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  • 1
  • 2
    Book
    Book
    Oxford ; Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Wien :Lang,
    UID:
    almafu_BV023010106
    Format: 274 S. ; , 23 cm.
    ISBN: 978-3-03-910502-1 , 3-03-910502-7 , 978-0-8204-7508-0
    Series Statement: Stage and screen studies 6
    Content: Roger Blin's career in the Arts was woven inextricably into the fabric of the Twentieth-Century French Avant-Garde. First appearing in the films of Abel Gance, Marcel Carné and Jean Cocteau, his acting career led him to a close friendship and association with Antonin Artaud, for whom he performed the function of assistant director. He championed Samuel Beckett's En attendant Godot, otherwise rejected unanimously by the French theatrical establishment, was Jean Genet's director of choice and was long associated with artists and practitioners as diverse as Arthur Adamov, Jean-Louis Barrault and Jacques Prévert. Marxist in outlook, Blin also sought to apply rigorous humanist principles to his art and delighted in the opportunities he enjoyed to disrupt and upturn the attitudes and complacencies of certain of his audiences. This book surveys all aspects of Blin's artistic output to consider and clarify his motivations, his ambitions and his aesthetic preferences. In doing so, the author hopes to offer perspectives on the methodologies that Blin employed and define the influence his work and his legacy has exerted on the French and World stage.
    Note: Literaturverz. S. 253 - 264
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: 1907-1984 Blin, Roger
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  • 3
    Online Resource
    Online Resource
    London, England : Bloomsbury Methuen Drama | London, England : Bloomsbury Publishing
    UID:
    gbv_1895301602
    Format: 1 Online-Ressource (316 pages) , illustrations, tables
    Edition: Also published in print
    ISBN: 9781408175330 , 1408175339 , 9781408175293 , 9781408175323 , 1408175320
    Series Statement: Critical Companions
    Content: The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This Critical Companion offers an assessment of Pinter''s entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear focus on issues of theatricality and the effect of the plays in performance The Theatre of Harold Pinter considers Pinter''s chief narrative concer
    Note: Includes bibliographical references and index , FC; Half title; In the same series from Bloomsbury Methuen Drama; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; 1 Invasions and Oppressions; Awkward Investments in Enclosed Spaces: The Room, The Birthday Party, The Dumb Waiter, The Hothouse; The Stranger on the Threshold: A Slight Ache, The Caretaker; 2 The Company of Men and the Place of Women; The Male Church: The Dwarfs; Untenable Archetypes: A Night Out, Night School, The Collection, Tea Party; Negotiations and Contracts: The Lover, The Homecoming; 3 Present Continuous, Past Perfect. , Contours and Shadows: Landscape, Silence, Old TimesA Foreign Country: No Man's Land; 4 The Impossible Family; Exiled: Monologue, Betrayal; Other Places: Victoria Station, Family Voices, A Kind of Alaska, Moonlight; Family Under Threat: One for the Road, Mountain Language, Party Time, Celebration; 5 Politics and the Artist as Citizen; Anger and All That: The Birthday Party, The Dumb Waiter, The Hothouse; Art, Truth and Politics: The Nobel Lecture, Precisely, The New World Order, Press Conference, Celebration; The Fist and the Kiss: Ashes to Ashes; 6 Some Concluding Remarks. , 7 Critical and Performance PerspectivesThe Curse of Pinter Harry Burton; 'Who the Hell's That?': Pinter's Memory Plays of the 1970s Chris Megson; Revisiting Pinter's Women : One for the Road (1984), Mountain Language (1988) and Part y Time (1991) Ann C -- Hall; Pinter's Political Dramas: Staging Neoliberal Discourse and Authoritarianism Basil Chiasson; Chronology; Notes; Bibliography; Notes on Contributors; Index. , Also published in print , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781408175316
    Additional Edition: ISBN 1408175290
    Additional Edition: ISBN 9781408175309
    Additional Edition: ISBN 1408175312
    Additional Edition: ISBN 1408175304
    Additional Edition: Erscheint auch als Druck-Ausgabe Taylor-Batty, Mark Theatre of Harold Pinter London, England : Bloomsbury Methuen Drama, ©2014 ISBN 9781408175309
    Language: English
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  • 4
    Journal/Serial
    Journal/Serial
    London : Bloomsbury
    UID:
    kobvindex_ZLB16005400
    Language: English
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  • 5
    Book
    Book
    London : Methuen Drama
    Show associated volumes
    UID:
    kobvindex_ZLB34963843
    Format: Bände
    Series Statement: Methuen Drama Engage
    Language: English
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  • 6
    Online Resource
    Online Resource
    London [u.a.] : Continuum
    UID:
    gbv_1679246666
    Format: Online-Ressource
    ISBN: 9781472543172
    Series Statement: Continuum modern theatre guides
    Content: 1. Background -- 2. Waiting for Godot -- 3. Production analysis -- 4. Performance history -- 5. Annotated bibliography and guide to further reading -- Index.
    Content: "'An impressively complete survey of the play in its cultural, theatrical, historical and political contexts.' - David Bradby, co-editor of Contemporary Theatre Review. Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences."--Bloomsbury Publishing
    Note: Includes bibliographical references (p. [107]-110) and index , Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9780826495938
    Additional Edition: ISBN 9780826495945
    Additional Edition: ISBN 9781472538895
    Additional Edition: ISBN 9781441156105
    Additional Edition: Available in another form
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Beckett, Samuel 1906-1989 En attendant Godot ; Electronic books
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  • 7
    UID:
    gbv_492472432
    Format: XIX, 251 S.
    Edition: 1. publ.
    ISBN: 0571220053
    Series Statement: About ...
    Note: Includes bibliographical references (S. 229 - 239) and index
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Pinter, Harold 1930-2008 ; Pinter, Harold 1930-2008
    Author information: Pinter, Harold 1930-2008
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  • 8
    UID:
    gbv_1766760503
    Format: 1 Online-Ressource (1 online resource)
    Edition: First edition 2018
    ISBN: 9781474281690 , 9781474281713 , 9781474281706 , 9781474281720
    Series Statement: Methuen drama engage
    Content: "Representing a significant contribution to the growing interest in temporality in Theatre and Performance Studies, the book offers alternatives to what have been prevailing temporal preoccupations in those fields. Countering investments in phenomenology, finitude, ghosting, repetition, and return, Wickstrom argues that theatre and performance can create a fiery sense of how to change time and thereby nominate a new possibility for what it means to live."
    Note: Includes bibliographical references
    Language: English
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  • 9
    UID:
    gbv_1766760511
    Format: 1 Online-Ressource (1 online resource)
    Edition: First edition 2019
    ISBN: 9781474267144 , 9781474267168 , 9781474267151 , 9781474267175
    Series Statement: Methuen drama engage
    Content: "Presenting a critical investigation of the reinvigoration of the political in contemporary British theatre, Marissia Fragkou's study provides a fresh understanding of how theatre has engaged with issues of human vulnerability and responsibility in the last two decades. By focusing on the spiralling of uncertainty in the new millennium, the study makes a case for reading precarity as a political theatrical trope which carries the potential to re-animate our understanding of the 'human' and communal responsibility for the lives of others. The book features case studies from theatre work staged in Britain since the 1990s which are critically situated within their material contexts. Drawing on examples from both subsidized mainstream and fringe theatres, and work that can be loosely classified as new writing, verbatim, and devised theatre, the array of contemporary practitioners examined includes Debbie Tucker Green, Simon Stephens, Stan's Cafe, Mike Bartlett, Gillian Slovo, Caryl Churchill, The Paper Birds, and Belarus Free Theatre. In focusing on areas such as children and youth at risk, social justice, environmental ethics, the implications of the war on terror and politics of austerity, the study makes a vital contribution to the burgeoning field of politics and theatre in the 21st century"
    Note: Includes bibliographical references
    Language: English
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  • 10
    UID:
    gbv_1689046198
    Format: 1 Online-Ressource (232 pages) , illustrations (black and white)
    ISBN: 9781472585059
    Series Statement: Methuen Drama engage
    Content: Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. This volume looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, it reveals the link between the rise of radical monologue in the late 20th century and the history of speechmaking, politics, civil rights, individual freedom and the American Dream in the US
    Note: Previously issued in print: London: Bloomsbury Methuen Drama, 2015. Digital resource published 2018 , Zielgruppe - Audience: Specialized
    Additional Edition: ISBN 9781472585011
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781472585011
    Language: English
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