Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (104 Seiten) , Illustrationen

ISBN: 9789048534555

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-94-6298-403-5

Language: English

Keywords: Südostasien ; Unterhaltungsmusik ; Musikmarkt ; Sozialer Wandel ; Geschichte 1920-2017

DOI: 10.1515/9789048534555

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: lizenzpflichtig

Author information: Schulte Nordholt, Henk 1953-

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Format: 1 online resource (241 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 90-485-3069-5

Series Statement: Asian visual cultures ; 3

Content: Much has been said regarding the global flows of information that are characteristic of modernity; it has been frequently stressed that these conduits are so deeply embedded that local or national environments may be imagined as having a global span. Thus, while we are now well aware that the imagination is integral to global cultural processes, questions still arise about how the imagination of life with a global span is made possible at the level of everyday social practices. This book examines performative interventions that can generate a re-imagining of local publics - both spatially grounded and mediatized - and help to renegotiate the connection between the local and the global. After the 'performative turn' of the 1960s, it has been understood that shared experience of performance as event or spectacle can transform interpretations of the global and the local and create new meanings, and this book continues in the direction of this important tradition, while also fully expanding on its consequences.

Note: Title from publisher's bibliographic system (viewed on 14 Dec 2020). , 1. Global Imaginaries and Performance in Asia / Bart Barendregt -- 2. Globalizing the Imagination: Introductory Reflections / Terrell Carver -- 3. Weddings, Yoga, Hook-ups: Performed Identities and Technology in Bali / Craig Latrell -- 4. Super Premium Soft Double Vanilla Rich and the Ideal of Convenience in Japan / Peter Eckersall -- 5. Unearthing the Past and Re-imagining the Present: Contemporary Art and Muslim Politics in a Post-9/11 World / Leonie Schmidt -- 6. Keeping Communists Alive in Singapore / Chua Beng Huat -- 7. Performative Pedagogies: Lifestyle Experts on Indian Television / Tania Lewis -- 8. Performing Cities: The Philippines Pavilion at the 2010 Shanghai International Exposition / William Peterson -- 9. Mobile Performance and the In-between: Yogyakarta Comes to Melbourne / Chris Hudson -- 10. An Islamist Flash Mob in the Streets of Shah Alam: Unstable Genres for Precarious Times / Bart Barendregt -- 11. Pure Love? Sanitized, Gendered and Multiple Modernities in Chinese Cinemas / Jeroen de Kloet -- 12. Yogya on Stage / Barbara Hatley. , Issued also in print. , In English.

Additional Edition: ISBN 94-6298-112-4

Language: English

Subjects: Ethnology

DOI: 10.1515/9789048530694

URL: lizenzpflichtig

URL: https://www.cambridge.org/core/product/identifier/9789048530694/type/BOOK

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Format: 1 online resource (387 p.)

Edition: 1st ed.

ISBN: 90-04-26177-X

Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Landen Volkenkunde, Volume 290

Content: Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia’s twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences. Contributors include: Bart Barendregt, Philip Yampolsky, Jan van der Putten, Adil Johan, Andrew Weintraub, Emma Baulch, Lars Gjelstad, Bettina David, Jeremy Wallach, Kees van Dijk, Wim van Zanten and Tan Sooi Beng. Full text (Open Access)

Note: Description based upon print version of record. , Preliminary Material / , Sonic Histories in a Southeast Asian Context / , Music on Dutch East Indies Radio in 1938: Representations of Unity, Disunity, and the Modern / , ‘Dirty Dancing’ and Malay Anxieties: The Changing Context of Malay Ronggeng in the First Half of the Twentieth Century / , Disquieting Degeneracy: Policing Malaysian and Singaporean Popular Music Culture From the Mid-1960's to Early-1970's / , Pop Goes Melayu: Melayu Popular Music in Indonesia, 1968–1975 / , Pop Melayu vs. Pop Indonesia: New Interpretations of a Genre into the 2000's / , Worlds of Sparkling Lights: Popular Music and Youth Cultures in Solo, Central Java / , Seductive Pleasures, Eluding Subjectivities: Some Thoughts on Dangdut’s Ambiguous Identity / , Notes on Dangdut Music, Popular Nationalism, and Indonesian Islam / , Politicians who Love to Sing and Politicians who Detest Singing / , Musical Aspects of Popular Music and Pop Sunda in West Java / , Modernizing Songs of the Forest: Indigenous Communities Negotiate Tensions of Change in Malaysia / , Index / , English

Additional Edition: ISBN 90-04-25986-4

Additional Edition: ISBN 1-322-22355-6

Language: English

Keywords: Electronic books.

URL: Click to View

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Format: 1 online resource (xi, 375 pages) : , illustrations.

ISBN: 9789004261778

Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; v. 290

Content: Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences. Contributors include: Bart Barendregt, Philip Yampolsky, Jan van der Putten, Adil Johan, Andrew Weintraub, Emma Baulch, Lars Gjelstad, Bettina David, Jeremy Wallach, Kees van Dijk, Wim van Zanten and Tan Sooi Beng. Full text (Open Access)

Note: Preliminary Material / , Sonic Histories in a Southeast Asian Context / , Music on Dutch East Indies Radio in 1938: Representations of Unity, Disunity, and the Modern / , 'Dirty Dancing' and Malay Anxieties: The Changing Context of Malay Ronggeng in the First Half of the Twentieth Century / , Disquieting Degeneracy: Policing Malaysian and Singaporean Popular Music Culture From the Mid-1960s to Early-1970s / , Pop Goes Melayu: Melayu Popular Music in Indonesia, 1968-1975 / , Pop Melayu vs. Pop Indonesia: New Interpretations of a Genre into the 2000s / , Worlds of Sparkling Lights: Popular Music and Youth Cultures in Solo, Central Java / , Seductive Pleasures, Eluding Subjectivities: Some Thoughts on Dangdut's Ambiguous Identity / , Notes on Dangdut Music, Popular Nationalism, and Indonesian Islam / , Politicians who Love to Sing and Politicians who Detest Singing / , Musical Aspects of Popular Music and Pop Sunda in West Java / , Modernizing Songs of the Forest: Indigenous Communities Negotiate Tensions of Change in Malaysia / , Index /

Additional Edition: Print version: Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s - 2000s) Leiden, Boston : BRILL, 2014, ISBN 9789004259867

Language: English

Keywords: Criticism, interpretation, etc. ; History. ; Electronic books

URL: DOI:

URL: kostenfrei

URL: DOI

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Format: 1 online resource (105 pages) : , illustrations

Edition: 1st ed.

ISBN: 90-485-3455-0

Content: From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.

Note: Introduction -- 1. Oriental foxtrots and phonographic noise, 1910s-1940s -- 2, Jeans, rock, and electric guitars, 1950s-mid-1960s -- 3. The ethnic modern, 1970s-1990s -- 4. Doing it digital, 1990s-2000s. , In English.

Additional Edition: ISBN 94-6298-403-4

Language: English

Keywords: Electronic books. ; Electronic books.

DOI: 10.1515/9789048534555

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Format: XII, 204 S. : , zahlr. Ill.

ISBN: 978-90-6718-375-8 , 978-90-04-25361-2

Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 272

Additional Edition: Erscheint auch als Online-Ausgabe 10.1163/9789004253612

Language: English

Subjects: Ethnology

Keywords: Reinlichkeit ; Hygiene ; Bad ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung

URL: Volltext  (kostenfrei)

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Format: 1 online resource (365 p.)

Edition: 1st ed.

ISBN: 90-04-25859-0

Series Statement: Southeast Asia Mediated

Content: Over time Dutch and Indonesian composers, performers and music scholars have inspired each other and they continue to do so. The presence of the Dutch in the Netherlands East-Indies and Indonesia, but also the existence of large diasporic communities in the Netherlands have contributed to a mutual exchange in musical terms: from military brass bands, classical and liturgical music to jazz, Indo rock and more recently world music. Yet, such musical interactions have often been shaped by unequal power balances, and very divergent motifs to start with. Recollecting Resonances offers musicological, historical and anthropological explorations into those musical encounters that have been shaped in both the past and present. The resulting mutual heritage can still be listened to today. Contributors include: Bart Barendregt, Els Bogaerts, Liesbeth Ouwehand, Gerard A. Persoon, Sumarsam, Miriam Brenner, R. Franki S. Notosudirdjo, Henk Mak van Dijk, Madelon Djajadiningrat, Clara Brinkgreve, Wim van Zanten, Matthew Cohen, Lutgard Mutsaers, Rein Spoorman, Annika Ockhorst, and Fridus Steijlen. Full text (Open Access)

Note: Description based upon print version of record. , Preliminary Material -- , 1. Recollecting Resonances: Listening to an Indonesian–Dutch Musical Heritage / , 2. Photographic Representations of the Performing Indonesian / , 3. ‘Queen Wilhelmina, Mother of the Mentawaians’: The Dutch National Anthem in Indonesia and as Part of the Music Culture of Siberut / , 4. Past and Present Issues of Javanese–European Musical Hybridity: Gendhing Mares and Other Hybrid Genres / , 5. Drummers of the Sultan of Buton: The Lasting Influence of the Dutch East India Company on Local Music Traditions / , 6. Musical Modernism in the Twentieth Century / , 7. Constant van de Wall, a European–Javanese Composer / , 8. A Musical Friendship: The Correspondence between Mangkunegoro VII and the Ethnomusicologist Jaap Kunst, 1919 to 1940 / , 9. Encounters in the Context of Inspiring Sundanese Music and Problematic Theories / , 10. Indonesian Performing Arts in the Netherlands, 1913–1944 / , 11. ‘Barat Ketemu Timur’: Cross-Cultural Encounters and the Making of Early Kroncong History / , 12. Tradition and Creative Inspiration: Musical Encounters of the Moluccan Communities in the Netherlands / , 13. Multicultural Encounters on Stage: The Use of Javanese Cultural Elements by the Surinamese Doe-Theatre Company / , 14. Kollektief Muziek Theater’s Repositioning of Moluccan Issues / , Contributors -- , Index. , English

Additional Edition: ISBN 90-04-25609-1

Additional Edition: ISBN 1-306-08741-4

Language: English

Keywords: Electronic books.

URL: Click to View

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Format: 1 online resource (1 volume) : , illustrations (black and white)

ISBN: 9781003132417 , 1003132413 , 9781000484816 , 1000484815 , 1000484890 , 9781000484892

Content: Audiovisual and Digital Ethnography is a state of the art introduction to this dynamic and growing subject. The authors explain its fundamental aspects in a clear and systematic way. The chapters cover topics including: learning to see and listen in the field and the role of sensory attention the mediation of the senses doing anthropological fieldwork with video observational film-making ethnographic drawing multimodal anthropology digital ethnography interactive documentary the ethics and management of audiovisual and digital data. The result is a much needed up-to-date and concise guide to both the fundamental skills required for audiovisual and digital ethnographic production and the essential theoretical knowledge regarding this. It will be particularly useful for students and scholars in the fields of Anthropology, Sociology, Cultural Studies, Social Sciences, Media, Design, Art Practice, Sound Studies.

Additional Edition: Print version: AUDIOVISUAL AND DIGITAL ETHNOGRAPHY. [Place of publication not identified] : ROUTLEDGE, 2021 ISBN 0367676990

Language: English

Keywords: Electronic books.

DOI: 10.4324/9781003132417

URL: https://www.taylorfrancis.com/books/9781003132417

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (104 pages) , illustrations

ISBN: 9789048534555 , 9048534550 , 9789462984035 , 9462984034

Content: From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent

Content: Introduction -- 1. Oriental foxtrots and phonographic noise, 1910s-1940s -- 2, Jeans, rock, and electric guitars, 1950s-mid-1960s -- 3. The ethnic modern, 1970s-1990s -- 4. Doing it digital, 1990s-2000s.

Note: Includes bibliographical references

Additional Edition: ISBN 9789462984035

Additional Edition: Erscheint auch als Druck-Ausgabe Barendregt, Bart A., 1968- Popular music in Southeast Asia Amsterdam : Amsterdam University Press, 2017 ISBN 9789462984035

Language: English

Keywords: Criticism, interpretation, etc.

URL: kostenfrei

URL: De Gruyter

URL: EBSCOhost

URL: JSTOR

URL: View this content on Open Research Library.

URL: Biblioboard

URL: De Gruyter, Cover

URL: Image

UID:

Format: XVII, 204 S. : , Ill., graph. Darst., Kt.

Edition: 1. publ.

ISBN: 978-0-85785-501-5 , 978-0-85785-714-9

Note: Hier auch später erschienene, unveränderte Nachdrucke

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-85785-795-8

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-85785-798-9

Language: English

Subjects: Ethnology , Sociology

Keywords: Verbraucherverhalten ; Einkaufsorientierung ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis