Kooperativer Bibliotheksverbund

UID:

Format: XI, 305 S. : , Ill.

ISBN: 978-0-8223-4708-8 , 978-0-8223-4726-2

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Film ; Zusammenstoß

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020636111&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

UID:

Format: 1 Online-Ressource

ISBN: 9780822356523 , 9781478091950

Content: Animation and history / Esther Leslie -- Animating the instant : the secret symmetry between animation and photography / Tom Gunning -- Polygraphic photography and the origins of 3-D animation / Alexander R. Galloway -- "A living, developing egg is present before you" : animation, scientific visualization, modeling / Oliver Gaycken -- André Martin, inventor of animation cinema : prolegomena for a history of terms / Hervé Joubert-Laurencin; translated by Lucy Swanson -- "First principles" of animation / Alan Cholodenko -- Animation, in theory / Suzanne Buchan -- Film as experiment in animation : are films experiments on human beings? / Gertrud Koch; translated by Daniel Hendrickson -- Frame shot : Vertov's ideologies of animation / Mihaela Mihailova and John MacKay -- Signatures of motion : Len Lye's scratch films and the energy of the line / Andrew R. Johnston -- Animating copies : Japanese graphic design, the Xerox machine, and Walter Benjamin / Yuriko Furuhata -- Framing the postmodern : the rhetoric of animated form in experimental identity-politics documentary video in the 1980s and 1990s / Tess Takahashi -- Cartoon film theory : Imamura Taihei on animation, documentary, and photography / Thomas LaMarre -- African American representation through the combination of live action and animation / Christopher P. Lehman -- Animating uncommon life : U.S. Military malaria films (1942-1945) and the Pacific theater / Bishnupriya Ghosh -- Realism in the animation media environment : animation theory from Japan / Marc Steinberg -- Some observations pertaining to cartoon physics; or, The cartoon cat in the machine / Scott Bukatman

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-8223-5640-0

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-8223-5652-3

Language: English

Subjects: General works

Keywords: Animationsfilm ; Zeichentrickfilm ; Filmtheorie ; Aufsatzsammlung

DOI: 10.1515/9781478091950

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

Format: 1 online resource (320 p.)

ISBN: 1-283-03675-4 , 9786613036759 , 0-8223-9276-3

Series Statement: e-Duke books scholarly collection.

Content: Argues that representations of the car crash in film genres from slapstick comedies to industrial-safety movies parallels the collision of film and other media.

Note: Description based on print version record , "Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap. , English

Additional Edition: ISBN 0-8223-4726-1

Additional Edition: ISBN 0-8223-4708-3

Language: English

Keywords: Electronic books

URL: Volltext  (lizenzpflichtig)

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Format: 1 online resource (x, 359 pages) : , illustrations

ISBN: 1-306-49438-9

Additional Edition: ISBN 0-8223-5652-X

Language: English

UID:

Format: VI, 312 S. : , Ill. ; , 24 cm.

ISBN: 978-0-8223-4131-4 , 0-8223-4131-X , 978-0-8223-4155-0 , 0-8223-4155-7

Content: "In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become." -- Publisher's description

Note: Includes bibliographical references (p. [277]-291) and index

Language: English

Subjects: General works

Keywords: Fotografie ; Film ; Aufsatzsammlung ; Aufsatzsammlung ; Filmografie

URL: Inhaltsverzeichnis

URL: Rezension

URL: Rezension

UID:

Format: 1 Online-Ressource

ISBN: 9781478091950

Content: Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 online resource (370 p.)

ISBN: 1-4780-9195-9

Content: Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Animating Film Theory: An Introduction -- , I : : Time and Space -- , 1 : : Animation and History -- , 2 : : Animating the Instant: The Secret Symmetry between Animation and Photography -- , 3 : : Polygraphic Photography and the Origins of 3-D Animation -- , 4 : : “A Living, Developing Egg Is Present before You”: Animation, Scientific Visualization, Modeling -- , II : : Cinema and Animation -- , 5 : : André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms -- , 6 : : “First Principles” of Animation -- , 7 : : Animation, in Theory -- , III : : The Experiment -- , 8 : : Film as Experiment in Animation: Are Films Experiments on Human Beings? -- , 9 : : Frame Shot: Vertov’s Ideologies of Animation -- , 10 : : Signatures of Motion: Len Lye’s Scratch Films and the Energy of the Line -- , 11 : : Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin -- , 12 : : Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s -- , IV : : Animation and the World -- , 13 : : Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography -- , 14 : : African American Representation through the Combination of Live Action and Animation -- , 15 : : Animating Uncommon Life: U.S. Military Malaria Films (1942–1945) and the Pacific Theater -- , 16 : : Realism in the Animation Media Environment: Animation Theory from Japan -- , 17 : : Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine -- , Bibliography -- , Contributors -- , Index

Language: English

DOI: 10.1515/9781478091950

UID:

Format: 239 S. : Ill.

ISBN: 0-8223-3125-X , 0-8223-3074-1

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Film ; Frau ; Feminismus ; Film ; Magie ; Frau ; Verschwinden ; Feminismus

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009967698&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: 1 online resource (370 p.)

ISBN: 0-8223-7681-4

Content: Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be

Note: Description based upon print version of record. , Contents; Acknowledgments; Animating Film Theory: An Introduction - Karen Beckman; I. Time and Space; 1. Animation and History - Esther Leslie; 2. Animating the Instant: The Secret Symmetry between Animation and Photography - Tom Gunning; 3. Polygraphic Photography and the Origins of 3-D Animation - Alexander R. Galloway; 4. "A Living, Developing Egg Is Present before You": Animation, Scientific Visualization, Modeling - Oliver Gaycken; II. Cinema and Animation , 5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms - Hervé Joubert-Laurencin (Translated by Lucy Swanson)6. "First Principles" of Animation - Alan Cholodenko; 7. Animation, in Theory - Suzanne Buchan; III. The Experiment; 8. Film as Experiment in Animation: Are Films Experiments on Human Beings - Gertrud Koch, (Translated by Daniel Hendrickson); 9. Frame Shot: Vertov's Ideologies of Animation - Mihaela Mihailova and John MacKay; 10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line - Andrew R. Johnston , 11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin - Yuriko Furuhata12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s - Tess Takahashi; IV. Animation and the World; 13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography - Thomas LaMarre; 14. African American Representation through the Combination of Live Action and Animation - Christopher P. Lehman , 15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater - Bishnupriya Ghosh16. Realism in the Animation Media Environment: Animation Theory from Japan - Marc Steinberg; 17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine - Scott Bukatman; Bibliography; Contributors; Index , English

Additional Edition: ISBN 0-8223-5640-6

Language: English

DOI: 10.1515/9780822376811

UID:

Format: 1 online resource (370 p.)

ISBN: 0-8223-7681-4

Content: Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be

Note: Description based upon print version of record. , Contents; Acknowledgments; Animating Film Theory: An Introduction - Karen Beckman; I. Time and Space; 1. Animation and History - Esther Leslie; 2. Animating the Instant: The Secret Symmetry between Animation and Photography - Tom Gunning; 3. Polygraphic Photography and the Origins of 3-D Animation - Alexander R. Galloway; 4. "A Living, Developing Egg Is Present before You": Animation, Scientific Visualization, Modeling - Oliver Gaycken; II. Cinema and Animation , 5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms - Hervé Joubert-Laurencin (Translated by Lucy Swanson)6. "First Principles" of Animation - Alan Cholodenko; 7. Animation, in Theory - Suzanne Buchan; III. The Experiment; 8. Film as Experiment in Animation: Are Films Experiments on Human Beings - Gertrud Koch, (Translated by Daniel Hendrickson); 9. Frame Shot: Vertov's Ideologies of Animation - Mihaela Mihailova and John MacKay; 10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line - Andrew R. Johnston , 11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin - Yuriko Furuhata12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s - Tess Takahashi; IV. Animation and the World; 13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography - Thomas LaMarre; 14. African American Representation through the Combination of Live Action and Animation - Christopher P. Lehman , 15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater - Bishnupriya Ghosh16. Realism in the Animation Media Environment: Animation Theory from Japan - Marc Steinberg; 17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine - Scott Bukatman; Bibliography; Contributors; Index , English

Additional Edition: ISBN 0-8223-5640-6

Language: English

DOI: 10.1515/9780822376811