

Note: Einzelaufn. eines Zs.-Bds.

Language: English

Keywords: Neue Medien ; Kunst ; Film ; Ästhetik ; Medienkunst ; Ästhetik ; Aufsatzsammlung ; Aufsatzsammlung

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Format: 192 S. , Ill.

ISBN: 9042001879

Series Statement: Lier en boog 12

Note: Einzelaufnahme eines Zeitschr.-Bd.

Language: English

Keywords: Fotografie ; Ästhetik ; Geschichte 1995 ; Fotografie ; Geschichte 1970-2000 ; Aufsatzsammlung ; Festschrift ; Aufsatzsammlung

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Format: 184 S. : , Ill.

ISBN: 90-420-1097-5

Series Statement: Lier en boog 18

Language: English

Keywords: Künstler ; Selbstverständnis ; Quelle ; Künstler ; Ausbildung ; Kunstgeschichte ; Forschung ; Kunstwissenschaft ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift

URL: Inhaltsverzeichnis

URL: http://www.textezurkunst.de/82/

Author information: Slager, Henk

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Format: 1 online resource (197 pages)

ISBN: 9789004334151

Series Statement: Lier en boog series ; v. 17

Content: In order to give an impetus to the production of an apparatus of aesthetic concepts, in line with Deleuze and Guattari's claim to create new concepts for a changing world, this volume publishes statements and discussions of ten Concept on the Move workshops, as well as texts and discussions of the concluding Concept on the Move symposium. The integral outcome of the workshops, the symposium and the discussions does not, however, present some sort of blueprint for the future of visual art and aesthetics. If one wished to designate the Concepts on the Move publication in one notion at all that definitively could only be TOOLKIT. A TOOKIT in the sense of a great collection of ideas, topics, issues, notions, and concepts emerging in the 21st-century world of visual art and theory. They indeed could serve as an impetus for the construction and production of a body of theoretical work fit to understand today's technological, theoretical, and artistic developments in the art world. Are concepts on the move? Yes, they are, and they always will be on the great journey visual art takes them.

Note: Includes material from ten workshops and a concluding symposium. , PROLOGUE / , NEWESTHETICS / , ANTWERP: Prolegomena / , KARLSRUHE: Immaterial Communication / , LJUBLJANA: Information Strategies / , LONDON: Aesthetics of the Seamless / , MAASTRICHT: Institution and Research / , NEW YORK: Cultural Conditions / , OSLO: Artistic Language Games / , PARIS: Collaboration / , TOKYO: Aesthetic Discourses / , VENICE: Curatorial Perspectives / , SYMPOSIUM: Amsterdam /

Additional Edition: Online version: Concepts on the move. Amsterdam : Rodopi, 2002

Language: English

Keywords: Conference papers and proceedings.

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Format: 1 online resource (184 pages) : , illustrations.

ISBN: 9789401201018

Series Statement: Lier en boog series, v. 18

Content: Currently, advanced art education is in the process of developing (doctorate or PhD) research programs throughout Europe. Therefore, it seems to us urgent to explore what the term research actually means in the topical practice of art. After all, research as such is often understood as a method stemming from the alpha, beta or gamma sciences directed towards knowledge production and the development of a certain scientific domain. How is artistic research connected with those types of scientific research, taking into account that the artistic domain so far has tended to continually exceed the parameters of knowledge management? One could claim that the artistic field comprises the hermeneutic question of the humanities, the experimental method of the sciences, and the societal commitment of the social sciences. Will that knowledge influence the domain, the methodology, and the outcome of artistic research? Another major topic concerns not only the specificity of the object of knowledge of artistic research but above all whether and how artistic research and its institutional programs will influence topical visual art, its artworks and its exhibitions. These complex problematics with their various points of view and management models are mapped out through the contributions of theorists, curators, and institutions, from Belgium, France, Great-Britain, Italy, The Netherlands, Finland, Germany, and Sweden. May these contributions be a constructive impetus for a versatile debate which may influence the future role of advanced art institutions and the position of artistic research in the next decade.

Note: Papers from a two-day symposium, Artistic Research, held in Amsterdam. , Preliminary Material / , PROLOGUE / , PRELIMINARYWORKSHOP ART AND METHOD:METHODODICY / , SYMPOSIUM: ARTISTIC RESEARCH:DISCOURS DE LA MÉTHODE / , UNFINISHABLE SKETCH OF 'AN UNKNOWN OBJECT IN 4 D': SCENES OF ARTISTIC RESEARCH / , CONNECTING WORLDS / , WHAT IS THE POINT OF RESEARCH AND DOCTORAL STUDIES IN ART? / , RIVER LOW, MOUNTAIN HIGH. CONTEXTUALIZING ARTISTIC RESEARCH / , IS ARTISTIC RESEARCH A MEANINGFUL CONCEPT? / , THE LUXURY OF DOUBT / , EXPECTATIONS:Multipoint / , THE UK FINE ART PHD AND RESEARCH IN ART and DESIGN / , ARTELEKU (IN THE CRISIS OF THE MODERNIST PROJECT) / , FRONT LINE COMPILATION / , OBSERVATIONS AND CONSIDERATIONS / , RESEARCH, PRODUCTION, PRESENTATION, DISCUSSION / , ACADEMY SCHLOSS SOLITUDE / , THE RIGHT TO THINK / , MANIFESTA 5: CURATORIAL RESEARCH / , DISCUSSION / , PARTICIPANTS /

Additional Edition: Print version: Artistic Research Leiden, Boston : Brill | Rodopi, 2004, ISBN 9789042010970

Language: English

Keywords: Conference papers and proceedings.

URL: DOI:

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Format: 184 S , Ill

ISBN: 9042006161 , 9042006064

Series Statement: Lier en boog series 14

Language: English

Keywords: Ästhetik ; Neue Medien ; Raum ; Ästhetik ; Aufsatzsammlung

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Format: 187 S. , Ill.

ISBN: 904200441X , 9042004312

Series Statement: Lier en boog 13

Language: English

Keywords: Kunstgeschichte ; Kunst ; Geschichte 1990-1998 ; Surrealismus ; Aufsatzsammlung

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Format: 104 S. , Ill.

ISBN: 9051839006

Series Statement: Lier en boog 11

Language: English

Keywords: Kunst ; Erkenntnisverfahren

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Format: 1 online resource (192 pages) : , illustrations.

ISBN: 9789004664784 , 9789042001879

Series Statement: Lier & Boog ; 12

Content: This issue investigates the meaning of photographic image for contemporary art. In Malraux' dream, photography offers the ultimate guarantee for a coherent presentation of art. However, as Douglas Crimp has stated, the appearance and enhancement of photography as a form of art among other art forms disrupted the center of the art world. What does this mean for art and philosophy in our time? Various artists and theorists will delve into that question: Christian Boltanski, Benjamin H.D. Buchloh, Jean-François Chevrier, Douglas Crimp, Jos de Mul, Mirjam de Zeeuw, Rineke Dijkstra, Michael Gibbs, Rodney Graham, Gerald van der Kaap, Karen Knorr, Zoe Leonard, Ken Lum, Hermann Pitz, Liza-May Post, John Roberts, Allan Sekula, Andres Serrano, Jan Simons, Beat Streuli, John M. Swinnen, Renée van de Vall, Hilde van Gelder, Hripsimé Visser, Jeff Wall, Ian Wallace and Herta Wolf. .

Note: Annette W. BALKEMA and Henk SLAGER: Prologue. Christian BOLTANSKI: The Passage of Time. Benjamin H.D. BUCHLOH: The Politics of Representation. Jean-François CHEVRIER: The museum: A Permanent Crisis. Douglas CRIMP: Reconsidering Barcelona. Jos de MUL: The virtualization of the world view: The end of photography and the return of the aura. Mirjam de ZEEUW: Investigation into Strategies of Thought. Rineke DIJKSTRA: Intensity and Concentration. Michael GIBBS: Fugitive Photography. Rodney GRAHAM: The way I use photography. Gerald van der KAAP: The Ed van der Elsken Turn. Karen KNORR: Photography's Shadow. Zoe LEONARD: Photographic Responses. Ken LUM: Contemporary Contemplation. Hermann PITZ: Ocular Investigations. Liza MAY: Post Mental Slides. John ROBERTS: The crisis of critical postmodernism. REVIEW Allan Sekula and the metaphysics of concepts. Andres SERRANO: Idiosyncratic Iconography. Jan SIMONS: Photo, Trauma; The eye and the mind. Beat STREULI: Potential Possibilities. Johan M. SWINNEN: Searching for a historical infrastructure. Renée van de VALL: Images of the past. An installation by Christian Boltanski. Hilde van GELDER: Photography: from Modus to Picture. Hripsimé VISSER: The magic of realism. Jeff WALL: Transformational Aesthetics. Ian WALLACE: Notes for a Talk. Herta WOLF: Archeological Consciousness. Annette W. BALKEMA and Henk SLAGER: Epilogue. , English

Additional Edition: Print version: The Photographic Paradigm. Leiden ; Boston : Brill, 1997. ISBN 9789042001879

Language: English

URL: DOI:

URL: lizenzpflichtig

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Format: 1 online resource.

ISBN: 9789004495005 , 9789042008113

Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 15

Content: In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. In this volume, digital art - the new media - as well as its connectedness to cinema will be the subject of investigation. The starting point is a two-day symposium organized by the Netherlands Media Art Institute Montevideo/TBA, in collaboration with the L&B (Lier en Boog) series and the Amsterdam School of Cultural Analysis (ASCA). Issues which emerged during the course of investigation deal with questions such as: How could screen-based art be distinguished from other art forms? Could screen-based art theoretically be understood in one definite model or should one search for various possibilities and/or models? Could screen-based art be canonized? What are the physical and theoretical forms of representation for screen-based art? What are the idiosyncratic concepts geared towards screen-based art? This volume includes various arguments, positions, and statements by artists, curators, philosophers, and theorists. The participants are Marie-Luise Angerer, Annette W. Balkema, René Beekman, Raymond Bellour, Peter Bogers, Joost Bolten, Noël Carroll, Sean Cubitt, Cãlin Dan, Chris Dercon, Honoré d'O, Anne-Marie Duquet, Ken Feingold, Ursula Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters, Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara Visser and Siegfried Zielinski.

Note: Annette W. BALKEMA and Henk SLAGER: Prologue -- Marie-Luise ANGERER: New Technology and its Subject -- Annette W. BALKEMA: Desire for the Screen -- René BEEKMAN: Composing Images -- Raymond BELLOUR: Challenging Cinema -- Peter BOGERS: Limitations and Imperfections -- Joost BOLTEN: The Medium in the Middle -- Noël CARROLL: Forget the Medium! -- Sean CUBITT: The Chronoscope -- Cãlin DAN: Growing Old in New Media -- Honoré d'O: Theatrical Video -- Anne-Marie DUQUET: Scenography of the Image -- Ken FEINGOLD: Contextual Consciousness -- Symposium Filmic Images -- Chris DERCON: Still/A Novel -- Patricia PISTERS: Molecular Processes of Becoming -- Ed TAN: The Filmic Image as an Icon of Cultural Memory -- Ursula FROHNE: Illusions of Experience -- hARTware curators: Observations on Techno-Art -- Heiner HOLTAPPELS: Topicalism and the Design of Time -- Aernout MIK: Staged Situations -- Nicolaus SCHAFHAUSEN: Communication Torture -- Jeffrey SHAW: Media Art and Interactive Cinema -- Peter SLOTERDIJK: Neolithic Intelligence -- Barbara VISSER: Blurring Boundaries -- Siegfried ZIELINSKI: Time Machines -- Participants.

Additional Edition: Print version: Screen-based Art. Leiden ; Boston : BRILL, 2000 ISBN 9789042008113

Language: English

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