Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (219 pages).

ISBN: 1-4798-1535-7

Series Statement: Postmillennial pop

Content: "Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something more intimate. Through in-depth interviews with musicians such as the Cure, UB40, and Throwing Muses, Nancy K. Baym reveals how new media has facilitated connections through the active participation of both the artists and their devoted digital fan base. Before the rise of online sharing and user-generated content, audiences were mostly seen as undifferentiated masses, often mediated through record labels and the press. Today, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving them a new sense of intimacy, while offering artists unparalleled access to and information about their audiences. But this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be labor intensive and emotionally draining. Drawing on her own rich history as a deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put into maintaining these intimate relationships reflects the demands of the gig economy, one which requires resources and strategies that we all music come to recognize"--Publisher's description.

Note: Previously issued in print: 2018. , Cover; Title page; Copyright page; Contents; List of figures; Introduction : the intimate work of connection; Part I. Music; 1. Music as communication; 2. Music as commodity; Part II. Participation; 3. Audiences; 4. Participatory boundaries; Part III. Relationships; 5. Platforms; 6. Relational boundaries; Conclusion : staying human; Acknowledgments; Appendix 1: Musicians interviewed; Appendix 2: Social media presence as of January 2017; Notes; References; Index; About the author , In English.

Additional Edition: ISBN 1-4798-9616-0

Language: English

Subjects: General works , Musicology

Keywords: Electronic books.

DOI: 10.18574/9781479815357

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Click to View

UID:

Format: 140 Seiten : , Illustrationen.

ISBN: 978-1-4798-1106-9

Content: ""Twitter" explores the popular social media platform"--

Note: Auf dem Umschlag: @jeanburgess and @nancybaym , The @ -- The # -- The RT

Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-4798-2383-3

Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-4798-4180-6

Language: English

Subjects: Economics , General works , Sociology

Keywords: Twitter ; History

URL: Inhaltsverzeichnis

UID:

Format: IX, 253 Seiten : , Illustrationen.

ISBN: 978-1-4798-2158-7 , 978-1-4798-9616-5

Series Statement: Postmillennial pop

Content: "Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something more intimate. Through in-depth interviews with musicians such as the Cure, UB40, and Throwing Muses, Nancy K. Baym reveals how new media has facilitated connections through the active participation of both the artists and their devoted digital fan base. Before the rise of online sharing and user-generated content, audiences were mostly seen as undifferentiated masses, often mediated through record labels and the press. Today, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving them a new sense of intimacy, while offering artists unparalleled access to and information about their audiences. But this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be labor intensive and emotionally draining. Drawing on her own rich history as a deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put into maintaining these intimate relationships reflects the demands of the gig economy, one which requires resources and strategies that we all music come to recognize"...Publisher's description

Note: Includes bibliographical references (Seiten 225-237) and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4798-1535-7

Language: English

Subjects: General works , Musicology

Keywords: Popmusik ; Fan ; Neue Medien ; Publikumsforschung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030569580&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030569580&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: X, 249 S. : Ill.

ISBN: 0-7619-1648-2 , 0-7619-1649-0

Series Statement: New media cultures

Content: "Nancy K. Baym's Tune In, Log On: Soaps, Fandom, and Online Community is an ethnographic study of an Internet soap opera fan group. Bridging the fields of computer-mediated communication and audience studies, the book shows how verbal and nonverbal communicative practices create collaborative interpretations and criticism, group humor, interpersonal relationships, group norms, and individual identity."--BOOK JACKET.

Language: English

Subjects: General works , Sociology

Keywords: Soapopera ; Fanklub ; Internet ; Computerunterstützte Kommunikation

UID:

Format: 1 online resource : , 25 black and white illustrations

ISBN: 9781479815357

Series Statement: Postmillennial Pop ; 14

Content: Explains what happened to music—for both artists and fans—when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base.Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today’s networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive.Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate.

Note: Frontmatter -- , Contents -- , List of Figures -- , Introduction -- , Part I. Music -- , 1. Music as Communication -- , 2. Music as Commodity -- , Part II. Participation -- , 3. Audiences -- , 4. Participatory Boundaries -- , Part III. Relationships -- , 5. Platforms -- , 6. Relational Boundaries -- , Conclusion -- , Acknowledgments -- , Appendix 1 -- , Appendix 2 -- , Notes -- , References -- , Index -- , About the Author , In English.

Language: English

DOI: 10.18574/9781479815357

URL: https://www.degruyter.com/isbn/9781479815357

URL: https://www.degruyter.com/isbn/9781479815357

URL: kostenfrei

URL: kostenfrei

URL: Cover

URL: Cover

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (ix, 315 Seiten).

ISBN: 978-1-4798-3760-1 , 978-1-4798-9011-8

Content: Explores new perspectives on social media entertainmentThere is a new class of cultural producers-YouTube vloggers, Twitch gameplayers, Instagram influencers, TikTokers, Chinese wanghong, and others-who are part of a rapidly emerging and highly disruptive industry of monetized "user-generated" content. As this new wave of native social media entrepreneurs emerge, so do new formations of culture and the ways they are studied.In this volume, contributors draw on scholarship in media and communication studies, science and technology studies, and social media, Internet, and platform studies, in order to define this new field of study and the emergence of creator culture. Creator Culture introduces readers to new paradigms of social media entertainment from critical perspectives, demonstrating both relations to and differentiations from the well-established media forms and institutions traditionally within the scope of media studies.This volume does not seek to impose a uniform perspective; rather, the goal is to stimulate in-depth, globally-focused engagement with this burgeoning industry and establish a dynamic research agenda for scholars, teachers, and students, as well as creators and professionals across the media, communication, creative, and social media industries

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4798-7930-4

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4798-1797-9

Language: English

Subjects: General works

Keywords: Social Media ; Unterhaltungsindustrie ; Aufsatzsammlung ; Einführung ; Aufsatzsammlung ; Einführung ; Aufsatzsammlung ; Einführung

DOI: 10.18574/9781479890118

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: https://www.degruyter.com/isbn/9781479890118

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://www.degruyter.com/isbn/9781479890118

URL: Volltext  (URL des Erstveröffentlichers)

UID:

Format: vi, 223 Seiten : , Illustrationen.

Edition: 2nd edition

ISBN: 978-0-7456-7033-1 , 978-0-7456-7034-8

Series Statement: Digital media and society series

Note: Revised edition of the author's Personal connections in the digital age, published in 2010. - Includes bibliographical references (pages 180 -211) and indexes. - Hier auch später erschienene, unveränderte Nachdrucke

Language: English

Subjects: Sociology

Keywords: Neue Medien ; Zwischenmenschliche Beziehung ; Informationsgesellschaft ; World Wide Web 2.0

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (xix, 243 p.) : , ill.

ISBN: 9781483329086 (ebook) :

Content: 'Internet Inquiry' takes readers into the minds of top Internet researchers as they discuss how they have worked through critical challenges as they research online social environments.

Additional Edition: Print version : ISBN 9781412910002

Language: English

URL: SAGE knowledge

UID:

Format: 1 online resource

ISBN: 9780814708903

Content: Starting in the early 1990s, journalists and scholars began responding to and trying to take account of new technologies and their impact on our lives. By the end of the decade, the full-fledged study of cyberculture had arrived. Today, there exists a large body of critical work on the subject, with cutting-edge studies probing beyond the mere existence of virtual communities and online identities to examine the social, cultural, and economic relationships that take place online.Taking stock of the exciting work that is being done and positing what cyberculture’s future might look like, Critical Cyberculture Studies brings together a diverse and multidisciplinary group of scholars from around the world to assess the state of the field. Opening with a historical overview of the field by its most prominent spokesperson, it goes on to highlight the interests and methodologies of a mobile and creative field, providing a much-needed how-to guide for those new to cyberstudies. The final two sections open up to explore issues of race, class, and gender and digital media's ties to capital and commerce-from the failure of dot-coms to free software and the hacking movement.This flagship book is a must-read for anyone interested in the dynamic and increasingly crucial study of cyberculture and new technologies.

Note: Frontmatter -- , Contents -- , Foreword: Dreams of Fields: Possible Trajectories of Internet Studies -- , Introduction Where Is Internet Studies? -- , Part I Fielding the Field -- , Chapter 1 The Historiography of Cyberculture -- , Chapter 2 Cultural Difference, Theory, and Cyberculture Studies: A Case of Mutual Repulsion -- , Chapter 3 How We Became Postdigital: From CyberStudies to Game Studies -- , Chapter 4 Internet Studies in Times of Terror -- , Chapter 5 Catching the Waves: Considering Cyberculture, Technoculture, and Electronic Consumption -- , Chapter 6 Cyberculture Studies: An Antidisciplinary Approach (version 3.0) -- , Part II Critical Approaches and Methods -- , Chapter 7 Finding the Quality in Qualitative Research -- , Chapter 8 Web Sphere Analysis and Cybercultural Studies -- , Chapter 9 Connecting the Selves Computer-Mediated Identification Processes -- , Chapter 10 The Structural Problems of the Internet for Cultural Policy -- , Chapter 11 Cultural Considerations in Internet Policy and Design: A Case Study from Central Asia -- , Chapter 12 Bridging Cyberlife and Real Life: A Study of Online Communities in Hong Kong -- , Chapter 13 Overcoming Institutional Marginalization -- , Chapter 14 The Vertical (Layered) Net: Interrogating the Conditions of Network Connectivity -- , Chapter 15 The Construction of Cybersocial Reality -- , Part III Cultural Difference in/and Cyberculture -- , Chapter 16 E-scaping Boundaries: Bridging Cyberspace and Diaspora Studies through Nethnography -- , Chapter 17 An Interdisciplinary Approach to the Study of Cybercultures -- , Chapter 18 An Action Research (AR) Manifesto for Cyberculture Power to “Marginalized” Cultures of Difference -- , Chapter 19 Cyberstudies and the Politics of Visibility -- , Chapter 20 Disaggregation, Technology, and Masculinity: Elements of Internet Research -- , Chapter 21 Gender, Technology, and Visual Cyberculture: Virtually Women -- , Part IV Critical Histories of the Recent Past -- , Chapter 22 How Digital Technology Found Utopian Ideology: Lessons from the First Hackers’ Conference -- , Chapter 23 Government.com: ICTs and Reforming Governance in Asia -- , Chapter 24 Dot-Coms and Cyberculture Studies Amazon.com as a Case Study -- , Chapter 25 Associating Independents Business Relationships and the Culture of Independence in the Dot-Com Era -- , About the Contributors -- , Index , In English.

Language: English

Keywords: Aufsatzsammlung ; Bibliografie

DOI: 10.18574/nyu/9780814708903

URL: https://www.degruyter.com/isbn/9780814708903

URL: https://www.degruyter.com/isbn/9780814708903

URL: Volltext  (lizenzpflichtig)

URL: Volltext

URL: Volltext

URL: Volltext

UID:

Format: ix, 315 Seiten

ISBN: 9781479817979 , 9781479879304

Content: "Creator Culture introduces readers to "ways of seeing" social media entertainment from perspectives that critically assess claims for its relation to, yet differentiation from, well-established media forms and institutions within scope for cultural and media studies, including emerging platform and social media studies"--

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4798-3760-1

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4798-9011-8

Language: English

Subjects: General works

Keywords: Social Media ; Unterhaltungsindustrie ; Aufsatzsammlung ; Einführung

URL: Inhaltsverzeichnis

URL: Klappentext