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  • 1
    Online Resource
    Online Resource
    Montreal ; Kingston ; London ; Chicago :McGill-Queen’s University Press,
    UID:
    almafu_BV047897876
    Format: 1 Online-Ressource (viii, 311 Seiten) : , Illustrationen.
    ISBN: 978-0-2280-0035-8
    Series Statement: McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
    Content: "The dominant visual language of European painting from the Renaissance to the nineteenth century, history paintings were formidable in their monumental scale, ambitious moral lessons, and intricate narratives. With the rise of modernist avant-gardes, the genre receded from the forefront of artistic production into the realm of nostalgia. Yet history painting cast a shadow that would subtly colour even the works that sought to displace it. Exploring the resilience of this distinctive mode of visual representation, What Was History Painting and What Is It Now? brings together an internationally distinguished group of scholars to trace the endurance, adaptation, and mutation of history painting. These studies offer a reexamination of the fortunes of the genre from North America to Europe and Africa. Organized around illuminating themes, the book explores the creation of an audience attuned to the genre’s didactic aims, the entry of history painting into the marketplace of commercial art and attractions, and the reimagination of the mode in response to the edicts of modern and contemporary art. Spanning the full range and diversity of history painting, this collection is a broad reconsideration of the tradition and the vibrant ways in which it resonates through the art of the present."--
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-7735-5895-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-7735-5896-0
    Language: English
    Keywords: Historienmalerei ; Aufsatzsammlung
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  • 2
    Image
    Image
    Ottawa :Canadian Photography Institute of the National Gallery of Canada, | New Haven ; London :Yale University Press.
    UID:
    almahu_BV045402626
    Format: 335 Seiten.
    ISBN: 978-0-300-23709-2 , 0-300-23709-X
    Content: A fascinating survey of the varied career of an inventive and influential 19th-century photographer, from allegorical montage to Darwin's catalogue of emotions0 Oscar G. Rejlander (1813-1875) was a Swedish-born photographer who pioneered the genre of art photography. He is best known for combining negatives to form elaborate allegorical compositions and for his ability to communicate expression through his photographic studies and portraits. His influence shines in the works of other important photographers of the day. This catalogue accompanies the first major retrospective on this vital yet understudied figure and considers the whole range of his activities, including his work as a painter and printmaker. Lori Pauli introduces Rejlander with a comprehensive survey of his life and career. Three essays follow, from leading scholars in the field of 19th-century photography, with topics ranging from Rejlander's engagement with Victorian painting, to his studio and working methods, to his artistic circle and work with Charles Darwin. Engagingly written and beautifully illustrated, this publication fills a void in scholarship on Rejlander; it also sheds light more broadly on the intersection of art and science and the uses of photography in Victorian culture, as well as the history of photography and its impact on Victorian culture. Exhibition: National Gallery of Canada: Canadian Photography Institute Galleries, Ottawa, Canada (19.10.2018 - 03.02.2019) / The Getty Museum, Los Angeles, USA (12.03.-09.06.2019)
    Note: Published in conjunction with the exhibition "Oscar G. Rejlander: Artist Photographer", itinerary: National Gallery of Canada, Ottawa, from 19 October 2018 to 3 February 2019; The J. Paul Getty Museum, Los Angeles, from 12 March to 9 June 2019
    Language: English
    Subjects: General works
    RVK:
    Keywords: 1813-1875 Rejlander, Oscar Gustave ; Porträtfotografie ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Hellman, Karen.
    Author information: Pauli, Lori, 1960-
    Author information: Prodger, Phillip, 1967-
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  • 3
    Book
    Book
    University Park, Penn. :Pennsylvania State University Press,
    UID:
    almahu_BV042607150
    Format: XIV, 198 S. : , Ill. ; , 27 cm.
    ISBN: 978-0-271-06501-4
    Content: "Examines how photographic trickery in the 1850s and 1860s participated in the fashioning of the modern subject. Integrates images of the Victorian period into a new and expansive interpretive framework by locating specific mechanisms of photographic deception"...Provided by publisher
    Note: Includes bibliographical references (pages 179-190) and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Inszenierte Fotografie ; Visuelle Wahrnehmung ; Soziale Konstruktion
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  • 4
    Online Resource
    Online Resource
    University Park, Pennsylvania :The Pennsylvania State University Press,
    UID:
    almahu_9949087409402882
    Format: 1 online resource (xiv, 198 pages) : , illustrations
    ISBN: 9780271089287 (e-book)
    Additional Edition: Print version: Bear, Jordan. Disillusioned : Victorian photography and the discerning subject. University Park, Pennsylvania : The Pennsylvania State University Press, c2015 ISBN 9780271065014
    Language: English
    Keywords: Electronic books. ; History. ; History.
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  • 5
    UID:
    gbv_891120327
    Format: 1 Online-Ressource (xv, 204 Seiten, 15 ungezählte Seiten) , Illustrationen
    ISBN: 9781474253130
    Content: Cover -- Contents -- List of Illustrations -- List of Contributors -- 1 Photography's Time Zones -- PART ONE MEDICAL RESTORATIONS AND ENHANCEMENTS -- 2 Before and After: The Aesthetic as Evidence in Nineteenth-Century Medical Photography -- 3 Imaging the Criminal Body: "Faces of Meth" and Galton's Composite Photographs -- PART TWO LANDSCAPE AND THE BUILT ENVIRONMENT -- 4 "Noise Abatement Zone": John Divola's Photographic Fulcrum -- 5 The Elusive Event: Frank Gohlke in Conversation with Rebecca Senf -- PART THREE NATURAL AND UNNATURAL DISASTERS -- 6 Beyond Images of Melting Ice: Hidden Histories of People, Place, and Time in Repeat Photography of Glaciers -- 7 Natural Cycles: Naoya Hatakeyama's Photographs of the 2011 Tohoku Tsunami -- PART FOUR SOCIAL "IMPROVEMENTS": ASSIMILATION AND REFORM -- 8 Staging Emancipation: Race and Reconstruction in American Photographic Humor -- 9 Facing the Binary: Native American Students in the Camera's Lens -- PART FIVE FROM TWO TO THREE: BEFORE AND-AFTER TIME, COMPLICATED -- 10 Beyond "This-Caused-That": The Temporal Complexities of Before-and-After Photographs -- Afterword -- Index
    Note: Includes bibliographical references
    Additional Edition: ISBN 9781474253116
    Additional Edition: Erscheint auch als Druck-Ausgabe Before-and-after photography London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017 ISBN 9781474253116
    Language: English
    Subjects: General works
    RVK:
    Keywords: Fotografie ; Bild ; Vergleich ; Dokumentarfotografie ; Aufsatzsammlung
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  • 6
    UID:
    almahu_BV042736119
    Format: 655 Seiten : , Illustrationen ; , 28 cm.
    ISBN: 978-3-03764-426-3
    Note: catalogue is produced in conjunction with the exhibition "Imponderable: the archives of Tony Oursler", on view at Les Forges, Parc des Ateliers, Arles, France, July 6-September 20, 2015; Includes bibliographical references. - Text engl. und franz.
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1957- Oursler, Tony ; Fotografie ; Druckgrafik ; Sammlung ; Ausstellungskatalog
    Author information: Oursler, Tony, 1957-
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  • 7
    UID:
    gbv_642654859
    Format: 275 S , zahlr. Ill , 31 cm
    ISBN: 9780875981567 , 0875981569
    Content: FOREWORD / William M. Griswold -- PREFACE / Kasper -- KASPER: AN APPRECIATION / Axel Vervoordt -- INTRODUCTION / Rhoda Eitel-Porter -- CATALOGUE -- WORKS CITED IN ABBREVIATED FORM -- INDEX OF ARTISTS
    Note: Includes bibliographical references and index , FOREWORD , PREFACE , KASPER: AN APPRECIATION , INTRODUCTION , CATALOGUE ; WORKS CITED IN ABBREVIATED FORM ; INDEX OF ARTISTS.
    Language: English
    Keywords: Kasper 1926- ; Sammlung ; Zeichnung ; Fotografie ; Ausstellungskatalog
    Author information: Eitel Porter, Rhoda
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  • 8
    Book
    Book
    London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc
    UID:
    gbv_1626514763
    Format: xv, 204 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    ISBN: 9781474253116
    Note: Includes bibliographical references
    Additional Edition: ISBN 9781474253130
    Additional Edition: ISBN 9781474253130
    Additional Edition: ISBN 9781474253147
    Additional Edition: Erscheint auch als Online-Ausgabe Before-and-after photography London : Routledge, Taylor & Francis Group, 2017 ISBN 9781474253130
    Language: English
    Subjects: General works
    RVK:
    Keywords: Fotografie ; Bild ; Vergleich ; Fotografie ; Bild ; Vergleich ; Aufsatzsammlung
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  • 9
    Book
    Book
    Abingdon : Routledge
    UID:
    gbv_633006246
    Format: S. 90 - 210 , Ill.
    Series Statement: Visual resources 26.2010,2
    Language: English
    Keywords: Fotografie ; Ästhetik ; Realitätsbezug ; Aufsatzsammlung
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  • 10
    Online Resource
    Online Resource
    Montreal ; Kingston ; London ; Chicago :McGill-Queen’s University Press,
    UID:
    edocfu_BV047897876
    Format: 1 Online-Ressource (viii, 311 Seiten) : , Illustrationen.
    ISBN: 978-0-2280-0035-8
    Series Statement: McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
    Content: "The dominant visual language of European painting from the Renaissance to the nineteenth century, history paintings were formidable in their monumental scale, ambitious moral lessons, and intricate narratives. With the rise of modernist avant-gardes, the genre receded from the forefront of artistic production into the realm of nostalgia. Yet history painting cast a shadow that would subtly colour even the works that sought to displace it. Exploring the resilience of this distinctive mode of visual representation, What Was History Painting and What Is It Now? brings together an internationally distinguished group of scholars to trace the endurance, adaptation, and mutation of history painting. These studies offer a reexamination of the fortunes of the genre from North America to Europe and Africa. Organized around illuminating themes, the book explores the creation of an audience attuned to the genre’s didactic aims, the entry of history painting into the marketplace of commercial art and attractions, and the reimagination of the mode in response to the edicts of modern and contemporary art. Spanning the full range and diversity of history painting, this collection is a broad reconsideration of the tradition and the vibrant ways in which it resonates through the art of the present."--
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-7735-5895-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-7735-5896-0
    Language: English
    Keywords: Historienmalerei ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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