Format:
1 Online-Ressource (XXX, 1043 Seiten)
ISBN:
9789004515956
Series Statement:
Avant-garde critical studies volume 41
Content:
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 is the final volume of the four-volume series of cultural histories of the avant-garde movements in the Nordic countries. This volume carries the avant-garde discussion forward to present-day avant-gardes, challenged by the globalisation of the entertainment industries and new interactive media such as the internet. The avant-garde can now be considered a tradition that has been made more widely available through the opening of archives, electronic documentation and new research, which has spurred both re-enactments, revisions and continuations of historical avant-garde practices, while new cultural contexts, political, technological and ecological conditions have called for new strategies
Note:
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 brings the series of cultural histories of the avant-garde in the Nordic countries up to the present. It discusses revisions and continuations of historical practices since 1975
,
Includes bibliographical references and index
,
Preface
,
Contributors
,
The Long Avant-Garde Tradition – Restaging, Resisting, Renewing
,
Section 1: Paradigmatic Cases
,
Introduction to Section 1
,
Appropriating the Past to Examine the Present – On Matias Faldbakken as Media Artist
,
Magma and Persona – Material Generativity in the Work of Björk Guðmundsdóttir
,
DOGMA 95 and The Idiots – A Renewal of Avant-Garde Realism in Film
,
Feminist Avant-Garde Film of the 1970s as Gender Politics – The Example of Tornerose, by Jytte Rex and Kirsten Justesen
,
Such Stuff as We Are Made of – Kirsten Dehlholm, Billedstofteater and Hotel Pro Forma
,
“An American Poet Only Writing in Finnish” – Leevi Lehto’s Seminal Role in Contemporary Finnish Poetry
,
Section 2: The Promises of Technology
,
Introduction to Section 2
,
The Avant-Garde and the Computer Industry – Art and Technology Collaborations at Datasaab and IBM Sweden from the late 1960s to the 1990s
,
Miracle Machines – The Creative and Democratic Promise of the Photocopier: Danish Xerography 1979–1995 in an Avant-Garde Perspective
,
Avant-Garde Anomalies and Transnational Trajectories – The Place and Time of Gunvor Nelson’s Collage Films of the 1980s
,
Art for Aliens – On Goodiepal’s Xenophile Posthumanism
,
Erkki Kurenniemi – Life Is an Algorithm
,
Life in a Code – Mikael Brygger’s “ NASDAQ 30.5.2010” as Found Poetry
,
Section 3: The Performative Turn
,
Introduction to Section 3
,
She Splits Phallic Cucumbers with a Knife – The Norwegian Vienna Activist that Art History Forgot
,
“Don’t Panic. Black, No Sugar is a New Way of Life!” – An Icelandic Street Theatre between Carnival and Disturbance
,
Two Different Perspectives on the Avant-Garde in Finnish Dance in the 1980s – Reijo Kela and Sanna Kekäläinen
,
Hilarious Imperialists – Baktruppen’s Bad Family Photos from the World Tour
,
Jessie Kleemann between Orsoq and Turpentine
,
Humour as an Avant-Garde Strategy in Three Generations of Feminist Art: Kirsten Justesen, Hanne Nielsen & Birgit Johnsen and Maja Malou Lyse
,
Precarious Fiction and Precarious Spectatorship – The Artistic Practice of SIGNA as Theatrical Avant-Garde
,
Section 4: Intervention and Institutional Critique
,
Introduction to Section 4
,
The Skinnebach Effect – Towards a Poetic Institutional Critique
,
The Stunt Poets – A Literary Avant-Garde in the Neo-Liberal Age of Mass Media
,
We Are a Song the Band Doesn’t Play – Systematic Systemic Critique in Contemporary Swedish Poetry
,
The Sámi Museum in Karasjok – A Story of Resistance
,
S.L.Á.T.U.R. – The Obtrusive Composers’ Collective
,
The Guerrilla Paradigm or “Feminist-Avant-Garde” – Towards an Alternative Feminist Canon
,
Section 5: Venues
,
Introduction to Section 5
,
J.O. Mallander and the Nordic Neo-Avant-Garde
,
Was ist der Fall? What is the Case? Mr. Klein’s Last Moments (P)reconstructed by Mail
,
Toward a Kinetic Icelandic Culture – Friðrik Þór Friðriksson, Suðurgata 7 and Experimental Film in Iceland
,
Look Back, Dig Out, Mix Up, Think Forward – The Archival Activism of OEI
,
The Bergensbrag Generation – The Rise of Independent Literary Platforms in Norway, 2000–2005
,
Investigative Infrastructures – Nordic Small Presses of the Twenty-First Century
,
Locality and Literary Intervention – Ida Börjel’s Skåneradio
,
Danish Children’s and Youth Television from an Avant-Garde Perspective
,
The Ultima Festival in Oslo – Institutionalising the Avant-Garde?
,
Section 6: Subcultures
,
Introduction to Section 6
,
The Copenhagen Punk Years – Art with No Future?
,
The Performance Group Værst’s Nine Performance Videos for Sort Sol’s Album Flow My Firetear
,
Beyond the Borders – Elgaland-Vargaland and the Association for Temporary Art
,
The Happy Antagonist – Pasi “Sleeping” Myllymäki’s Underground Super-8 Films
,
Immigrant Film Co-Operatives in Sweden – The Most Typical Avant-Garde
,
Specialists in Revolt – The Surrealist Group of Stockholm
,
“To Be Fully Subconscious” – On the Medúsa Group
,
Home to Hell – Tóroddur Poulsen
,
A “Cow-Napping” in Context: From the Scribble Board to Zero Tolerance – (Sub)Cultural Interventions in the Public Realms of Stockholm, 1968–2004
,
“… because enmity and admiration go hand in hand” – Guy Maddin’s Tales from the Gimli Hospital
,
Section 7: Postmodernism and Re-Enactments
,
Introduction to Section 7
,
Postmodern Avant-Garde in Theory and in Poetry in Finland at the End of the Twentieth Century
,
Avant-Garde vs. “Avant-Garde” – Danish Artists of the 1980s as Successors to and Rebels against the 1960s Avant-Garde
,
Traces of Avant-Garde Strategies in Danish Poetry of the 1980s
,
Cecilie Løveid – Postmodern Recycling of the Avant-Garde
,
French Feminist Theory and Surrealism in Karin Moe’s Kjønnskrift (Sextext)
,
“New. Fantastic. Different” – Mariaana Jäntti’s Amorfiaana (1986) and Monika Fagerholm’s Diva (1998) as Finnish Feminist Avant-Garde Prose Fiction
,
The Arctic Mongrel – Pia Arke’s Ethno-Aesthetics as Post-Colonial Avant-Gardism
,
Section 8: The End of the Avant-Garde?
,
Introduction to Section 8
,
Superflex and the End of Art
,
A BIGamist Bricoleur – The Postmodern Avant-Gardism of Bjarke Ingels
,
Avant-Garde Design in Denmark – Four Cases Concerning Furniture
,
Avant-Garde and Post-Colonial? – How to Square the Circle in a Nordic Country with a Colonial Past
,
Constructing an Avant-Garde Canon in the Twenty-First Century – On the Icelandic Poetry Group Nýhil
,
Precarious Life – Nielsen’s Search for a Life beyond Identity
,
A Contemporary Avant-Garde in the Nordic Countries? Subversion or Subvention
,
Index.
Additional Edition:
ISBN 9789004444560
Additional Edition:
Erscheint auch als Druck-Ausgabe A cultural history of the avant-garde in the Nordic countries since 1975 Leiden : Brill, 2022 ISBN 9789004444560
Language:
English
Subjects:
History
Keywords:
Skandinavien
;
Avantgarde
;
Kunst
;
Geschichte 1975-2022
;
Aufsatzsammlung
DOI:
10.1163/9789004515956
Author information:
Benedikt Hjartarson 1972-
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