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  • 1
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    London :Tate Publishing,
    UID:
    almahu_BV044274526
    Format: 192 Seiten : , Illustrationen.
    ISBN: 1-84976-452-2 , 978-1-84976-452-0
    Content: In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017)
    Note: On the occasion of the exhibition 'Queer British art 1861-1967', Tate Britain, London, 5 April - 1 October 2017
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Kunst ; Homosexualität ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
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  • 2
    UID:
    almahu_BV049691527
    Format: 224 Seiten : , Illustrationen.
    ISBN: 978-1-84976-925-9 , 978-1-84976-881-8
    Content: From Tudor times to the First World War, this paperback exhibition book accompanying Now You See Us: Women Artists in Britain 1520–1920 charts these women’s journeys to becoming professional artists. From Levina Teerlinc, a miniaturist at the court of Elizabeth I, to Laura Knight, the first woman to be elected a member of the Royal Academy after a gap of more than 150 years, women have been a constant presence in the art world, conducting commercially successful careers and exhibiting in public exhibitions. Against society’s expectations of wives, mothers and daughters, limited to the private domestic sphere, they dared to pursue public careers, and to paint history pieces, battle scenes and the nude, usually regarded as the preserve of men. An examination of figures such as Mary Beale, Angelica Kauffman, Elizabeth, Lady Butler and many more reveals careers very far from the stereotypical view of women as amateur watercolourists, pursuing art as a ladylike accomplishment. Instead, in this exhibition catalogue. they are revealed as professionals who navigated the art world despite being excluded from academy training and art institution membership, and who were determined to succeed despite the obstacles they faced. In English Female Artists, 1876, Ellen Creathorne Clayton wrote that women artists had ‘left only but faintly impressed footprints on the sands of time’. By looking at what women painted, how their work was received by exhibition critics, what women said themselves about their status in the art world, including their links to campaigns for women’s rights, Women Artists in Britain shines a spotlight on their true legacy and place in art history
    Note: Rückseite Titelblatt: First published 2024 ... on the occasion of the exhibition "Now You See Us: Women Artists in Britain 1520-1920", Tate Britain, London, 16 May - 13 October 2024
    Language: English
    Keywords: Künstlerin ; Ausstellungskatalog ; Ausstellungskatalog
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