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  • 1
    Book
    Book
    New York, NY [u.a.] :Lang,
    UID:
    almahu_BV040027959
    Format: XI, 273 S. : , Ill., graph. Darst.
    ISBN: 978-1-4331-1258-4 , 978-1-4331-1257-7 , 978-1-4539-0146-5
    Series Statement: Visual communication 2
    Language: English
    Subjects: Ethnology , General works , Sociology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Visuelle Kommunikation ; Visuelle Medien ; Einführung ; Einführung ; Einführung
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  • 2
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    almahu_9948664887702882
    Format: 1 online resource (254 p.)
    Edition: 1st, New ed.
    ISBN: 9781453910290
    Series Statement: Digital Formations 82
    Content: This book won the Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction 2014 Technological changes have radically altered the ways in which people use visual images. One such impact has been the transformation of computer-mediated-communication (CMC) into social networking. With a focus on social networking sites such as Facebook, MySpace, Second Life, and YouTube, this book describes the theoretical and historical background of computer-mediated communication alongside the cultural changes occurring with the introduction of digital media in society. Designed for students, this text introduces CMC terminology, methods for analyzing online exchanges, and theories on the relationship between CMC, social networks, and culture. By exploring both the meanings associated with CMC and social networks, and the relationship of CMC to culture, the goal of this text is to provide students with methods to better understand the socially-oriented world in which they live and to understand the characteristics that make social networks successful. Special features including terms, examples, CMC theory, and suggestions for student exercises.
    Note: Contents: Communicating Through the Internet – Social Networking – Online Presentation and Personal Branding – Social Norms – Misbehavior Online – Internet Relationships – Virtual Communities – The Interface Is the Marketplace – User-Generated Content and Remix Culture – Relationships and Social Capital – Social Issues and Social Networks – Social Network Generation.
    Additional Edition: ISBN 9781433116551
    Additional Edition: ISBN 9781433121746
    Language: English
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  • 3
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    almahu_9948664884502882
    Format: 1 online resource (212 p.)
    Edition: 1st, New ed.
    ISBN: 9781453912904
    Series Statement: Visual Communication 4
    Content: In an increasingly global society, the ability to identify a culture’s visual aesthetics helps us localize messages for better understanding and resonance with targeted audiences. But how do we identify the visual cues that specific cultures respond to? Based on Web design «best practices» and data collected from close to 2000 websites in more than 30 countries over a period of eight years, this book defines a methodology for identifying patterns – a «pattern language» – by which one can analyze the cultural aesthetics of a website to: (1) learn more about the visual communication patterns of a particular culture, (2) apply what is learned to the creation of new Web communication, and (3) identify trends in visual communication on the Web as influenced by emerging technologies.
    Note: Contents: A Pattern Language: Culture, Technology & Design – Getting Started: Two Methods – Color Palettes – Content: Modality, Ratio, Density & Flow – Time: Mode & Tempo – Audience Interaction & Information Density – Cultural Attitudes & Values – Usability, Uncertainty & Ambiguity – Using the Pattern Language.
    Additional Edition: ISBN 9781433122224
    Additional Edition: ISBN 9781433122231
    Language: English
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  • 4
    UID:
    gbv_1790008824
    Format: xiv, 215 Seiten , 21 cm x 14.8 cm
    ISBN: 9781433175800 , 9781433175794
    Additional Edition: ISBN 9781433175817
    Additional Edition: ISBN 9781433175824
    Additional Edition: Erscheint auch als Online-Ausgabe Barnes, Susan B.. Visual Spirituality New York : Peter Lang Inc., International Academic Publishers, 2022 ISBN 9781433175817
    Language: English
    Subjects: Sociology
    RVK:
    RVK:
    Keywords: Kunst ; Spiritualität ; Geschichte 1900-2000 ; Medienökologie ; Spiritualität ; Spiritualität ; Kunst ; Geschichte 1900-2000
    Author information: Barnes, Susan B. 1951-
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  • 5
    UID:
    b3kat_BV023715228
    Format: XII, 102 S. , ill. , 24 cm
    ISBN: 0205332498
    Note: Barr, Linda R. (Linda Robinson)
    Language: Undetermined
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  • 6
    Online Resource
    Online Resource
    Lanham :Lexington Books,
    UID:
    edocfu_9960799874202883
    Format: 1 online resource (229 p.)
    Edition: 1st ed.
    ISBN: 1-280-65967-X , 9786613636607 , 0-7391-4015-9
    Content: "Socializing the Classroom: Social Networks and Online Learning, by Susan B. Barnes, examines how social media can be used in education through two research grants and real-world applications. Barnes analyzes social media including Facebook, Courseware, and Second Life, while providing a theoretical foundation for examining social software. A new generation of students is surrounded by digital technologies, leading scholars and teachers to consider virtual worlds to engage students"-- Provided by publisher.
    Note: Description based upon print version of record. , Machine generated contents note: Introduction -- Chapter 1: What are Social Media? -- Chapter 2: Self Identity and Awareness -- Chapter 3: Space Versus Place -- Chapter 4: Structure of Networking Communities -- Chapter 5: Awareness and Notification -- Chapter 6: Second Life and Social Presence -- Chapter 7: Ethical Issues in Virtual Worlds -- Chapter 8: Social Norms -- Chapter 9: Trust Online -- Chapter 10: Remix Culture -- Chapter 11: Social Capital: The Goal of Social Networking -- Conclusion. , English
    Additional Edition: ISBN 0-7391-8823-2
    Additional Edition: ISBN 0-7391-4013-2
    Language: English
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  • 7
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    almahu_9949307874602882
    Format: 1 online resource (232 p.)
    Edition: 1st, New ed.
    ISBN: 9781433175817
    Content: The importance of spirituality in shaping contemporary visual culture has mostly been disregarded. Mentioning art and spirit in the same sentence was considered embarrassing. In contrast, most of the significant twentieth-century art movements developed in conjunction with spiritual inspiration. This book explores the topic through the lenses of media ecology, art history, and psychology. Media ecology is a theory that media shapes how messages are delivered. The non-commercial nature of spiritual concepts would prevent messages from being offered through commercial media. As a result, many respected artists whose works are familiar have escaped understanding because people haven't yet pierced the spiritual history of modern art. Images once considered devoid of meaning are now being re-examined in terms of their spiritual underpinnings. Kandinsky thought that he could correct nineteenth-century materialism by replacing it with twentieth-century spirituality. However, it was not until the twenty-first century that modern art's spiritual value started to be publicly recognized through scholarship and gallery exhibits. Abstraction provides the opportunity to explore design as a psychological self-revelation of the artist. Automatic drawing, once a tool for spirit messages, became a psychological method with the introduction of Surrealism. Psychology introduced the notion of creative dissociation to replace the idea of mediumship as a basis for art created in altered states. Art, as a personal and reflexive expression, can be used to steady our culture from one that denies spirituality to one that embraces it. We can all use artistic techniques to become more balanced people. Spiritual and psychological artistic techniques created the world of art we experience today. Understanding these influences can help us to better know the world in which we live.
    Content: "Through her latest book on Visual Spirituality, media and visual theorist Susan B. Barnes articulates the need to acknowledge the role of the spiritual in making and experiencing art in contemporary secular visual culture. She calls us to recognize art as intrinsically spiritual and the spiritual as intrinsically art. By balancing rational and intuitive ways of knowing and being (Omniphasism) and inclusively drawing on both rather than shutting out one or the other, humans can enhance their spiritual awareness and connect the spiritual to the art of living." -Julianne H. Newton, Professor of Visual Communication, University of Oregon
    Content: "Spiritualism, spirituality and art are not normally terms which are written or spoken together. Historically, spiritualism, a religious practice since 1848, and spirituality, a concept thought of as a presence or spiritual 'immanence' within the self (Charlene Spretnak, Spiritual Dynamic in Modern Art), and art have never been good bedfellows. Here Barnes's book notes the importance of spirituality in art through the lens of spiritualistic practice by rare spirit artists bringing a new vitality to the innermost core of art." -Ann Bridge Davies, Spiritualist art historian, spirit artist and founder of the six classifications of Spiritualist art
    Note: Acknowledgments - Introduction - Revealing the Spiritual in Visual Culture - Spiritual Crisis and Communication Theory - Spirituality and Modern Art - Abstract Spiritual Artists - Spirituality and Non- abstract Art - Spiritualism and Art - Outsider Art - Art, Psychology, and Spirituality - Changing Perspectives, Visual Culture in the Twenty-First Century - Creating Art: A Spiritual Path - Conclusion - Spirit Artists - Index.
    Additional Edition: ISBN 9781433175794
    Additional Edition: ISBN 9781433175800
    Language: English
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  • 8
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    almahu_9948665206802882
    Format: 1 online resource (206 p.)
    Edition: 1st, New ed.
    ISBN: 9781433150425
    Series Statement: Visual Communication 8
    Content: What’s with the men in menstruation? This is the question Men in Menstruation: A Social Transaction sets out to answer. From earliest times men have been puzzled and perplexed by the menstrual cycle and have constructed elaborate taboos, superstitions, and practices attempting to explain why women have a periodical emission of a fluid that resembles blood but is not the result of an injury or affliction. In other words, men want to know why it is possible to bleed and not die. In order to understand what goes on between men and women in the presence of menstruation, this book examines a variety of encounters, referred to as "menstrual transactions." From the three women in the Bible who are identified as menstruating to contemporary films, advertising, TV programs and literature, the book explores a wide range of transactions, even including Prince Charles’s close encounter of a menstrual kind. The book will appeal to anyone interested in gaining insights into the mystery of menstruation as well as students of gender and women’s studies or media theory and history.
    Content: “In a tour de force, David Linton explores the presence (and absence) of menstruation in both high and low culture. Linton’s comprehensive and witty examination of men’s reactions to menstruation in daily life, as well as in various forms of media, is a capstone of his thirty years of scholarly work on the topic. I can recommend this entertaining and accessible book to a broad range of readers with interests in popular culture, sex education, and gender and women’s studies.” —Joan C. Chrisler, Editor of Women’s Reproductive Health
    Content: “Many believe that menstruation is ‘lady business.’ Not so. Menstruation’s complicated and often contradictory meanings are made through what David Linton dubs, ‘the menstrual transaction.’ Indeed, men have been a part of the conversation all along, but their role has been limited to that of outsiders, myth makers and antagonists who either run for the hills or weaponize their ignorance and discomfort. We can do better. The shifting of men (and boys) from menstrual bullies to menstrual allies requires a good hard look at the various texts that transform a bodily process into so much more. A great place to start is Linton’s carefully curated tour through the sometimes painful, often funny and always illuminating menstrual discourses that leave no doubt we can and we must rewrite the rules.” —Chris Bobel, Author of New Blood: Third Wave Feminism and the Politics of Menstruation and The Managed Body: Developing Girls and Menstrual Health in the Global South
    Content: “A book on menstruation by a man? The clear answer, in this case, is YES. Readers, men and women alike, who can bypass doubts and the impulse to joke will find a treasure of information and wisdom in this fascinating, beautifully written account of how both sexes, together, invent the meaning of menstruation and their responses to it. The witty introduction (‘Menses and Me’) is worth the price of the book alone, but David Linton goes on to show how menstruation is dealt with in film, TV, ads, books, songs, and humor. ‘Guys are really clueless!’ one student told him. This book will clue them in. Women, too.” —Carol Tavris, Author of The Mismeasure of Woman and Anger: The Misunderstood Emotion; Co-author of Estrogen Matters and Mistakes Were Made (but not by me)
    Note: Acknowledgments – Introduction: Menses and Me – The Menstrual Transaction – Blood in the Bible, Torah, and Quran and How Jesus Became a Menstrual Hero – A Royal Menstrual Pain: Prince Charles and the Tampon Scandal – The Literary Period: Sightings, Sex, and Dystopian Visions – Seeing Red on TV: Archie Bunker’s Dilemma – Blood on the Screen: Menstrual Features – Selling the Product: Men in Menstrual Marketing – Making Menstrual Music: Singing the Menstrual Blues – Menstrual Mischief and Transgressions – Random Menstrual Moments – Conclusion: Men in the Emerging Menstrual Ecology – Index.
    Additional Edition: ISBN 9781433150418
    Additional Edition: ISBN 9781433168727
    Language: English
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  • 9
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    almahu_9948665049402882
    Format: 1 online resource (356 p.) , 31 ill.
    Edition: 1st, New ed.
    ISBN: 9781433153105
    Series Statement: Visual Communication 9
    Content: When MTV (Music Television channel) was established in 1981, an executive claimed that they had "integrated the most powerful forces in our two decades, TV and rock ‘n’ roll." In fact, this problematic relationship began in the mid-1950s, when the advent of rock ‘n’ roll represented a musical and cultural revolution. The backlash against the music and the youth culture from which it emanated, described here as "rockaphobia," was reflected in a process of adulteration, racism, and co-optation by television programmers, spearheaded by American Bandstand. This interplay between rock ‘n’ roll and television played a significant role in alienating baby boomers from the mainstream, motivating them to create their own countercultural identity. This social migration helped to delineate the boundaries that would be identified in the 1960s as the generation gap. Transmission and Transgression uses an interdisciplinary approach informed by media ecology, the theoretical framework which recognizes that each communication technology, or medium, creates its own unique environment, independent of content. This analysis allows the author to identify inherent technological and sensory incompatibilities between the medium of television and the cultural practice of rock ‘n’ roll, and to place these tensions within the broader shift of physiological emphasis from the traditional, tribal world dominated by the ear to the modern world which privileges the eye. Even in its remediated, diluted form, rock music has occupied a significant niche on television, and this book is the most comprehensive summary, celebration, and analysis of that history.
    Content: “This book is a superb, welcomed examination of the interrelationship between these two defining media of the boomer generation, but with emphasis on how popular music has impacted the boomers in a more pronounced and profound way than television ever did.” —Thom Gencarelli, co-editor of Baby Boomers and Popular Culture
    Content: “Gary Kenton combines a rock journalist’s know-how with scholarly erudition in this engrossing study of the intersection of television and rock ‘n’ roll. ... Transmission and Transgression is a pioneering work of media ecology for anyone wanting to understand rock ‘n’ roll through the lens of the often-disapproving television camera.” —Parke Puterbaugh, author of Phish: The Biography
    Content: “Jean Baudrillard rubs shoulders with Soupy Sales in Gary Kenton’s encyclopedic history and indictment of television’s emasculation of rock ‘n’ roll. Anyone who rushed home from school to watch American Bandstand, stayed up late to catch Midnight Special, or glommed onto MTV will revisit old memories in Transmission and Transgression, find new food for thought, and discover the missing link between Alan Freed and Andy Warhol.” —Ken Emerson, author of Always Magic in the Air
    Note: List of Illustrations – Acknowledgments – Introduction – The Music and the Audience – Rockaphobia – The Mediums and the Messages – Technologies – Reception and Perception – The Non-Recognition Era – The Ridicule Era – The Regulation Era, Part 1 – The Regulation Era, Part 2 – The Regulation Era, Part 3 – The Respect Era, Part 1 – The Respect Era, Part 2 – The Respect Era, Part 3 – Conclusion – Appendix of TV Shows Featuring Rock ‘n’ Roll – Videography – Selected Discography – Index.
    Additional Edition: ISBN 9781433153044
    Additional Edition: ISBN 9781433153099
    Language: English
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  • 10
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    almahu_9948665003402882
    Format: 1 online resource (205 p.)
    Edition: 1st, New ed.
    ISBN: 9781453917404
    Series Statement: Visual Communication 6
    Content: Communicating the Environment Beyond Photography is a modern look at how photographers visualize what is happening to people and places on a changing planet. Michelle I. Seelig draws attention to what compels photographers to focus on these important messages, what tools they are using to advocate for just causes, and how photographers engage directly with citizens in a meaningful conversation beyond the photograph. Photographers continue to document the land and nature as they always have; however, today they use all media to advocate wide-ranging environmental concerns. Photographers, filmmakers, and environmentalists engage the public with visual and technologically driven content that is both affordable and portable, allowing advocacy to transcend boundaries in the global community previously overlooked by traditional media. This innovative book showcases strategies practiced by photographers, environmentalists, and advocacy groups in the twenty-first century and will serve as inspiration for future advocates of environmental issues and other important and just causes. Accessible and user-friendly, Communicating the Environment Beyond Photography is a must-read for both future photographers and individuals interested in communicating and advocating for environmental and social change.
    Content: «With the passion of a concerned photojournalist and the definitional clarity of a scholar, Michelle I. Seelig lays the foundation for a theory of environmental photography. She clearly distinguishes the genre of environmental photography from nature and conservation photography and makes a solid case for the power of visual advocacy to shift how we perceive and interact with the environment.» (Julianne H. Newton, Edwin L. Artzt Interim Dean and Professor of Visual Communication, University of Oregon School of Journalism and Communication) «Michelle I. Seelig brings us on a timely journey through the visual representation of our world and our relationship to it. She movingly explains, not only why seeing is believing, but also why that is critical when photographic evidence of controversial environmental issues are so necessary.» (Roxanne M. O’Connell, Professor of Communication, Roger Williams University)
    Note: Contents: Communicating the Environment – Photo Documents – The Great Awakening – From Beauty to Decay – Mediating the Environment – Envisioning the Environment in the 21st Century – When Photos Are Not Enough – A Better Tomorrow?
    Additional Edition: ISBN 9781433128257
    Language: English
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