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  • 1
    UID:
    almahu_BV048488169
    Format: 324 Seiten : , Illustrationen, Karten.
    Edition: 2a edición
    ISBN: 978-84-11-22057-6
    Language: Spanish
    Subjects: Romance Studies
    RVK:
    Keywords: Lehrbuch
    URL: Cover
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  • 2
    UID:
    gbv_1846860350
    Format: 1 Online-Ressource (221 Seiten) , Illustrationen
    ISBN: 9788411227827
    Note: Includes bibliographical references (p. 217-221)
    Additional Edition: ISBN 9788411226837
    Language: Spanish
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  • 3
    UID:
    almahu_9949707783202882
    Format: 1 online resource (224 pages)
    Edition: 1st ed.
    ISBN: 9788411227827
    Additional Edition: Print version: Barnés Vázquez, Antonio. Nuevo Humanismo para la Era Digital. una Propuesta Desde Cervantes y Otros Clásicos Madrid : Dykinson, S.L.,c2022 ISBN 9788411226837
    Language: Spanish
    Keywords: Electronic books.
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  • 4
    Book
    Book
    Vigo : Ed. Academia del Hispanismo
    UID:
    gbv_1623538874
    Format: 292 S.
    ISBN: 9788496915473
    Series Statement: Biblioteca Cátedra Miguel de Cervantes 12
    Note: Includes bibliographical references
    Language: Spanish
    Subjects: History , Romance Studies , Ancient Studies
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Cervantes Saavedra, Miguel de 1547-1616 Don Quijote ; Rezeption ; Antike ; Latein ; Literatur
    URL: Cover
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  • 5
    UID:
    edoccha_9960178720102883
    Format: 1 electronic resource (278 p.)
    ISBN: 80-210-9997-6
    Content: The scientific and technical achievements of the last decades have enabled man to achieve an unquestionable life comfort. Paradoxically, however, they also stand behind his existential struggles, where the need to slow down the pace and restore one’s own emotional and cognitive resources, revive communication models based on immediate contact, be authentic, creative, stronger, and so on breaks through the surface. One way of looking for a personal way of life and its meaning is through a religious, more precisely, spiritual experience. We consider the mystical experience to be the modality of the spiritual expression or, more precisely, its autonomous part. We see it as a descent of man into his own interior, so called the centre, in which he acquires a pouring knowledge of the nature of God. Although it is an individual and spontaneous experience, it is characterized by some universal features: imagery as a means of conveying the inexpressible content and as an archetypal basis of spiritual tradition. The publication focuses on the literary-artistic forms of the mystical experience as well as the literary forms of mystagogy, that is the interpretation of the mystical experience of the mystic. Through individual analytical-interpretative contributions based on the works of the mystics of the Western Christian tradition, we will try to enter into a specific image of ineffability modelled (the language of mystical unification) and reflexively stimulated (the language of mystagogy) by mystical experience. This is a complex subject confirmed by its basic attribute (inexpressibility at the language level) and by its thought-initiated tensions (for example, interior vs. exterior, authentic vs. ritual, profane vs. sacred, natural vs. supernatural).
    Note: English
    Language: English
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  • 6
    UID:
    almahu_9949282004302882
    Format: 1 electronic resource (278 p.)
    ISBN: 80-210-9997-6
    Content: The scientific and technical achievements of the last decades have enabled man to achieve an unquestionable life comfort. Paradoxically, however, they also stand behind his existential struggles, where the need to slow down the pace and restore one’s own emotional and cognitive resources, revive communication models based on immediate contact, be authentic, creative, stronger, and so on breaks through the surface. One way of looking for a personal way of life and its meaning is through a religious, more precisely, spiritual experience. We consider the mystical experience to be the modality of the spiritual expression or, more precisely, its autonomous part. We see it as a descent of man into his own interior, so called the centre, in which he acquires a pouring knowledge of the nature of God. Although it is an individual and spontaneous experience, it is characterized by some universal features: imagery as a means of conveying the inexpressible content and as an archetypal basis of spiritual tradition. The publication focuses on the literary-artistic forms of the mystical experience as well as the literary forms of mystagogy, that is the interpretation of the mystical experience of the mystic. Through individual analytical-interpretative contributions based on the works of the mystics of the Western Christian tradition, we will try to enter into a specific image of ineffability modelled (the language of mystical unification) and reflexively stimulated (the language of mystagogy) by mystical experience. This is a complex subject confirmed by its basic attribute (inexpressibility at the language level) and by its thought-initiated tensions (for example, interior vs. exterior, authentic vs. ritual, profane vs. sacred, natural vs. supernatural).
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    edocfu_9960178720102883
    Format: 1 electronic resource (278 p.)
    ISBN: 80-210-9997-6
    Content: The scientific and technical achievements of the last decades have enabled man to achieve an unquestionable life comfort. Paradoxically, however, they also stand behind his existential struggles, where the need to slow down the pace and restore one’s own emotional and cognitive resources, revive communication models based on immediate contact, be authentic, creative, stronger, and so on breaks through the surface. One way of looking for a personal way of life and its meaning is through a religious, more precisely, spiritual experience. We consider the mystical experience to be the modality of the spiritual expression or, more precisely, its autonomous part. We see it as a descent of man into his own interior, so called the centre, in which he acquires a pouring knowledge of the nature of God. Although it is an individual and spontaneous experience, it is characterized by some universal features: imagery as a means of conveying the inexpressible content and as an archetypal basis of spiritual tradition. The publication focuses on the literary-artistic forms of the mystical experience as well as the literary forms of mystagogy, that is the interpretation of the mystical experience of the mystic. Through individual analytical-interpretative contributions based on the works of the mystics of the Western Christian tradition, we will try to enter into a specific image of ineffability modelled (the language of mystical unification) and reflexively stimulated (the language of mystagogy) by mystical experience. This is a complex subject confirmed by its basic attribute (inexpressibility at the language level) and by its thought-initiated tensions (for example, interior vs. exterior, authentic vs. ritual, profane vs. sacred, natural vs. supernatural).
    Note: English
    Language: English
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  • 8
    UID:
    gbv_790796163
    In: La historia de la literatura grecolatina en España, Málaga : Universidad de Málaga, 2013, (2013), Seite 191-209
    In: year:2013
    In: pages:191-209
    Language: Spanish
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